and a different attitude of mind); I am simply borrowing a theme from them and examining whether its consequences can fit the already established rules. It is merely a matter of persistence.
[7] 7 I did not say “excludes God,” which would still amount to asserting.
[8] 8 Let me assert again: it is not the affirmation of God that is questioned here, but rather the logic leading to that affirmation.
[9] 9 Even the most rigorous epistemologies imply metaphysics. And to such a degree that the metaphysic of many contemporary thinkers consists in having nothing but an epistemology.
[10] 1 A.—At that time reason had to adapt itself or die. It adapts itself. With Plotinus, after being logical it becomes aesthetic. Metaphor takes the place of the syllogism.
B.—Moreover, this is not Plotinus’ only contribution to phenomenology. This whole attitude is already contained in the concept so dear to the Alexandrian thinker that there is not only an idea of man but also an idea of Socrates.
[11] 2 I am concerned here with a factual comparison, not with an apology of humility. The absurd man is the contrary of the reconciled man.
[12] 3 Quantity sometimes constitutes quality. If I can believe the latest restatements of scientific theory, all matter is constituted by centers of energy. Their greater or lesser quantity makes its specificity more or less remarkable. A billion ions and one ion differ not only in quantity but also in quality. It is easy to find an analogy in human experience.
[13] 4 Same reflection on a notion as different as the idea of eternal nothingness. It neither adds anything to nor subtracts anything from reality. In psychological experience of nothingness, it is by the consideration of what will happen in two thousand years that our own nothingness truly takes on meaning. In one of its aspects, eternal nothingness is made up precisely of the sum of lives to come which will not be ours.
[14] 5 The will is only the agent here: it tends to maintain consciousness. It provides a discipline of life, and that is appreciable.
[15] 6 What matters is coherence. We start out here from acceptance of the world. But Oriental thought teaches that one can indulge in the same effort of logic by choosing against the world. That is just as legitimate and gives this essay its perspectives and its limits. But when the negation of the world is pursued just as rigorously, one often achieves ( in certain Vedantic schools) similar results regarding, for instance, the indifference of works. In a book of great importance, Le Choix, Jean Grenier establishes in this way a veritable “philosophy of indifference.”
[16] 1In the fullest sense and with his faults. A healthy attitude also includes faults.
[17] 2 At this point I am thinking of Moliere’s Alceste. Everything is so simple, so obvious and so coarse. Alceste against Philinte,
[18] It is curious to note that the most intellectual kind of painting, the one that tries to reduce reality to its essential elements, is ultimately but a visual delight. All it has kept of the world is its color. (This is apparent particularly in Leger.)
[19] If you stop to think of it, this explains the worst novels. Almost everybody considers himself capable of thinking and, to a certain degree, whether right or wrong, really does think. Very few, on the contrary, can fancy themselves poets or artists in words. But from the moment when thought won out over style, the mob invaded the novel.
That is not such a great evil as is said. The best are led to make greater demands upon themselves. As for those who succumb, they did not deserve to survive.
[20] Malraux’s work, for instance. But it would have been necessary to deal at the same time with the social question which in fact cannot be avoided by absurd thought (even though that thought may put forward several solutions, very different from one another). One must, however, limit oneself.
[21] “Stavrogin: ‘Do you believe in eternal life in the other world?’ Kirilov: ‘No, but in eternal life in this world.’”
[22] “Man simply invented God in order not to kill himself. That is the summary of universal history down to this moment.”
[23] Boris de Schloezer.
[24] Gide’s curious and penetrating remark: almost all Dostoevsky’s heroes are polygamous.
[25] Melville’s Moby Dick, for instance.

 

The End