“Well, I don’t know about that,” said Nekhludoff. “I went there twice, and felt very much depressed.”
“Do you know, you ought to get acquainted with the Countess Passek,” continued Maslennikoff, growing talkative. “She has given herself up entirely to this sort of work. Elle fait beaucoup de bien. Thanks to her–and, perhaps I may add without false modesty, to me–everything has been changed, changed in such a way that the former horrors no longer exist, and they are really quite comfortable there. Well, you’ll see. There’s Fanarin. I do not know him personally; besides, my social position keeps our ways apart; but he is positively a bad man, and besides, he takes the liberty of saying such things in the court–such things!”
“Well, thank you,” Nekhludoff said, taking the paper, and without listening further he bade good-day to his former comrade.
“And won’t you go in to see my wife?”
“No, pray excuse me; I have no time now.”
“Dear me, why she will never forgive me,” said Maslennikoff, accompanying his old acquaintance down to the first landing, as he was in the habit of doing to persons of not the greatest, but the second greatest importance, with whom he classed Nekhludoff; “now do go in, if only for a moment.”
But Nekhludoff remained firm; and while the footman and the door-keeper rushed to give him his stick and overcoat, and opened the door, outside of which there stood a policeman, Nekhludoff repeated that he really could not come in.
“Well, then; on Thursday, please. It is her ‘at-home.’ I will tell her you will come,” shouted Maslennikoff from the stairs.
CHAPTER LI
THE CELLS
Nekhludoff drove that day straight from Maslennikoff’s to the prison, and went to the inspector’s lodging, which he now knew. He was again struck by the sounds of the same piano of inferior quality; but this time it was not a rhapsody that was being played, but exercises by Clementi, again with the same vigour, distinctness, and quickness. The servant with the bandaged eye said the inspector was in, and showed Nekhludoff to a small drawing-room, in which there stood a sofa and, in front of it, a table, with a large lamp, which stood on a piece of crochet work, and the paper shade of which was burnt on one side. The chief inspector entered, with his usual sad and weary look.
“Take a seat, please. What is it you want?” he said, buttoning up the middle button of his uniform.
“I have just been to the vice-governor’s, and got this order from him. I should like to see the prisoner Maslova.”
“Markova?” asked the inspector, unable to bear distinctly because of the music.
“Maslova!”
“Well, yes.” The inspector got up and went to the door whence proceeded Clementi’s roulades.
“Mary, can’t you stop just a minute?” he said, in a voice that showed that this music was the bane of his life. “One can’t hear a word.”
The piano was silent, but one could hear the sound of reluctant steps, and some one looked in at the door.
The inspector seemed to feel eased by the interval of silence, lit a thick cigarette of weak tobacco, and offered one to Nekhludoff.
Nekhludoff refused.
“What I want is to see Maslova.”
“Oh, yes, that can be managed. Now, then, what do you want?” he said, addressing a little girl of five or six, who came into the room and walked up to her father with her head turned towards Nekhludoff, and her eyes fixed on him.
“There, now, you’ll fall down,” said the inspector, smiling, as the little girl ran up to him, and, not looking where she was going, caught her foot in a little rug.
“Well, then, if I may, I shall go.”
“It’s not very convenient to see Maslova to-day,” said the inspector.
“How’s that?”
“Well, you know, it’s all your own fault,” said the inspector, with a slight smile. “Prince, give her no money into her hands. If you like, give it me. I will keep it for her. You see, you gave her some money yesterday; she got some spirits (it’s an evil we cannot manage to root out), and to-day she is quite tipsy, even violent.”
“Can this be true?”
“Oh, yes, it is. I have even been obliged to have recourse to severe measures, and to put her into a separate cell. She is a quiet woman in an ordinary way. But please do not give her any money. These people are so–” What had happened the day before came vividly back to Nekhludoff’s mind, and again he was seized with fear.
“And Doukhova, a political prisoner; might I see her?”
“Yes, if you like,” said the inspector. He embraced the little girl, who was still looking at Nekhludoff, got up, and, tenderly motioning her aside, went into the ante-room. Hardly had he got into the overcoat which the maid helped him to put on, and before he had reached the door, the distinct sounds of Clementi’s roulades again began.
