James “Jim” Nightshade
Born one minute after midnight on October 31, Jim is brooding and brash, acting as a foil for Will’s cautiousness and practicality. He is described as having wild and tangled chestnut brown hair and eyes the color of “green-glass fire”. Jim yearns to become older, which makes him vulnerable to the carnival’s temptations, but he is ultimately saved by his friendship with Will.
Charles Halloway
A middle-aged man who starts out in the novel as quiet and unhappy. He’s not very close to his son, but eventually gains self-awareness and faith while up against the carnival (defeating the “Dust Witch” and “Jed/Mr. Dark”). He becomes a fighter in his own right by the end of the novel, along with gaining the admiration, love, and friendship of his son.
G. M. Dark
The main antagonist, he is a sinister man who bears tattoos all over his body, one for each person successfully tempted into joining the carnival. Mr. Dark initially holds sway over the other main characters, but his power weakens when Charles uses positive emotions against him, something he cannot comprehend or withstand. Dark’s background is a mystery, although when asked if he reads the Bible, he replies, “I’ve had every page, line and word read at me, sir!” This could refer to a possible Christian upbringing, or his victims quoting.
J. C. Cooger
Dark’s partner in running the carnival, Mr. Cooger, is a fierce, red-headed man who is first seen repairing the carousel. He catches and terrifies Will and Jim until Mr. Dark intervenes. In the guise of her twelve-year-old nephew, he is able to persuade Miss Foley to come to the carnival. The tables are turned on him, however, when Will increases the speed of the carousel as Mr. Cooger is riding it, causing him to rapidly age to the point of decrepitude. At the climax of the book, he crumbles into dust and dies when the freaks accidentally drop him while carrying him back to the carousel. Like Mr. Dark, his origins are unknown.
The Dust Witch
A blind soothsayer possessing a sixth sense and the ability to perform many feats of magic, the Witch is portrayed as one of the carnival’s most dangerous members. However, her increased sensitivity to the presence and emotions of other people makes her vulnerable to positive feelings. Charles uses this weakness to kill her with a bullet carved with a smile. Her origins are unknown, but she is illustrated on Mr. Dark’s wrist as a “black-nun blind woman”.
Miss Foley
A fifty-year-old schoolteacher of Will and Jim. Much like the other victims of the carnival, Miss Foley wished to become young. Her wish is granted, although she is transformed into a little girl with all her memories intact, unable to return to her former life and with no one to take care of her. It is not stated in the novel what happened to Miss Foley at the end.
The Skeleton
An extremely thin, skeleton-like creature who is one of the more frequently appearing freaks. Like all of the other freaks, he once desired to be younger and was eventually tricked into joining the carnival. The Skeleton appears to be one of the more loyal freaks as, near the book’s end, he takes the time to carry the recently deceased and young Mr. Dark with him after all the other freaks ran away. He is last seen walking away into the hills that border the town.
Tom Fury/Dwarf
A lightning rod salesman who, succumbing to his desire to see the Most Beautiful Woman in the World, is turned into an insane dwarf by the carnival and is recruited into it, with no memories of his former life.
Themes
As in Dandelion Wine, Bradbury infuses the novel with nostalgia for his childhood. However, Dandelion Wine embodies the idyllic memories of youth, whereas Something Wicked This Way Comes superimposes folk-tale and supernatural elements over a small-town Americana setting in order to explore the dark undercurrents that surround the transition to adulthood.
The novel also conveys the theme that the power that people, objects, and ideas have over to some individual depends on the power the individual instills in them with own mind. Because of this, the carnival is able to easily take advantage of the common human fears of aging, death, and loneliness which everyone has or relates to.
Self-centered desires and wishes are portrayed as the base of human malice and unhappiness because they blind people to the blessings of life with an unattainable dream. The novel’s main example of this is Miss Foley’s seduction by Cooger’s promise of youth that causes her to fail to see his deception as her “nephew” and lose her rightful place in society.
It is implied that the counter-force against this is acceptance of one’s faults and an enthusiastic pursuit of the everyday joys of life, signified by Charles’s spontaneous running with Jim and Will at the end of the novel. The fact that he is nearly forty years older than them pales in comparison to the pleasure he gains from simple human companionship.
