and strength, affirming the existence of a higher, nonhuman criterion of life.
From the very day Pierre had experienced this feeling for the first time at the Sloboda Palace he had been continuously under its influence, but only now found full satisfaction for it. Moreover, at this moment Pierre was supported in his design and prevented from renouncing it by what he had already done in that direction. If he were now to leave Moscow like everyone else, his flight from home, the peasant coat, the pistol, and his announcement to the Rostovs that he would remain in Moscow would all become not merely meaningless but contemptible and ridiculous, and to this Pierre was very sensitive.
Pierre’s physical condition, as is always the case, corresponded to his mental state. The unaccustomed coarse food, the vodka he drank during those days, the absence of wine and cigars, his dirty unchanged linen, two almost sleepless nights passed on a short sofa without bedding—all this kept him in a state of excitement bordering on insanity.
It was two o’clock in the afternoon. The French had already entered Moscow. Pierre knew this, but instead of acting he only thought about his undertaking, going over its minutest details in his mind. In his fancy he did not clearly picture to himself either the striking of the blow or the death of Napoleon, but with extraordinary vividness and melancholy enjoyment imagined his own destruction and heroic endurance.
“Yes, alone, for the sake of all, I must do it or perish!” he thought. “Yes, I will approach . . . and then suddenly . . . with pistol or dagger? But that is all the same! ‘It is not I but the hand of Providence that punishes thee,’ I shall say,” thought he, imagining what he would say when killing Napoleon. “Well then, take me and execute me!” he went on, speaking to himself and bowing his head with a sad but firm expression.
While Pierre, standing in the middle of the room, was talking to himself in this way, the study door opened and on the threshold appeared the figure of Makar Alexeevich, always so timid before but now quite transformed.
His dressing gown was unfastened, his face red and distorted. He was obviously drunk. On seeing Pierre he grew confused at first, but noticing embarrassment on Pierre’s face immediately grew bold and, staggering on his thin legs, advanced into the middle of the room.
“They’re frightened,” he said confidentially in a hoarse voice. “I say I won’t surrender, I say . . . Am I not right, sir?”
He paused and then suddenly seeing the pistol on the table seized it with unexpected rapidity and ran out into the corridor.
Gerasim and the porter, who had followed Makar Alexeevich, stopped him in the vestibule and tried to take the pistol from him. Pierre, coming out into the corridor, looked with pity and repulsion at the half-crazy old man. Makar Alexeevich, frowning with exertion, held on to the pistol and screamed hoarsely, evidently with some heroic fancy in his head.
“To arms! Board them! No, you shan’t get it,” he yelled.
“That will do, please, that will do. Have the goodness—please, sir, to let go! Please, sir . . .” pleaded Gerasim, trying carefully to steer Makar Alexeevich by the elbows back to the door.
“Who are you? Bonaparte! . . .” shouted Makar Alexeevich.
“That’s not right, sir. Come to your room, please, and rest. Allow me to have the pistol.”
“Be off, thou base slave! Touch me not! See this?” shouted Makar Alexeevich, brandishing the pistol. “Board them!”
“Catch hold!” whispered Gerasim to the porter.
They seized Makar Alexeevich by the arms and dragged him to the door.
The vestibule was filled with the discordant sounds of a struggle and of a tipsy, hoarse voice.
Suddenly a fresh sound, a piercing feminine scream, reverberated from the porch and the cook came running into the vestibule.
“It’s them! Gracious heavens! O Lord, four of them, horsemen!” she cried.
Gerasim and the porter let Makar Alexeevich go, and in the now silent corridor the sound of several hands knocking at the front door could be heard.
PIERRE, having decided that until he had carried out his design he would disclose neither his identity nor his knowledge of French, stood at the half-open door of the corridor, intending to conceal himself as soon as the French entered. But the French entered and still Pierre did not retire—an irresistible curiosity kept him there.
There were two of them. One was an officer—a tall, soldierly, handsome man—the other evidently a private or an orderly, sunburned, short, and thin, with sunken cheeks and a dull expression. The officer walked in front, leaning on a stick and slightly limping. When he had advanced a few steps he stopped, having apparently decided that these were good quarters, turned round to the soldiers standing at the entrance, and in a loud voice of command ordered them to put up the horses. Having done that, the officer, lifting his elbow with a smart gesture, stroked his mustache and lightly touched his hat.