“She entered the Conservatoire, but there is such disorder there. She has a great gift,” said the inspector, as they went down the stairs. “She means to play at concerts.”
The inspector and Nekhludoff arrived at the prison. The gates were instantly opened as they appeared. The jailers, with their fingers lifted to their caps, followed the inspector with their eyes. Four men, with their heads half shaved, who were carrying tubs filled with something, cringed when they saw the inspector. One of them frowned angrily, his black eyes glaring.
“Of course a talent like that must be developed; it would not do to bury it, but in a small lodging, you know, it is rather hard.” The inspector went on with the conversation, taking no notice of the prisoners.
“Who is it you want to see?”
“Doukhova.”
“Oh, she’s in the tower. You’ll have to wait a little,” he said.
“Might I not meanwhile see the prisoners Menshoff, mother and son, who are accused of incendiarism?”
“Oh, yes. Cell No. 21. Yes, they can be sent for.”
“But might I not see Menshoff in his cell?”
“Oh, you’ll find the waiting-room more pleasant.”
“No. I should prefer the cell. It is more interesting.”
“Well, you have found something to be interested in!”
Here the assistant, a smartly-dressed officer, entered the side door.
“Here, see the Prince into Menshoff’s cell, No. 21,” said the inspector to his assistant, “and then take him to the office. And I’ll go and call–What’s her name? Vera Doukhova.”
The inspector’s assistant was young, with dyed moustaches, and diffusing the smell of eau-de-cologne. “This way, please,” he said to Nekhludoff, with a pleasant smile. “Our establishment interests you?”
“Yes, it does interest me; and, besides, I look upon it as a duty to help a man who I heard was confined here, though innocent.”
The assistant shrugged his shoulders.
“Yes, that may happen,” he said quietly, politely stepping aside to let the visitor enter, the stinking corridor first. “But it also happens that they lie. Here we are.”
The doors of the cells were open, and some of the prisoners were in the corridor. The assistant nodded slightly to the jailers, and cast a side glance at the prisoners, who, keeping close to the wall, crept back to their cells, or stood like soldiers, with their arms at their sides, following the official with their eyes. After passing through one corridor, the assistant showed Nekhludoff into another to the left, separated from the first by an iron door. This corridor was darker, and smelt even worse than the first. The corridor had doors on both sides, with little holes in them about an inch in diameter. There was only an old jailer, with an unpleasant face, in this corridor.
“Where is Menshoff?” asked the inspector’s assistant.
“The eighth cell to the left.”
“And these? Are they occupied?” asked Nekhludoff.
“Yes, all but one.”
CHAPTER LII
NO. 21.
“May I look in?” asked Nekhludoff.
“Oh, certainly,” answered the assistant, smiling, and turned to the jailer with some question.
Nekhludoff looked into one of the little holes, and saw a tall young man pacing up and down the cell. When the man heard some one at the door he looked up with a frown, but continued walking up and down.
Nekhludoff looked into another hole. His eye met another large eye looking out of the hole at him, and he quickly stepped aside. In the third cell he saw a very small man asleep on the bed, covered, head and all, with his prison cloak. In the fourth a broad-faced man was sitting with his elbows on his knees and his head low down. At the sound of footsteps this man raised his head and looked up. His face, especially his large eyes, bore the expression of hopeless dejection. One could see that it did not even interest him to know who was looking into his cell. Whoever it might be, he evidently hoped for nothing good from him.
Nekhludoff was seized with dread, and went to Menshoff’s cell, No. 21, without stopping to look through any more holes. The jailer unlocked the door and opened it. A young man, with long neck, well-developed muscles, a small head, and kind, round eyes, stood by the bed, hastily putting on his cloak, and looking at the newcomers with a frightened face. Nekhludoff was specially struck by the kind, round eyes that were throwing frightened and inquiring glances in turns at him, at the jailer, and at the assistant, and back again.
“Here’s a gentleman wants to inquire into your affair.”
“Thank you kindly.”
“Yes, I was told about you,” Nekhludoff said, going through the cell up to the dirty grated window, “and I should like to hear all about it from yourself.”
Menshoff
