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Absalom, Absalom!
not even know of my own knowledge that Ellen ever saw it, that Judith ever loved it, that Henry slew it: so who will dispute me when I say, Why did I not invent, create it? —And I know this: if I were God I would invent out of this seething turmoil we call progress something (a machine perhaps) which would adorn the barren mirror altars of every plain girl who breathes with such as this—which is so little since we want so little—this pictured face. It would not even need a skull behind it; almost anonymous, it would only need vague inference of some walking flesh and blood desired by someone else even if only in some shadow-realm of make-believe. —A picture seen by stealth, by creeping (my childhood taught me that instead of love and it stood me in good stead; in fact, if it had taught me love, love could not have stood me so) into the deserted midday room to look at it. Not to dream, since I dwelt in the dream, but to renew, rehearse, the part as the faulty though eager amateur might steal wingward in some interim of the visible scene to hear the prompter’s momentary voice.

And if jealousy, not man’s jealousy, the jealousy of the lover, not even the lover’s self who spies from love, who spies to watch, taste, touch that maiden revery of solitude which is the first thinning of that veil we call virginity; not to spring out, force that shame which is such a part of love’s declaring, but to gloat upon the rich instantaneous bosom already rosy with the flushy sleep though shame itself does not yet need to wake.

No, it was not that; I was not spying, who would walk those raked and sanded garden paths and think ‘ This print was his save for this obliterating rake, that even despite the rake it is still there and hers beside it in that slow and mutual rhythm wherein the heart, the mind, does not need to watch the docile (ay, the willing) feet’; would think ‘What suspiration of the twinning souls have the murmurous myriad ears of this secluded vine or shrub listened to? what vow, what promise, what rapt biding fire has the lilac rain of this wistaria, this heavy rose’s dissolution, crowned?” But best of all, better far than this, the actual living and the dreamy flesh itself.

Oh no, I was not spying while I dreamed in the lurking harborage of my own shrub or vine as I believed she dreamed upon the nooky seat which held invisible imprint of his absent thighs just as the obliterating sand, the million finger-nerves of frond and leaf, the very sun and moony constellations which had looked down at him, the circumambient air, held somewhere yet his foot, his passing shape, his face, his speaking voice, his name: Charles Bon, Charles Good, Charles Husband-soon-to-be. No, not spying, not even hiding, who was child enough not to need to hide, whose presence would have been no violation even though he sat with her, yet woman enough to have gone to her entitled to be received (perhaps with pleasure, gratitude) into that maiden shameless confidence where young girls talk of love.

Yes, child enough to go to her and say ‘Let me sleep with you’; woman enough to say’ Let us lie in bed together while you tell me what love is,’ yet who did not do it because I should have had to say ‘ Dont talk to me of love but let me tell you, who know already more of love than you will ever know or need.” Then my father returned and came for me and took me home and I became again that nondescript too long a child yet too short a woman, in the fitless garments which my aunt had left behind, keeping a fitless house, who was not spying, hiding, but waiting, watching, for no reward, no thanks, who did not love him in the sense we mean it because there is no love of that sort without hope; who (if it were love) loved with that sort beyond the compass of glib books: that love which gives up what it never had that penny’s modicum which is the donor’s all yet whose infinitesimal weight adds nothing to the substance of the loved—and yet I gave it.

And not to him, to her; it was as though I said to her, ‘Here, take this too. You cannot love him as he should be loved, and though he will no more feel this giving’s weight than he would ever know its lack, yet there may come some moment in your married lives when he will find this atom’s particle as you might find a cramped small pallid hidden shoot in a familiar flower bed and pause and say, “where did this come from?”; you need only answer, “I don’t know.” ‘ 4nd then I went back home and stayed five years, heard an echoed shot, ran up a nightmare flight of stairs, and found why, a woman standing calmly in a gingham dress before a closed door which she would not allow me to enter—a woman more strange to me than to any grief for being so less its partner—a woman saying ‘ Yes, Rosa?” calmly into the midstride of my running which (I know it now) had begun five years ago, since he had been in my house too, and had left no more trace than he had left in Ellen’s, where he had been but a shape, a shadow: not of a man, a being, but of some esoteric piece of furniture—vase or chair or desk—which Ellen wanted, as though his very impression (or lack of it) on Coldfield or Sutpen walls held portentous prophecy of what was to be Yes, running out of that first year (that year before the war) during which Ellen talked to me of trousseau (and it my trousseau), of all the dreamy panoply of surrender which was my surrender, who had so little to surrender that it was all I had because there is that might-have-been which is the single rock we cling to above the maelstrom of unbearable reality—The four years while I believed she waited as I waited, while the stable world we had been taught to know dissolved in fire and smoke until peace and security were gone, and pride and hope, and there was left only maimed honor’s veterans, and love.

Yes, there should, there must, be love and faith: these left with us by fathers, husbands, sweethearts, brothers, who carried the pride and the hope of peace in honor’s vanguard as they did the flags; there must be these, else what do men fight for? what else worth dying for? Yes, dying not for honor’s empty sake, nor pride nor even peace, but for that love and faith they left behind. Because he was to die; I know that, knew that, as both pride and peace were: else how to prove love’s immortality? But not love, not faith itself, themselves. Love without hope perhaps, faith with little to be proud with: but love and faith at least above the murdering and the folly, to salvage at least from the humbled indicted dust something anyway of the old lost enchantment of the heart. —Yes, found her standing before that closed door which I was not to enter (and which she herself did not enter again to my knowledge until Jones and the other ‘man carried the coffin up the stairs) with the photograph hanging at her side and her face absolutely calm, looking at me for a moment and just raising her voice enough to be heard in the hall below: ‘Clytie. Miss Rosa will be here for dinner; you had better get out some more meal’: then ‘Shall we go down stairs?

I will have to speak to Mr Jones about some planks and nails.” That was all. Or rather, not all, since there is no all, no finish; it’s not the blow we suffer from but the tedious repercussive anticlimax of it, the rubbishy aftermath to clear away from off the very threshold of despair. You see, I never saw him. I never even saw him dead. I heard an echo, but not the shot; I saw a closed door but did not enter it.”

I remember how that afternoon when we carried the coffin from the house (Jones and another white man which he produced, exhumed, from somewhere made it of boards torn from the carriage house; I remember how while we ate the food which Judith yes, Judith, the same face calm, cold and tranquil above the stove had cooked, ate it in the very room which he lay over, we could hear them hammering and sawing in the backyard, and how I saw Judith once, in a faded gingham sunbonnet to match the dress, giving them directions about making it; I remember how during all that slow and sunny afternoon they hammered and sawed right under the back parlor window—the slow, maddening rasp, rasp, rasp, of the saw, the flat deliberate hammer blows that seemed as though each would be the last but was not, repeated and resumed just when the dulled attenuation of the wearied nerves, stretched beyond all resiliency, relaxed to silence and then had to scream again: until at last I went out there (and saw Judith in the barnlot in a cloud of chickens, her apron cradled about the gathered eggs) and asked them why? why there? why

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not even know of my own knowledge that Ellen ever saw it, that Judith ever loved it, that Henry slew it: so who will dispute me when I say, Why