«Not an easy job.»
«Not an easy job? Why not?»
«Why, we’d shut up Kronstadt and not let them have any corn. Where would they get it?»
«In America. They get it from America now.» «Nonsense!»
But the bell rang, all rushed to their places. Fetyukovitch mounted the tribune.
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ALL was hushed as the first words of the famous orator rang out.
The eyes of the audience were fastened upon him. He began very simply and directly, with an air of conviction, but not the slightest trace of conceit. He made no attempt at elo-quence, at pathos, or emotional phrases. He was like a man speaking in a circle of intimate and sympathetic friends. His voice was a fine one, sonorous and sympathetic, and there was something genuine and simple in the very sound of it. But everyone realised at once that the speaker might suddenly rise to genuine pathos and «pierce the heart with untold power.» His language was perhaps more irregular than Ippolit Kirillovitch’s, but he spoke without long phrases, and indeed, with more precision. One thing did not please the ladies: he kept bending forward, especially at the beginning of his speech, not exactly bowing, but as though he were about to dart at his listeners, bending his long spine in half, as though there were a spring in the middle that enabled him to bend almost at right angles.
At the beginning of his speech he spoke rather disconnectedly, without system, one may say, dealing with facts separately, though, at the end, these facts formed a whole. His speech might be divided into two parts, the first consisting of criticism in refutation of the charge, sometimes malicious and sarcastic. But in the second half he suddenly changed his tone, and even his manner, and at once rose to pathos. The audience seemed on the lookout for it, and quivered with enthusiasm.
He went straight to the point, and began by saying that although he practised in Petersburg, he had more than once visited provincial towns to defend prisoners, of whose innocence he had a conviction or at least a preconceived idea. «That is what has happened to me in the present case,» he explained. «From the very first accounts in the newspapers I was struck by something which strongly prepossessed me in the prisoner’s favour. What interested me most was a fact which often occurs in legal practice, but rarely, I think, in such an extreme and peculiar form as in the present case. I ought to formulate that peculi-arity only at the end of my speech, but I will do so at the very beginning, for it is my weakness to go to work directly, not keeping my effects in reserve and economising my material. That may be imprudent on my part, but at least it’s sincere.
What I have in my mind is this: there is an overwhelming chain of evidence against the prisoner, and at the same time not one fact that will stand criticism, if it is examined separ-ately. As I followed the case more closely in the papers my idea was more and more con-firmed, and I suddenly received from the prisoner’s relatives a request to undertake his de-fence. I at once hurried here, and here I became completely convinced. It was to break down this terrible chain of facts, and to show that each piece of evidence taken separately was unproved and fantastic, that I undertook the case.»
So Fetyukovitch began.
«Gentlemen of the jury,» he suddenly protested, «I am new to this district. I have no preconceived ideas. The prisoner, a man of turbulent and unbridled temper, has not insulted
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me. But he has insulted perhaps hundreds of persons in this town, and so prejudiced many people against him beforehand. Of course I recognise that the moral sentiment of local so-ciety is justly excited against him. The prisoner is of turbulent and violent temper. Yet he was received in society here; he was even welcome in the family of my talented friend, the prosecutor.»
(N.B. At these words there were two or three laughs in the audience, quickly suppressed, but noticed by all. All of us knew that the prosecutor received Mitya against his will, solely because he had somehow interested his wife- a lady of the highest virtue and moral worth, but fanciful, capricious, and fond of opposing her husband, especially in trifles. Mitya’s visits, however, had not been frequent.)
«Nevertheless I venture to suggest,» Fetyukovitch continued, «that in spite of his inde-pendent mind and just character, my opponent may have formed a mistaken prejudice against my unfortunate client. Oh, that is so natural; the unfortunate man has only too well deserved such prejudice. Outraged morality, and still more outraged taste, is often relentless. We have, in the talented prosecutor’s speech, heard a stern analysis of the prisoner’s character and conduct, and his severe critical attitude to the case was evident. And, what’s more, he went into psychological subtleties into which he could not have entered, if he had the least conscious and malicious prejudice against the prisoner. But there are things which are even worse, even more fatal in such cases, than the most malicious and consciously unfair attitude. It is worse if we are carried away by the artistic instinct, by the desire to create, so to speak, a romance, especially if God has endowed us with psychological insight. Before I started on my way here, I was warned in Petersburg, and was myself aware, that I should find here a talented opponent whose psychological insight and subtlety had gained him peculiar renown in legal circles of recent years. But profound as psychology is, it’s a knife that cuts both ways.» (Laughter among the public.) «You will, of course, forgive me my comparison; I can’t boast of eloquence. But I will take as an example any point in the prosecutor’s speech.
«The prisoner, running away in the garden in the dark, climbed over the fence, was seized by the servant, and knocked him down with a brass pestle. Then he jumped back into the garden and spent five minutes over the man, trying to discover whether he had killed him or not. And the prosecutor refuses to believe the prisoner’s statement that he ran to old Grigory out of pity. ‘No,’ he says, ‘such sensibility is impossible at such a moment, that’s unnatural; he ran to find out whether the only witness of his crime was dead or alive, and so showed that he had committed the murder, since he would not have run back for any other reason.’
«Here you have psychology; but let us take the same method and apply it to the case the other way round, and our result will be no less probable. The murderer, we are told, leapt down to find out, as a precaution, whether the witness was alive or not, yet he had left in his murdered father’s study, as the prosecutor himself argues, an amazing piece of evidence
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in the shape of a torn envelope, with an inscription that there had been three thousand roubles in it. ‘If he had carried that envelope away with him, no one in the world would have known of that envelope and of the notes in it, and that the money had been stolen by the prisoner.’ Those are the prosecutor’s own words. So on one side you see a complete absence of precaution, a man who has lost his head and run away in a fright, leaving that clue on the floor, and two minutes later, when he has killed another man, we are entitled to assume the most heartless and calculating foresight in him. But even admitting this was so, it is psychological subtlety, I suppose, that discerns that under certain circumstances I become as bloodthirsty and keen-sighted as a Caucasian eagle, while at the next I am as timid and blind as a mole. But if I am so bloodthirsty and cruelly calculating that when I kill a man I only run back to find out whether he is alive to witness against me, why should I spend five minutes looking after my victim at the risk of encountering other witnesses? Why soak my handkerchief, wiping the blood off his head so that it may be evidence against me later? If he were so cold-hearted and calculating, why not hit the servant on the head again and again with the same pestle so as to kill him outright and relieve himself of all anxiety about the witness?
«Again, though he ran to see whether the witness was alive, he left another witness on the path, that brass pestle which he had taken from the two women, and which they could always recognise afterwards as theirs, and prove that he had taken it from them. And it is not as though he had forgotten it on the path, dropped it through carelessness or haste, no, he had flung away his weapon, for it was found fifteen paces from where Grigory lay. Why did he do so? just because he was grieved at having killed a man, an old servant; and he flung away the pestle with a curse, as a murderous weapon. That’s how it must have been, what other reason could he have had for throwing it so far? And if he