“Bonjour, la compagnie! [Good-day, everybody!]” said he gaily, smiling and looking about him.
No one gave any reply.
“Vous etes le bourgeois [Are you the master here]?” the officer asked Gerasim.
Gerasim gazed at the officer with an alarmed and inquiring look.
“Quartier, quartier, logement! [Quarters, quarters, lodgings]” said the officer, looking down at the little man with a condescending and good-natured smile. “Les francais sont de bons enfants. Que diable! Voyons! Ne nous fachons pas, mon vieux! [The French are good fellows. What the devil! There, don’t let us be cross, old fellow]” added he, clapping the scared and silent Gerasim on the shoulder. “Well, does no one speak French in this establishment?” he asked again in French, looking around and meeting Pierre’s eyes. Pierre moved away from the door.
Again the officer turned to Gerasim and asked him to show him the rooms in the house.
“Master, not here—don’t understand . . . me, you . . .” said Gerasim, trying to render his words more comprehensible by contorting them.
Still smiling, the French officer spread out his hands before Gerasim’s nose, intimating that he did not understand him either, and moved, limping, to the door at which Pierre was standing. Pierre wished to go away and conceal himself, but at that moment he saw Makar Alexeevich appearing at the open kitchen door with the pistol in his hand. With a madman’s cunning, Makar Alexeevich eyed the Frenchman, raised his pistol, and took aim.
“Board them!” yelled the tipsy man, trying to press the trigger. Hearing the yell the officer turned round, and at the same moment Pierre threw himself on the drunkard. Just when Pierre snatched at and struck up the pistol Makar Alexeevich at last got his fingers on the trigger, there was a deafening report, and all were enveloped in a cloud of smoke. The Frenchman turned pale and rushed to the door.
Forgetting his intention of concealing his knowledge of French, Pierre, snatching away the pistol and throwing it down, ran up to the officer and addressed him in French.
“You are not wounded?” he asked.
“I think not,” answered the Frenchman, feeling himself over. “But I have had a lucky escape this time,” he added, pointing to the damaged plaster of the wall. “Who is that man?” said he, looking sternly at Pierre.
“Oh, I am really in despair at what has occurred,” said Pierre rapidly, quite forgetting the part he had intended to play. “He is an unfortunate madman who did not know what he was doing.”
The officer went up to Makar Alexeevich and took him by the collar.
Makar Alexeevich was standing with parted lips, swaying, as if about to fall asleep, as he leaned against the wall.
“Brigand! You shall pay for this,” said the Frenchman, letting go of him. “We French are merciful after victory, but we do not pardon traitors,” he added, with a look of gloomy dignity and a fine energetic gesture.
Pierre continued, in French, to persuade the officer not to hold that drunken imbecile to account. The Frenchman listened in silence with the same gloomy expression, but suddenly turned to Pierre with a smile. For a few seconds he looked at him in silence. His handsome face assumed a melodramatically gentle expression and he held out his hand.
“You have saved my life. You are French,” said he.
For a Frenchman that deduction was indubitable. Only a Frenchman could perform a great deed, and to save his life—the life of M. Ramballe, captain of the 13th Light Regiment—was undoubtedly a very great deed.
But however indubitable that conclusion and the officer’s conviction based upon it, Pierre felt it necessary to disillusion him.
“I am Russian,” he said quickly.
“Tut, tut, tut! Tell that to others,” said the officer, waving his finger before his nose and smiling. “You shall tell me all about that presently. I am delighted to meet a compatriot. Well, and what are we to do with this man?” he added, addressing himself to Pierre as to a brother.
Even if Pierre were not a Frenchman, having once received that loftiest of human appellations he could not renounce it, said the officer’s look and tone. In reply to his last question Pierre again explained who Makar Alexeevich was and how just before their arrival that drunken imbecile had seized the loaded pistol which they had not had time to recover from him, and begged the officer to let the deed go unpunished.
The Frenchman expanded his chest and made a majestic gesture with his arm.
“You have saved my life! You are French. You ask his pardon? I grant it you. Lead that man away!” said he quickly and energetically, and