This did not, however, impede the commercial rivalries of the London printers, especially as the Barker family refused to allow any other printers access to the authoritative manuscript of the Authorized Version.
Two editions of the whole Bible are recognized as having been produced in 1611, which may be distinguished by their rendering of Ruth 3:15; the first edition reading “he went into the city”, where the second reads “she went into the city”; these are known colloquially as the “He” and “She” Bibles.
The original printing was made before English spelling was standardized, and when printers, as a matter of course, expanded and contracted the spelling of the same words in different places, so as to achieve an even column of text. They set v for initial u and v, and u for u and v everywhere else. They used the long s (ſ) for non-final s. The letter or glyph j occurs only after i, as in the final letter in a Roman numeral, such as XIIJ. Punctuation was relatively heavy (frequent) and differed from modern practice.
When space needed to be saved, the printers sometimes used ye for the (replacing the Middle English thorn, Þ, with the continental y), set ã for an or am (in the style of scribe’s shorthand), and set & for and. In contrast, on a few occasions, they appear to have inserted these words when they thought a line needed to be padded. Later printings regularized these spellings; the punctuation has also been standardized, but still varies from current usage.
As can be seen in the example page on the left, the first printing used a blackletter typeface instead of a roman typeface, which itself made a political and a religious statement. Like the Great Bible and the Bishops’ Bible, the Authorized Version was “appointed to be read in churches”. It was a large folio volume meant for public use, not private devotion; the weight of the type—blackletter type was heavy physically as well as visually—mirrored the weight of establishment authority behind it.
However, smaller editions and roman-type editions followed rapidly, e.g. quarto roman-type editions of the Bible in 1612. This contrasted with the Geneva Bible, which was the first English Bible printed in a roman typeface (although black-letter editions, particularly in folio format, were issued later).
In contrast to the Geneva Bible and the Bishops’ Bible, which had both been extensively illustrated, there were no illustrations in the 1611 edition of the Authorized Version, the main form of decoration being the historiated initial letters provided for books and chapters – together with the decorative title pages to the Bible itself, and to the New Testament.
In the Great Bible, readings derived from the Vulgate but not found in published Hebrew and Greek texts had been distinguished by being printed in smaller roman type. In the Geneva Bible, a distinct typeface had instead been applied to distinguish text supplied by translators, or thought needful for English grammar but not present in the Greek or Hebrew; and the original printing of the Authorized Version used roman type for this purpose, albeit sparsely and inconsistently.
This results in perhaps the most significant difference between the original printed text of the King James Bible and the current text. When, from the later 17th century onwards, the Authorized Version began to be printed in roman type, the typeface for supplied words was changed to italics, this application being regularized and greatly expanded. This was intended to de-emphasize the words.
The original printing contained two prefatory texts; the first was a formal Epistle Dedicatory to “the most high and mighty Prince” King James. Many British printings reproduce this, while most non-British printings do not.
The second preface was called Translators to the Reader, a long and learned essay that defends the undertaking of the new version. It observes the translators’ stated goal, that they “never thought from the beginning that they should need to make a new translation, nor yet to make of a bad one a good one, … but to make a good one better, or out of many good ones, one principal good one, not justly to be excepted against; that hath been our endeavour, that our mark.” They also give their opinion of previous English Bible translations, stating, “We do not deny, nay, we affirm and avow, that the very meanest translation of the Bible in English, set forth by men of our profession, (for we have seen none of theirs [Catholics] of the whole Bible as yet) containeth the word of God, nay, is the word of God.”
As with the first preface, some British printings reproduce this, while most non-British printings do not. Almost every printing that includes the second preface also includes the first. The first printing contained a number of other apparatus, including a table for the reading of the Psalms at matins and evensong, and a calendar, an almanac, and a table of holy days and observances. Much of this material became obsolete with the adoption of the Gregorian calendar by Britain and its colonies in 1752, and thus modern editions invariably omit it.
So as to make it easier to know a particular passage, each chapter was headed by a brief précis of its contents with verse numbers. Later editors freely substituted their own chapter summaries, or omitted such material entirely. Pilcrow marks are used to indicate the beginnings of paragraphs except after the book of Acts.
Authorized Version
The Authorized Version was meant to replace the Bishops’ Bible as the official version for readings in the Church of England. No record of its authorization exists; it was probably effected by an order of the Privy Council, but the records for the years 1600 to 1613 were destroyed by fire in January 1618/19, and it is commonly known as the Authorized Version in the United Kingdom. The King’s Printer issued no further editions of the Bishops’ Bible, so necessarily the Authorized Version replaced it as the standard lectern Bible in parish church use in England.
In the 1662 Book of Common Prayer, the text of the Authorized Version finally supplanted that of the Great Bible in the Epistle and Gospel readings—though the Prayer Book Psalter nevertheless continues in the Great Bible version.
The case was different in Scotland, where the Geneva Bible had long been the standard church Bible. It was not until 1633 that a Scottish edition of the Authorized Version was printed—in conjunction with the Scots coronation in that year of Charles I.
The inclusion of illustrations in the edition raised accusations of Popery from opponents of the religious policies of Charles and William Laud, Archbishop of Canterbury. However, official policy favoured the Authorized Version, and this favour returned during the Commonwealth—as London printers succeeded in re-asserting their monopoly on Bible printing with support from Oliver Cromwell—and the “New Translation” was the only edition on the market. F. F. Bruce reports that the last recorded instance of a Scots parish continuing to use the “Old Translation” (i.e. Geneva) as being in 1674.
The Authorized Version’s acceptance by the general public took longer. The Geneva Bible continued to be popular, and large numbers were imported from Amsterdam, where printing continued up to 1644 in editions carrying a false London imprint.
However, few if any genuine Geneva editions appear to have been printed in London after 1616, and in 1637 Archbishop Laud prohibited their printing or importation. In the period of the English Civil War, soldiers of the New Model Army were issued a book of Geneva selections called “The Soldiers’ Bible”. In the first half of the 17th century the Authorized Version is most commonly referred to as “The Bible without notes”, thereby distinguishing it from the Geneva “Bible with notes”.
There were several printings of the Authorized Version in Amsterdam—one as late as 1715 which combined the Authorized Version translation text with the Geneva marginal notes; one such edition was printed in London in 1649. During the Commonwealth a commission was established by Parliament to recommend a revision of the Authorized Version with acceptably Protestant explanatory notes, but the project was abandoned when it became clear that these would nearly double the bulk of the Bible text.
After the English Restoration, the Geneva Bible was held to be politically suspect and a reminder of the repudiated Puritan era. Furthermore, disputes over the lucrative rights to print the Authorized Version dragged on through the 17th century, so none of the printers involved saw any commercial advantage in marketing a rival translation. The Authorized Version became the only then current version circulating among English-speaking people.
A small minority of critical scholars were slow to accept the latest translation. Hugh Broughton, who was the most highly regarded English Hebraist of his time but had been excluded from the panel of translators because of his utterly uncongenial temperament, issued in 1611 a total condemnation of the new version.
He especially criticized the translators’ rejection of word-for-word equivalence and stated that “he would rather be torn in pieces by wild horses than that this abominable translation (KJV) should ever be foisted upon the English people”. Walton’s London Polyglot of 1657 disregards the Authorized Version (and indeed the English language) entirely. Walton’s reference text throughout is the Vulgate.
The Vulgate Latin is also
