And how I traversed those same twelve miles once more after the two years since Ellen died (or was it the four years since Henry vanished or was it the nineteen years since I saw light and breathed?) knowing nothing, able to learn nothing save this: a shot heard, faint and far away and even direction and source indeterminate, by two women, two young women alone in a rotting house where no man’s footstep had sounded in two years—a shot, then an interval of aghast surmise above the cloth and needles which engaged them, then feet, in the hall and then on the stairs, running, hurrying, the feet of man: and Judith with just time to snatch up the unfinished dress and hold it before her as the door burst open upon her brother, the wild murderer whom she had not seen in four years and whom she believed to be (if he was, still lived and breathed at all) a thousand miles away: and then the two of them, the two accursed children on whom the first blow of their devil’s heritage had but that moment fallen, looking at one another across the up-raised and unfinished wedding dress.
Twelve miles toward that I rode, beside an animal who could stand in the street before my house and bellow placidly to the populous and listening solitude that my nephew had just murdered his sister’s fiance, yet who could not permit himself to force the mule which drew us beyond a walk because ‘hit warn’t none of mine nor hisn neither and besides hit aint had a decent bait of vittles since the corn give out in February’; who, turning into the actual gate at last, must stop the mule and, pointing with the whip and spitting first, say ‘ Hit was right yonder.” ‘ What was right there, fool?” I cried, and he: ‘Hit was’ until I took the whip from him into my own hand and struck the mule.
But they cannot tell you how I went on up the drive, past Ellen’s ruined and weed-choked flower beds and reached the house, the shell, the (so I thought) cocoon-casket marriage-bed of youth and grief and found that I had come, not too late as I had thought, but come too soon. Rotting portico and scaling walls, it stood, not ravaged, not invaded, marked by no bullet nor soldier’s iron heel but rather as though reserved for something more: some desolation more profound than ruin, as if it had stood in iron juxtaposition to iron flame, to a holocaust which had found itself less fierce and less implacable, not hurled but rather fallen back before the impervious and indomitable skeleton which the flames durst not, at the instant’s final crisis, assail; there was even one step, one plank rotted free and tilting beneath the foot (or would have if I had not touched it light and fast) as I ran up and into the hallway whose carpet had long since gone with the bed—and table-linen for lint, and saw the Sutpen face and even as I cried ‘Henry! Henry!
What have you done? What has that fool been trying to tell me?” realized that I had come, not too late as I had thought, but come too soon. Because it was not Henry’s face. It was Sutpen face enough, but not his; Sutpen coffee-colored face enough there in the dim light, barring the stairs: and I running out of the bright afternoon, into the thunderous silence of that brooding house where I could see nothing at first: then gradually the face, the Sutpen face not approaching, not swimming up out of the gloom, but already there, rocklike and firm and antedating time and house and doom and all, waiting there (oh yes, he chose well; he bettered choosing, who created in his own image the cold Cerberus of his private hell) the face without sex or age because it had never possessed either: the same sphinx face which she had been born with, which had looked down from the loft that night beside Judith’s and which she still wears now at seventy-four, looking at me with no change, no alteration in it at all, as though it had known to the second when I was to enter, had waited there during that entire twelve miles behind that walking mule and watched me draw nearer and nearer and enter the door at last as it had known (ay, perhaps decreed, since there is that justice whose Moloch’s palate-paunch makes no distinction between gristle bone and tender flesh) that I would enter—The face stopping me dead (not my body: it still advanced, ran on.” but I, myself, that deep existence which we lead, to which the movement of limbs is but a clumzy and belated accompaniment like so many unnecessary instruments played crudely and amateurishly out of time to the tune itself) in that barren hall with its naked stair (that carpet gone too) rising into the dim upper hallway where an echo spoke which was not mine but rather that of the lost irrevocable might-have-been which haunts all houses, all enclosed walls erected by human hands, not for shelter, not for warmth, but to hide from the world’s curious looking and seeing the dark turnings which the ancient young delusions of pride and hope and ambition (ay, and love too) take.
‘Judith!” I said. ‘Judith!” There was no answer. I had expected none; possibly even then I did not expect Judith to answer, just as a child, before the full instant of comprehended terror, calls on the parent whom it actually knows (this before the terror destroys all judgement whatever) is not even there to hear it. I was crying not to someone, something, but (trying to cry) through something, through that force, that furious yet absolutely rocklike and immobile antagonism which had stopped me—that presence, that familiar coffee-colored face, that body (the bare coffee-colored feet motionless on the bare floor, the curve of the stair rising just beyond her) no larger than my own which, without moving, with no alteration of visual displacement whatever (she did not even remove her gaze from mine for the reason that she was not looking at me but through me, apparently still musing upon the open door’s serene rectangle which I had broken) seemed to elongate and project upward something—not soul, not spirit, but something rather of a profoundly attentive and distracted listening to or for something which I myself could not hear and was not intended to hear—a brooding awareness and acceptance of the inexplicable unseen, herited from an older and a purer race than mine, which created postulated and shaped in the empty air between us that which I believed I had come to find (nay, which I must find, else breathing and standing there, I would have denied that I was ever born)—that bedroom long-closed and musty, that sheetless bed (that nuptial couch of love and grief) with the pale and bloody corpse in its patched and weathered gray crimsoning the bare mattress, the bowed and unwived widow kneeling beside it—and I (my body) not stopping yet (yes, it needed the hand, the touch, for that)—I self-mesmered fool who still believed that what must be would be, could not but be, else I must deny sanity as well as breath, running, hurling myself into that inscrutable coffeecolored face, that cold implacable mindless (no, not mindless: anything but mindless: his own clairvoyant will tempered to amoral evil’s undeviating absolute by the black willing blood with which he had crossed it) replica of his own which he had created and decreed to preside upon his absence, as you might watch a wild distracted nightbound bird flutter into the brazen and fatal lamp.
‘Wait,’ she said. ‘Dont you go up there.” Still I did not stop; it would require the hand; and I still running on, accomplishing those last few feet across which we seemed to glare at one another not as two faces but as the two abstract contradictions which we actually were, neither of our voices raised, as though we spoke to one another free of the limitations and restrictions of speech and hearing. ‘ What?” I said. ‘Dont you go up there, Rosa.” That was how she said it: that quiet that still, and again it was as though it had not been she who spoke but the house itself that said the words—the house which he had built, which some suppuration of himself had created about him as the sweat of his body might have produced some (even if invisible) cocoon-like and complementary shell in which Ellen had had to live and die a stranger, in which Henry and Judith would have to be victims and prisoners, or die.
Because it was not the name, the word, the fact that she had called me Rosa. As children she had called me that, just as she had called them Henry and Judith; I know that even now she still called Judith (and Henry too when she spoke of him) by her given name. And she might very naturally have called me Rosa still, since to everyone else whom I knew I was still a child. But it was not that. That was
