The dizziness was so complete, and the colors of the bus and her hands and skirt were now so blued over and sooted with lack of blood that in a moment she would be collapsed upon the floor, she would hear the surprise and shock of the riders bending over her.
But she put her head far down and sucked the chicken air, the sweating air, the leather air, the carbon monoxide air, the incense air, the air of lonely death, and drew it back through the copper nostrils, down the aching throat, into her lungs which blazed as if she swallowed neon light. Joseph, Joseph, Joseph, Joseph.
It was a simple thing. All terror is a simplicity.
I cannot live without him, she thought. I have been lying to myself. I need him, oh Christ, I, I…
‘Stop the bus! Stop it!’
The bus stopped at her scream, everyone was thrown forward. Somehow she was stumbling forward over the children, the dogs barking, her hands flailing heavily, falling; she heard her dress rip, she screamed again, the door was opening, the driver was appalled at the woman coming at him in a wild stumbling, and she fell out upon the gravel, tore her stockings, and lay while someone bent to her; then she was vomiting on the ground, a steady sickness; they were bringing her bag out of the bus to her, she was telling them in chokes and sobs that she wanted to go that way; she pointed back at the city a million years ago, a million miles ago, and the bus driver was shaking his head.
She half sat, half lay there, her arms about the suitcase, sobbing, and the bus stood in the hot sunlight over her and she waved it on; go on, go on; they’re all staring at me, I’ll get a ride back, don’t worry, leave me here, go on, and at last, like an accordion, the door folded shut, the Indian copper-mask faces were transported on away, and the bus dwindled from consciousness.
She lay on the suitcase and cried, for a number of minutes, and she was not as heavy or sick, but her heart was fluttering wildly, and she was cold as someone fresh from a winter lake. She arose and dragged the suitcase in little moves across the highway and swayed there, waiting, while six cars hummed by, and at last a seventh car pulled up with a Mexican gentleman in the front seat, a rich car from Mexico City.
‘You are going to Uruapan?’ he asked politely, looking only at her eyes.
‘Yes,’ she said at last. ‘I am going to Uruapan.’
And as she rode in this car, her mind began a private dialogue:
‘What is it to be insane?’
‘I don’t know.’
‘Do you know what insanity is?’
‘I don’t know.’
‘Can one tell? The coldness, was that the start?’
‘No.’
‘The heaviness, wasn’t that a part?’
‘Shut up.’
‘Is insanity screaming?’
‘I didn’t mean to.’
‘But that came later. First there was the heaviness, and the silence, and the blankness. That terrible void, that space, that silence, that aloneness, that backing away from life, that being in upon oneself and not wishing to look at or speak to the world. Don’t tell me that wasn’t the start of insanity.’
‘Yes.’
‘You were ready to fall over the edge.’
‘I stopped the bus just short of the cliff.’
‘And what if you hadn’t stopped the bus? Would they have driven into a little town or Mexico City and the driver turned and said to you through the empty bus, “All right, señora, all out.” Silence.
“All right, señora, all out.” Silence. “Señora?” A stare into space. “Señora!” A rigid stare into the sky of life, empty, empty, oh, empty. “Señora!” No move. “Señora.’ Hardly a breath. You sit there, you sit there, you sit there, you sit there, you sit there.
‘You would not even hear. “Señora,” he would cry, and tug at you, but you wouldn’t feel his hand. And the police would be summoned beyond your circle of comprehension, beyond your eyes or ears or body. You could not even hear the heavy boots in the car. “Señora, you must leave the bus.” You do not hear. “Señora, what is your name?” Your mouth is shut. “Señora, you must come with us.” You sit like a stone idol.
“Let us see her passport.” They fumble with your purse which lies untended in your stone lap. “Señora Marie Elliott, from California. Señora Elliott?” You stare at the empty sky. “Where are you coming from?
Where is your husband?” You were never married. “Where are you going?” Nowhere. “It says she was born in Illinois.” You were never born, “Señora, señora.” They have to carry you, like a stone, from the bus. You will talk to no one. No, no, no one. “Marie, this is me, Joseph.” No, too late. “Marie!” Too late, “Don’t you recognize me?” Too late. Joseph. No Joseph, no nothing, too late, too late.’
‘That is what would have happened, is it not?’
‘Yes.’ She trembled.
‘If you had not stopped the bus, you would have been heavier and heavier, true? And silenter and silenter and more made up of nothing and nothing and nothing.’
‘Yes.’
‘Señora,’ said the Spanish gentleman driving, breaking in on her thoughts. ‘It is a nice day, isn’t it?’
‘Yes,’ she said, both to him and the thoughts in her mind.
The old Spanish gentleman drove her directly to her hotel and let her out and doffed his hat and bowed to her.
She nodded and felt her mouth move with thanks, but she did not see him. She wandered into the hotel and found herself with her suitcase back in her room, that room she had left a thousand years ago. Her husband was there.
He lay in the dim light of late afternoon with his back turned, seeming not to have moved in the hours since she had left. He had not even known that she was gone, and had been to the ends of the earth and had returned. He did not even know.
She stood looking at his neck and the dark hairs curling there like ash fallen from the sky.
She found herself on the tiled patio in the hot light. A bird rustled in a bamboo cage. In the cool darkness somewhere, the girl was playing a waltz on the piano.
She saw but did not see two butterflies which darted and jumped and lit upon a bush near her hand, to seal themselves together. She felt her gaze move to see the two bright things, all gold and yellow on the green leaf, their wings beating in slow pulses as they were joined. Her mouth moved and her hand swung like a pendulum, senselessly.
She watched her fingers tumble on the air and close on the two butterflies, tight, tighter, tightest. A scream was coming up into her mouth. She pressed it back. Tight, tighter, tightest.
She felt her hand open all to itself. Two lumps of bright powder fell to the shiny patio tiles. She looked down at the small ruins, then snapped her gaze up.
The girl who played the piano was standing in the middle of the garden, regarding her with appalled and startled eyes.
The wife put out her hand, to touch the distance, to say something, to explain, to apologize to the girl, this place, the world, everyone. But the girl went away.
The sky was full of smoke which went straight up and veered away south toward Mexico City.
She wiped the wing-pollen from her numb fingers and talked over her shoulder, not knowing if that man inside heard, her eyes on the smoke and the sky.
‘You know…we might try the volcano tonight. It looks good. I bet there’ll be lots of fire.’
Yes, she thought, and it will fill the air and fall all around us, and take hold of us tight, tighter, tightest, and then let go and let us fall and we’ll be ashes blowing south, all fire.
‘Did you hear me?’
She stood over the bed and raised a fist high but never brought it down to strike him in the face.
The end