The fear left by the recent drama hung in the air of the overheated room. Footsteps were rustling and doors creaked. The smell of the vinegar used to cool his mother’s brow floated in the heavy air. She moved restlessly about, whimpering, sometimes giving a sudden start, which would shake him from his brief snatches of sleep. He would wake drenched in sweat, ready to act—only to fall back heavily after glancing at his watch on which the night light threw dancing shadows.
It was only later that he realized how much they had been alone that night. Alone against the others. The “others” were asleep, while they both breathed the same fever. Everything in the old house seemed empty. With the last midnight trams all human hope seemed drained away, all the certainties of city noises gone. The house was still humming with their passage; then little by little everything died away. All that remained was a great garden of silence interrupted now and then by the sick woman’s frightened moans.
He had never felt so lost. The world had melted away, taking with it the illusion that life begins again each morning. Nothing was left, his studies, ambitions, things he might choose in a restaurant, favorite colors. Nothing but the sickness and death he felt surrounded by … And yet, at the very moment that the world was crumbling, he was alive. Finally he fell asleep, but not without taking with him the tender and despairing image of two people’s loneliness together. Later, much later, he would remember this mingled scent of sweat and vinegar, this moment when he had felt the ties attaching him to his mother. As if she were the immense pity he felt spread out around him, made flesh, diligently, without pretense, playing the part of a poor old woman whose fate moves men to tears.
Now the ashes in the grate are beginning to choke the fire. And still the same sigh from the earth. The perfect song of a derbouka is heard in the air, a woman’s laughter above it. In the bay, the fights come closer— fishing vessels no doubt, returning to harbor. The triangle of sky I see from where I am sitting is stripped of its daylight clouds. Choked with stars, it quivers on a pure breeze and the padded wings of night beat slowly around me.
How far will it go, this night in which I cease to belong to myself? There is a dangerous virtue in the word simplicity. And tonight I can understand a man wanting to die because nothing matters anymore when one sees through life completely. A man suffers and endures misfortune after misfortune. He bears them, settles into his destiny. People think well of him. And then, one evening, he meets a friend he has been very fond of, who speaks to him absent-mindedly.
Returning home, the man kills himself. Afterwards, there is talk of private sorrows and secret dramas. No, if a reason really must be found, he killed himself because a friend spoke to him carelessly. In the same way, every time it seems to me that I’ve grasped the deep meaning of the world, it is its simplicity that always overwhelms me. My mother, that evening, and its strange indifference. On another occasion, I was living in a villa in the suburbs, alone with a dog, a couple of cats and their kittens, all black.
The mother cat could not feed them. One by one, all the kittens died. They filled the room with their filth. Every evening, when I arrived home, I would find one lying stiff, its gums laid bare. One evening, I found the last one, half eaten by the mother. It stank already.
The stench of death mingled with the stench of urine. Then, with my hands in the filth and the stench of rotting flesh reeking in my nostrils, I sat down in the midst of all this misery and gazed for hour after hour at the demented glow in the cat’s green eyes as it crouched motionless in the corner. Yes.
And it is just like that this evening. When we are stripped down to a certain point, nothing leads anywhere any more, hope and despair are equally groundless, and the whole of life can be summed up in an image. But why stop there? Simple, everything is simple, the fights alternating in the lighthouse, one green, one red, one white; the cool of the night; and the smell of the town and the poverty that reach me from below.
If, this evening, the image of a certain childhood comes back to me, how can I keep from welcoming the lesson of love and poverty it offers? Since this hour is like a pause between yes and no, I leave hope or disgust with life for another time. Yes, only to capture the transparency and simplicity of paradises lost—in an image. And so it was not long ago, in a house in an old part of town, when a son went to see his mother. They sat down facing each other, in silence. But their eyes met: “Well, mother.”
“Well, here we are.”
“Are you bored? I don’t talk much.”
“Oh, you’ve never talked much.”
And though her lips do not move her face lights up in a beautiful smile. It’s true, he never talked much to her. But did he ever need to? When one keeps quiet, the situation becomes clear. He is her son, she is his mother. She can say to him: “You know.”
She is sitting at the foot of the divan, her feet together, her hands together in her lap. He, on his chair, scarcely looks at her and smokes ceaselessly. A silence. “You shouldn’t smoke so much.”
“I know.”
The whole feeling of the neighborhood rises through the window: the accordion from the café next door, the traffic hurrying in the evening, the smell of the skewers of grilled meat eaten between small, springy rolls of bread, a child crying in the road. The mother rises and picks up her knitting. Her fingers are clumsy, twisted with arthritis. She works slowly, taking up the same stitch three or four times or undoing a whole row with a dull ripping sound.
“It’s a little cardigan. I’ll wear it with a white collar. With this and my black coat, I’ll be dressed for the season.”
She has risen to turn on the light.
“It gets dark early these days.”
It was true. Summer was over and autumn had not yet begun. Swifts were still calling in the gentle sky.
“Will you come back soon?”
“But I haven’t left yet. Why do you mention that?” “Oh, it was just to say something.”
A trolley goes by. A car.
“Is it true I look like my father?”
“The spitting image. Of course, you didn’t know him. You were six months old when he died. But if you had a little moustache!” He mentioned his father without conviction. No memory, no emotion. Probably he was very ordinary. Besides, he had been very keen to go to war. His head was split open in the battle of the Marne. Blinded, it took him a week to die; his name is listed on the local war memorial. “When you think about it,” she says, “it was better that way. He would have come back blind or crazy. So, the poor man …” “That’s right.”
What is it then that keeps him in this room, except the certainty that it’s still the best thing to do, the feeling that the whole absurd simplicity of the world has sought refuge here.
“Will you be back again?” she says. “I know you have work to do. Just from time to time …”
But where am I now? And how can I separate this deserted café from that room in my past? I don’t know any longer whether I’m living or remembering. The beams from the lighthouse are here. And the Arab stands in front of me telling me that he is going to close. I have to leave.
I no longer want to make such dangerous descents. It is true, as I take a last look at the bay and its light, that what wells up in me is not the hope of better days but a serene and primitive indifference to everything and to myself. But I must break this too limp and easy curve. I need my lucidity. Yes, everything is simple. It’s men who complicate things. Don’t let them tell us any stories. Don’t let them say about the man condemned to death: “He is going to pay his debt to society,” but: “They’re going to chop his head off.” It may seem like nothing. But it does make a little difference. There are some people who prefer to look their destiny straight in the eye.
The end
