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The Name Of The Rose
will be possible, by exploiting the power of nature, to create instruments of navigation by which ships will proceed unico homine regente, and far more rapid than those propelled by sails or oars; and there will be wagons that move without animals to pull them, and flying vehicles guided by a man who will flap their wings as if they were those of a bird. And tiny contraptions that lift infinite weights, and small boats that float on the bottom of the sea.”

When I asked him where these machines were, he told me that they had already been made in ancient times, and some even in our own time: “Except the flying instrument, which I haven’t seen, but I know of a learned man who has conceived it. And bridges can be built across rivers without columns or other support, and other unheard-of machines are possible. But you must not worry if they do not yet exist, because that does not mean they will not exist later.

And I say to you that God wishes them to be, and certainly they already are in His mind, even if my friend from Occam denies that ideas exist in such a way; and I do not say this because we can determine the divine nature but precisely because we cannot set any limit to it.” Nor was this the only contradictory proposition I heard him utter; but even now, when I am old and wiser than I was then, I have not yet understood how he could have such faith in his friend from Occam and at the same time swear by the words of Bacon. It is also true that in those dark times a wise man had to believe things that were in contradiction among themselves.

There, of Brother William I have perhaps said things without sense, as if to collect from the very beginning the disjointed impressions of him that I had then. Who he was, and what he was doing, my good reader, you will perhaps deduce better from what he did in the days we spent in the abbey. Nor do I promise you an accomplished design, but, rather, a tale of events (those, yes) wondrous and awful.

And so, after I had come to know my master day by day, and spent the many hours of our journey in long conversations which I will recount, if appropriate, we reached the foot of the hill on which the abbey stood. And it is time for my story to approach it, as we did then, and may my hand remain steady as I prepare to tell what happened.

FIRST DAY

PRIME
In which the foot of the abbey is reached, and William demonstrates his great acumen.

It was a beautiful morning at the end of November. During the night it had snowed, but only a little, and the earth was covered with a cool blanket no more than three fingers high. In the darkness, immediately after lauds, we heard Mass in a village in the valley. Then, as the sun first appeared, we set off toward the mountains.

While we toiled up the steep path that wound around the mountain, I saw the abbey. I was amazed, not by the walls that girded it on every side, similar to others to be seen in all the Christian world, but by the bulk of what I later learned was the Aedificium. This was an octagonal construction that from a distance seemed a tetragon (a perfect form, which expresses the sturdiness and impregnability of the City of God), whose southern sides stood on the plateau of the abbey, while the northern ones seemed to grow from the steep side of the mountain, a sheer drop, to which they were bound.

I might say that from below, at certain points, the cliff seemed to extend, reaching up toward the heavens, with the rock’s same colors and material, which at a certain point became keep and tower (work of giants who had great familiarity with earth and sky). Three rows of windows proclaimed the triune rhythm of its elevation, so that what was physically squared on the earth was spiritually triangular in the sky.

As we came closer, we realized that the quadrangular form included, at each of its corners, a heptagonal tower, five sides of which were visible on the outside—four of the eight sides, then, of the greater octagon producing four minor heptagons, which from the outside appeared as pentagons. And thus anyone can see the admirable concord of so many holy numbers, each revealing a subtle spiritual significance. Eight, the number of perfection for every tetragon; four, the number of the Gospels; five, the number of the zones of the world; seven, the number of the gifts of the Holy Ghost. In its bulk and in its form, the Aedificium resembled Castel Ursino or Castel del Monte, which I was to see later in the south of the Italian peninsula, but its inaccessible position made it more awesome than those, and capable of inspiring fear in the traveler who approached it gradually. And it was fortunate that, since it was a very clear winter morning, I did not first see the building as it appears on stormy days.

I will not say, in any case, that it prompted feelings of jollity. I felt fear, and a subtle uneasiness. God knows these were not phantoms of my immature spirit, and I was rightly interpreting indubitable omens inscribed in the stone the day that the giants began their work, and before the deluded determination of the monks dared consecrate the building to the preservation of the divine word.

As our little mules strove up the last curve of the mountain, where the main path divided into three, producing two side paths, my master stopped for a while, to look around: at the sides of the road, at the road itself, and above the road, where, for a brief stretch, a series of evergreen pines formed a natural roof, white with snow.
“A rich abbey,” he said. “The abbot likes a great display on public occasions.”

Accustomed as I was to hear him make the most unusual declarations, I did not question him. This was also because, after another bit of road, we heard some noises, and at the next turn an agitated band of monks and servants appeared. One of them, seeing us, came toward us with great cordiality. “Welcome, sir,” he said, “and do not be surprised if I can guess who you are, because we have been advised of your visit. I am Remigio of Varagine, the cellarer of the monastery. And if you, as I believe, are Brother William of Baskerville, the abbot must be informed. You”—he commanded one of his party—“go up and tell them that our visitor is about to come inside the walls.”

“I thank you, Brother Cellarer,” my master replied politely, “and I appreciate your courtesy all the more since, in order to greet me, you have interrupted your search. But don’t worry. The horse came this way and took the path to the right. He will not get far, because he will have to stop when he reaches the dungheap. He is too intelligent to plunge down that precipitous slope. . . .”
“When did you see him?” the cellarer asked.

“We haven’t seen him at all, have we, Adso?” William said, turning toward me with an amused look. “But if you are hunting for Brunellus, the horse can only be where I have said.”
The cellarer hesitated. He looked at William, then at the path, and finally asked, “Brunellus? How did you know?”

“Come, come,” William said, “it is obvious you are hunting for Brunellus, the abbot’s favorite horse, fifteen hands, the fastest in your stables, with a dark coat, a full tail, small round hoofs, but a very steady gait; small head, sharp ears, big eyes. He went to the right, as I said, but you should hurry, in any case.”

The cellarer hesitated for a moment longer, then gestured to his men and rushed off along the path to the right, while our mules resumed their climb. My curiosity aroused, I was about to question William, but he motioned me to wait: in fact, a few minutes later we heard cries of rejoicing, and at the turn of the path, monks and servants reappeared, leading the horse by its halter. They passed by us, all glancing at us with some amazement, then preceded us toward the abbey. I believe William also slowed the pace of his mount to give them time to tell what had happened. I had already realized that my master, in every respect a man of the highest virtue, succumbed to the vice of vanity when it was a matter of demonstrating his acumen; and having learned to appreciate his gifts as a subtle diplomatist, I understood that he wanted to reach his destination preceded by a firm reputation as a man of knowledge.
“And now tell me”—in the end I could not restrain myself—“how did you manage to know?”

“My good Adso,” my master said, “during our whole journey I have been teaching you to recognize the evidence through which the world speaks to us like a great book. Alanus de Insulis said that

omnis mundi creatura
quasi liber et pictura
nobis est in speculum

and he was thinking of the endless array of symbols with which God, through His creatures, speaks to us of the eternal life. But the universe is even more talkative than Alanus thought, and it speaks not only of the ultimate things (which it does always

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will be possible, by exploiting the power of nature, to create instruments of navigation by which ships will proceed unico homine regente, and far more rapid than those propelled by