Bradbury explained that the drafting of “Way in the Middle of the Air” was a common way he used writing to address his emotional state affecting him at a moment. He recalled in a 1962 interview that he was so upset about the circumstances of African-Americans in the United States that “I put them in rocket ships and send them off to Mars, in a short story, to rid myself of that tension”.
Publication of “Way in the Middle of the Air” in 1950 was groundbreaking for a science fiction story even though the work is considered limited by providing only the viewpoint of white Americans.
According to Isiah Lavender III, “Bradbury is one of the very few authors in science fiction who dared to consider the effects and consequences of race in America at a time when racism was sanctioned by the culture.” Even with the story’s limitations, Robert Crossley suggested that it might be considered “the single most incisive episode of black and white relations in science fiction by a white author.”
Plot
“Way in the Middle of the Air” is the story about Samuel Teece, a white racist hardware store owner in an unnamed town in the Jim Crow era American South of 2003, and his efforts to dissuade the African-Americans in the town area from emigrating to Mars. Teece and a group of white men sit on the porch of his hardware store when they see a flood of black families and others marching into town with their belongings. One of the men tells Teece that the entire community has decided to leave for Mars. Teece is incensed and declares that the governor and militia should be contacted because the migrants should have notified everyone in advance before departing.
As the migrants pass the store, Teece’s wife, accompanied by the wives of other men on the porch, asks her husband to come home to prevent their house servant, Lucinda, from leaving. Mrs. Teece says she couldn’t convince Lucinda from leaving after offering an increase in pay and two nights a week off, and said she didn’t understand her decision because she thought Lucinda loved her. Teece restrains himself from beating his wife, and orders her to go back home. She obeys, and after she’s gone he takes his gun out and threatens to kill any migrant who laughs. The march continues quietly through town toward the rocket launch site.
Teece sees a black man, Belter, and threatens to horsewhip him because Belter owes him fifty dollars. Belter tells Teece that he forgot about the debt, and Teece tells Belter that he shouldn’t leave because his rocket will explode but Belter responds that he doesn’t care. Teece calls Belter “Mister Way in the Middle of the Air” taken from the lyrics of the negro spiritual “Ezekiel Saw the Wheel” about a vision of the prophet Ezekiel that occurred in the sky. After Belter begs Teece to let him depart for Mars, an old man among the migrants passes his hat around and quickly collects fifty dollars in donations from other migrants and gives it to Belter, who gives it to Teece and leaves. Teece is enraged and waves his gun at the migrants and threatens to shoot their rockets down one by one. The men on Teece’s porch ponder the reason for the mass migration mentioning advances in civil rights like elimination of the poll tax, some states enacting anti-lynching laws, “all kinds of equal rights”, and that the wages of black men are nearly on par with white men.
After almost all of the migrants have passed through town, Silly, Teece’s seventeen year old black employee, comes to the porch to return Teece’s bicycle Silly uses for deliveries. Teece shoves Silly off the machine and orders Silly to go inside the hardware store and start working.
Silly doesn’t move and Teece pulls out a contract he says Silly signed with an “X” that requires the boy to “give four weeks notice and continue working until his position is filled”. Silly says he didn’t sign a contract and Teece responds by saying he will treat the boy well.
Silly asks one of the white men on the porch if one of them will take his place and Grandpa Quartermain volunteers so Silly can leave. Teece claims Silly as his and says he’ll lock the boy in the back room until the evening. Silly starts to cry and then three other men on the porch tell Teece to let Silly go. Teece feels for the gun in his pocket and then relents. Silly cleans out his shed at the store on orders from Teece and departs the store in an old car.
As Silly leaves, he asks Teece what he is going to do at night when all the black people are gone. After the car drives away, Teece figures out that Silly was asking about lynchings Teece participated in, and gets his open-top car to chase down Silly and kill him. Quartermain volunteers to drive, and in their pursuit a tire goes flat after running over cast off belongings that migrants abandoned onto the road. Teece returns to his store where men are watching rockets shooting up into the sky. Teece refuses to watch and proudly comments that Silly addressed him as “Mister” to the very end.
