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The Rebel (book)
sole object. This man, on a different scale, will have partially rediscovered the power of creation which he possessed in the days of the artisan. The anonymous producer then more nearly approaches the creator. It is not certain, naturally, that industrial excess will immediately embark on this path. But it already demonstrates, by the way it functions, the necessity for moderation and gives rise to reflections on the proper way to organize this moderation. Either this value of limitation will be realized, or contemporary excesses will only find their principle and peace in universal destruction.

This law of moderation equally well extends to all the contradictions of rebellious thought. The real is not entirely rational, nor is the rational entirely real. As we have seen in regard to surrealism, the desire for unity not only demands that everything should be rational. It also wishes that the irrational should not be sacrificed. One cannot say that nothing has any meaning, because in doing so one affirms a value sanctified by an opinion; nor that everything has a meaning, because the word everything has no meaning for us. The irrational imposes limits on the rational, which, in its turn, gives it its moderation. Something has a meaning, finally, which we must obtain from meaninglessness. In the same way, it cannot be said that existence takes place only on the level of essence.

Where could one perceive essence except on the level of existence and evolution? But nor can it be said that being is only existence. Something that is always in the process of development could not exist there must be a beginning. Being can only prove itself in development, and development is nothing without being. The world is not in a condition of pure stability; nor is it only movement. It is both movement and stability.

The historical dialectic, for example, is not in continuous pursuit of an unknown value. It revolves around the limit, which is its prime value. Heraclitus, the discoverer of the constant change of things, nevertheless set a limit to this perpetual process. This limit was symbolized by Nemesis, the goddess of moderation and the implacable enemy of the immoderate. A process of thought which wanted to take into account the contemporary contradictions of rebellion should seek its inspiration from this goddess.

As for the moral contradictions, they too begin to become soluble in the light of this conciliatory value. Virtue cannot separate itself from reality without becoming a principle of evil. Nor can it identify itself completely with reality without denying itself. The moral value brought to light by rebellion, finally, is no farther above’ life and history than history and life are above it. In actual truth, it assumes no reality in history until man gives his life for it or dedicates himself entirely to it. Jacobin and bourgeois civilization presumes that values are above history, and its formal virtues then lay the foundation of a repugnant form of mystification.

The revolution of the twentieth century decrees that values are intermingled with the movement of history and that their historical foundations justify a new form of mystifi-cation. Moderation, confronted with this irregularity, teaches us that at least one part of realism is necessary to every ethic: pure and unadulterated virtue is homicidal. And one part of ethics is necessary to all realism: cynicism is homicidal.

That is why humanitarian cant has no more basis than cynical provocation. Finally, man is not entirely to blame; it was not he who started history; nor is he entirely innocent, since he continues it. Those who go beyond this limit and affirm his total innocence end in the insanity of definitive culpability. Rebellion, on the contrary, sets us on the path of calculated culpability. Its sole but invincible hope is incarnated, in the final analysis, in innocent murderers.

At this limit, the «We are» paradoxically defines a new form of individualism. «We are» in terms of history, and history must reckon with this «We are,» which must in its turn keep its place in history. I have need of others who have need of me and of each other. Every collective action, every form of society, supposes a discipline, and the individual, without this discipline, is only a stranger, bowed down under the weight of an inimical collectivity. But society and discipline lose their direction if they deny the «We are.» I alone, in one sense, support the common dignity that I cannot allow either myself or others to debase. This individualism is in no sense pleasure; it is perpetual struggle, and, sometimes, unparalleled joy when it reaches the heights of proud compassion.

Thought at the Meridian

As for knowing if such an attitude can find political expression in the contemporary world, it is easy to evoke and this is only an example—what is traditionally called revolutionary trade-unionism. Cannot it be said that even this trade-unionism is ineffectual? The answer is simple: it is this movement alone that, in one century, is responsible for the enormously improved condition of the workers from the sixteen-hour day to the forty-hour week. The ideological Empire has turned socialism back on its tracks and destroyed the greater part of the conquests of trade-unionism.

It is because trade-unionism started from a concrete basis, the basis of professional employment (which is to the economic order what the commune is to the political order), the living cell on which the organism builds itself, while the Caesarian revolution starts from doctrine and forcibly introduces reality into it. Trade-unionism, like the commune, is the negation, to the benefit of reality, of bureaucratic and abstract centralism.2

2 Tolain, the future Communard, wrote: «Human beings emancipate themselves only on the basis of natural groups.»

The revolution of the twentieth century, on the contrary, claims to base itself on economics, but is primarily political and ideological. It cannot, by its very function, avoid tenor and violence done to the real. Despite its pretensions, it begins in the absolute and attempts to mold reality. Rebellion, inversely, relies on reality to assist it in its perpetual struggle for truth. The former tries to realize itself from top to bottom, the latter from bottom to top.

Far from being a form of romanticism, rebellion, on the contrary, takes the part of true realism. If it wants a revolution, it wants it on behalf of life, not in defiance of it. That is why it relies primarily on the most concrete realities—on occupation, on the village, where the living heart of things and of men is to be found. Politics, to satisfy the demands of rebellion, must submit to the eternal verities. Finally, when it causes history to advance and alleviates the sufferings of mankind, it does so without terror, if not without violence, and in the most dissimilar political conditions.3

3 Scandinavian societies today, to give only one example, demonstrate how artificial and destructive are purely political opposites. The most fruitful form of trade-unionism is reconciled with constitutional monarchy and achieves an approximation of a just society. The first preoccupation of the historical and natural State has been, on the contrary, to crush forever the professional nucleus and communal autonomy.

But this example goes farther than it seems. On the very day when the Caesarian revolution triumphed over the syndicalist and libertarian spirit, revolutionary thought lost, in itself, a counterpoise of which it cannot, without decaying, deprive itself. This counterpoise, this spirit which takes the measure of life, is the same that animates the long tradition that can be called solitary thought, in which, since the time of the Greeks, nature has always been weighed against evolution. The history of the First International, when German Socialism ceaselessly fought against the libertarian thought of the French, the Spanish, and the Italians, is the history of the struggle of German ideology against the Mediterranean mind.

The commune against the State, concrete society against absolutist society, deliberate freedom against rational tyranny, finally altruistic individualism against the colonization of the masses, are, then, the contradictions that express once again the endless opposition of moderation to excess which has animated the history of the Occident since the time of the ancient world.

The profound conflict of this century is perhaps not so much between the German ideologies of history and Christian political concepts, which in a certain way are accomplices, as between German dreams and Mediterranean traditions, between the violence of eternal adolescence and virile strength, between nostalgia, rendered more acute by knowledge and by books and courage reinforced and enlightened by the experience of life in other words, between history and nature. But German ideology, in this sense, has come into an inheritance.

It consummates twenty centuries of abortive struggle against nature, first in the name of a historic god and then of a deified history. Christianity, no doubt, was only able to conquer its catholicity by assimilating as much as it could of Greek thought. But when the Church dissipated its Mediterranean heritage, it placed the emphasis on history to the detriment of nature, caused the Gothic to triumph over the romance, and, destroying a limit in itself, has made increasing claims to temporal power and historical dynamism. When nature ceases to be an object of contemplation and admiration, it can then be nothing more than material for an action that aims at transforming it.

These tendencies and not the concepts of mediation, which would have comprised the real strength of Christianity—are triumphing in modern times, to the detriment of Christianity itself, by an inevitable turn of events. That God should, in fact, be expelled from this historical universe and German ideology be born where action is no longer a process of perfection but pure conquest,

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sole object. This man, on a different scale, will have partially rediscovered the power of creation which he possessed in the days of the artisan. The anonymous producer then more