Shreve was nineteen, a few months younger than Quentin. He looked exactly nineteen; he was one of those people whose correct age you never know because they look exactly that and so you tell yourself that he or she cannot possibly be that because he or she looks too exactly that not to take advantage of the appearance: so you never believe implicitly that he or she is either that age which they claim or that which in sheer desperation they agree to or which someone else reports them to be, strong enough, and willing enough for two, for two thousand, for all. Not two of them in a New England college sitting-room but one in a Mississippi library sixty years ago, with holly and mistletoe in vases on the mantel or thrust behind, crowning and garlanding with the season and time the pictures on the walls, and a sprig or so decorating the photograph, the group—mother and two children—on the desk, behind which the father sat when the son entered; and they—Quentin and Shreve—thinking how after the father spoke and before what he said stopped being shock and began to make sense, Henry would recall later how he had seen through the window beyond his father’s head the sister and the lover in the garden, pacing slowly, the sister’s head bent with listening, the lover’s head leaned above it while they paced slowly on in that rhythm which not the eyes but the heart marks and calls the beat and measure for, to disappear slowly beyond some bush or shrub starred with white bloom—jasmine, spiraea, honeysuckle, perhaps myriad scentless unpickable Cherokee roses—names, blooms which Shreve possibly had never heard and never seen although the air had blown over him first which became tempered to nourish them.
It would not matter here in Cambridge that the time had been winter in that garden too, and hence no bloom nor leaf even if there had been someone to walk there and be seen there since, judged by subsequent events, it had been night in the garden also. But that did not matter because it had been so long ago. It did not matter to them (Quentin and Shreve) anyway, who could without moving, as free now of flesh of the father who decreed and forbade, the son who denied and repudiated, the lover who acquiesced, the beloved who was not bereaved, and with no tedious transition from hearth and garden to saddle, who could be already clattering over the frozen ruts of that December night and that Christmas dawn, that day of peace and cheer, of holly and goodwill and logs on the hearth; not two of them there and then either but four of them riding the two horses through the iron darkness, and that not mattering either: what faces and what names they called themselves and were called by so long as the blood coursed—the blood, the immortal brief recent intransient blood which could hold honor above slothy unregret and love above fat and easy shame.
‘And Bon didn’t know it,’ Shreve said. ‘The old man didn’t move and this time Henry didn’t say “You lie,” he said “It’s not true” and the old man said, “Ask him. Ask Charles then” and then Henry knew that that was what his father had meant all the time and that that was what he meant himself when he told his father he lied, because what the old man said wasn’t just “He is your brother” but “He has known all the time that he is yours and your sister’s brother.” But Bon didn’t know.
Listen, don’t you remember how your father said it, that not one time did he—the old guy, the demon—ever seem to wonder how the other wife managed to find him, track him down, had never once seemed to wonder what she might have been doing all that time, the thirty years since that day when he paid his bill with her and got it receipted, so he thought, and saw with his own eyes that it was (so he thought) destroyed, torn up, and thrown to the wind; never once wondered about this but only that she had done it, could have and would have wanted to track him down? So it wasn’t her that told Bon. She wouldn’t have wanted to, maybe for the reason that she knew he—the demon would believe she had.
Or maybe she didn’t get around to telling him. Maybe she just never thought that there could be anyone as close to her as a lone child out of her own body who would have to be told how she had been scorned and suffered. Or maybe she was already telling it before he was big enough to know words and so by the time he was big enough to understand what was being told him she had told it so much and so hard that the words didn’t make sense to her anymore either because they didn’t have to make sense to her, and so she had got to the point where when she thought she was saying it she was quiet, and when she thought she was quiet it was just the hate and the fury and the unsleeping and the unforgetting. Or maybe she didn’t intend for him to know it then.
Maybe she was grooming him for that hour and moment which she couldn’t foresee but that she knew would arrive some day because it would have to arrive or else she would have to do like the Aunt Rosa and deny that she had ever breathed—the moment when he (Bon) would stand side by side (not face to face) with his father where fate or luck or justice or whatever she called it could do the rest (and it did, better than she could have invented or hoped or even dreamed, and your father said how being a woman she probably wasn’t even surprised)—grooming him herself, bringing him on by hand herself, washing and feeding and putting him to bed and giving him the candy and the toys and the other child’s fun and diversion and needs in measured doses like medicine with her own hand: not because she had to, who could have hired a dozen or bought a hundred to do it for her with the money, the jack that he (the demon) had voluntarily surrendered, repudiated to balance his moral ledger: but like the millionaire who could have a hundred hostlers and handlers but who has just the one horse, the one maiden, the one moment, the one matching of heart and muscle and will with the one instant: and himself (the millionaire) patient in the overalls and the sweat and the stable muck, and the mother bringing him along to the moment when she would say “He is your father.
He cast you and me aside and denied you his name. Now go” and then sit down and let God finish it: pistol or knife or rack; destruction or grief or anguish: God to call the shot or turn the wheel. Jesus, you can almost see him: a little boy already come to learn, to expect, before he could remember having learned his own name or the name of the town where he lived or how to say either of them, that every so often he would be snatched up from playing and held, gripped between the two hands fierce with (what passed at least with him for it) love, against the two fierce rigid knees, the face that he remembered since before remembering began as supervising all the animal joys of palate and stomach and entrails, of warmth and pleasure and security, swooping down at him in a kind of blazing immobility: he taking the interruption as a matter of course, as just another natural phenomenon of existence; the face filled with furious and almost unbearable unforgiving almost like fever (not bitterness and despair: just implacable will for revenge) as just another manifestation of mammalian love and he not knowing what in hell it was all about.
He would be too young to curry any connected fact out of the fury and hate and the tumbling speed; not comprehending or caring: just curious, creating for himself (without help since who to help him) his own notion of that Porto Rico or Haiti or wherever it was he understood vaguely that he had come from, like orthodox children do of Heaven or the cabbage patch or wherever it was that they came from, except that his was different in that you were not supposed (your mother didn’t intend to, anyway) to ever go back there (and maybe when you got as old as she was you would be horrified too, every time you found hidden in your thoughts anything that just smelled or tasted like it might be a wish to go back there).
You were not supposed to know when and why you left but only that you had escaped, that whatever power had created the place for you to hate it had likewise got you away from the place so you could hate it good and never forgive it in quiet and monotony (though not exactly in what you would call peace); that you were to thank God you didn’t remember anything