2004–2005/2035–2036: The Naming of Names
Publication history
First appeared in The Martian Chronicles. (Not to be confused with the short story “The Naming of Names”, first published in Thrilling Wonder Stories, August 1949, later published as “Dark They Were, and Golden-Eyed”.)
Plot
“The Naming of Names” is a short vignette about the names of places on Mars being given American names that memorialize the crews of the four exploratory expeditions, or “mechanical” or “metal” names, which replace the Martian names that were for geographic features and things in nature.
The vignette also describes tourists who visit Mars and shop, and describes the next wave of emigrants as “sophisticates” and people who “instruct” and “rule” and “push” other people about.
April 2005/2036: Usher II
Publication history
First published as Carnival of Madness in Thrilling Wonder Stories, April 1950. In 2010, Los Angeles artist Allois, in collaboration with Bradbury, released illustrated copies of “Usher” and “Usher II”. The story also appeared in the 2008 Harper Collins/ Voyager edition of The Illustrated Man.
Plot
“Usher II” is a horror story and homage to Edgar Allan Poe about the wealthy William Stendahl and the house he built to murder his enemies. The story begins with Stendahl’s meeting with Mr. Bigelow, his architect, to perform a final check-out for the completion of his newly built house.
Stendahl reads Bigelow architectural specifications taken directly from the description of the House of Usher from the text of Poe’s “The Fall of the House of Usher”. Stendahl is satisfied and refers to the house as, The House of Usher. The owner is angered that Bigelow doesn’t know anything of or about Poe and sends him away.
Bigelow’s ignorance is innocent because for decades, anything “produced in any way suggesting … any creature of the imagination” has been outlawed, including books, many of which were confiscated and burned in the Great Fire thirty-five years earlier, including Stendahl’s own fifty thousand book library.
Stendahl is visited by Mr. Garrett, an investigator of Moral Climates, who immediately tells Stendahl that he will have his place dismantled and burned later that day. Stendahl tells Garrett that he spent a huge sum of money for the house and invites the investigator inside for additional information for his investigative report.
During the tour, Garrett experiences an automated horror fantasy world, and finds the place “deplorable” as well as a work of genius. Garrett is met by a robot ape that Stendahl demonstrates is a robot and then orders it to kill Garrett. Stendahl has his assistant Pikes, whom he regards as the greatest horror film actor ever when such films were made, construct a robot replica of Garrett to return to Moral Climates to delay any action affecting the house for forty-eight hours. Stendahl and Pikes send invitations out to their enemies for a party later that evening.
About thirty guests arrive at Stendahl’s party. Upon greeting them, he tells them to enjoy themselves because the house will soon be destroyed, though Pikes interrupts and shows Stendahl the remnants of Garrett, which are the parts of a robot. They first panic and then Stendahl figures the real Garrett will come to visit since they sent a robot back, and very soon Garrett appears and informs Stendahl that the Dismantlers will arrive in an hour.
Stendahl tells Garrett to enjoy the party and offers him some wine that is politely refused. Garrett and Miss Pope then observe Miss Blunt being strangled by an ape and her corpse being stuffed up a chimney. Another laughing Miss Blunt comforts Miss Pope by telling her that what she saw killed was a robot replica of herself.
Stendahl serves Garrett wine which he drinks. Garrett watches additional killings performed in a similar manner that he remembers from Poe’s “The Premature Burial”, “The Pit and the Pendulum”, and one other from “The Murders in the Rue Morgue”. Stendahl serves Garrett more wine which is consumed and asks the investigator if he would like to see what is planned for him. Garrett agrees and is treated as the character Fortunato from Poe’s “The Cask of Amontillado”. After Stendahl and Pikes have disposed of all their guests, they leave in a helicopter and, from above, watch the house break apart like the one in Poe’s story.
August 2005/2036: The Old Ones
Publication history
First appeared in The Martian Chronicles.
Plot
“The Old Ones” is a short vignette that describes the last wave of emigrants