Reception
Critics have praised Something Wicked This Way Comes as a classic of fantasy and horror, noting its masterful blending of both genres and Bradbury’s unusual and mesmerizing prose. The most referenced characteristic of the novel’s plot is its unusual subtlety and realism for its genres.
The magazine Science Fiction Weekly published a review of the novel; an excerpt of it follows:
A dark fantasy set in a small town, its people are brought to life so expertly readers feel very much like citizens … even when their adopted hometown is menaced by outside forces against which it is helpless. Bradbury’s prose is musical and hypnotic, fully engaging the senses and emotions. This is a book, once opened, that truly makes the real world disappear.
Science Fiction Crowsnest, another science fiction magazine, reviewed it with high praise, referring to it as a “Masterwork” with “a suitably fantastic and scary plot around colourful description … with hidden meanings, mysteries and symbols adding to the layers of tension”.
The Denver Rocky Mountain News said in 1999: “If rational beings had created the 100 best books of the century list, this one would surely have been on it.”
Legacy and literary influence
Something Wicked This Way Comes has served as a direct influence on several fantasy and horror authors, including Neil Gaiman and Stephen King. Gaiman paid tribute to Bradbury’s influence on him and many of his peers in a 2012 The Guardian article following Bradbury’s death. King discusses this novel at length in his 1981 non-fiction book Danse Macabre and also in his 2022 fantasy book Fairy Tale.
The book influenced R. L. Stine, who said: “Ray Bradbury is one of my favorite authors. I always tell people that the scariest book I ever read was one of his books—Something Wicked This Way Comes”. Clive Barker also placed the book fourth on his list of greatest books about good and evil, number one being Moby-Dick.
Reference in other works
The novel is referenced in the 2024 song “I Can Never Say Goodbye” by The Cure.
Adaptations
The novel was adapted for a low-budget 1972 British film, produced by the Forest Hill Film Unit & Drama Troupe and directed by Colin Finbow.
The novel was made into the 1983 The Bryna Company-Walt Disney Productions film Something Wicked This Way Comes, with Bradbury as the screenwriter. The production had been in development since the mid-1970s and was originally meant to be financed and distributed by Paramount Pictures. In a later interview, Bradbury said that he considered the film one of the better adaptations of his works.
Bradbury’s Pandemonium Theatre Company performed a play based on the novel in Los Angeles on October 1, 2003, directed by Alan Neal Hubbs, also associated with the 1970 stage adaptation of Bradbury’s 1950 book The Martian Chronicles.
The main cast was Grady Hutt as Will Halloway, J. Skylar Testa as Jim Nightshade, Jay Gerber as Charles Halloway, and Mark Aaron as Mr. Dark. Critics gave the play generally favorable reviews, stating that it captured the lyricism and dark tone of the novel.
They also praised its special effects, which included a carousel constructed of mirrors with actors as the horses, and Jay Gerber as Charles Halloway. Sharon Perlmutter of Talkin’ Broadway, however, said that Hutt and Testa gave bland performances as the two lead characters.
Something Wicked This Way Comes was produced as a full-cast radio play by the Colonial Radio Theatre on the Air, and released by Blackstone Audio on October 1, 2007. Ray Bradbury wrote the script, modified for audio from his stage play. The cast includes Jerry Robbins as Mr. Halloway, J.T. Turner as Mr. Dark, Anastas Varinos as Will Halloway, and Matthew Scott Robertson as Jim Nightshade. This production was directed by Nancy Curran Willis, with music by Jeffrey Gage and post-production by Chris Snyder.
Catherine Wheels adapted Something Wicked This Way Comes for the stage in coproduction with the National Theatre of Scotland in 2008. The production opened at the Byre Theatre, St Andrews on October 27, 2009, and toured the UK.
Something Wicked This Way Comes was produced as a radio play for the BBC Radio 4 Saturday Play series and was broadcast on 29 October 2011. The production was adapted for radio by Diana Griffiths and produced/directed by Pauline Harris with music by David Paul Jones and sound by Paul Cargill. The cast included Theo Gregory as Will, Josef Lindsay as Jim, Henry Goodman as Charles Halloway, Gerard McDermott as Mr. Cooger/The Lightning Rod Salesman and Kenneth Cranham as Mr. Dark.
A musical adaptation of Something Wicked This Way
