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As I Lay Dying
get up and go back to the bucket. It would be black, the shelf black, the still surface of the water a round orifice in nothingness, where before I stirred it awake with the dipper I could see maybe a star or two in the bucket, and maybe in the dipper a star or two before I drank. After that I was bigger, older.

Then I would wait until they all went to sleep so I could lie with my shirt-tail up, hearing them asleep, feeling myself without touching myself, feeling the cool silence blowing upon my parts and wondering if Cash was yonder in the darkness doing it too, had been doing it perhaps for the last two years before I could have wanted to or could have.

Pa’s feet are badly splayed, his toes cramped and bent and warped, with no toenail at all on his little toes, from working so hard in the wet in home-made shoes when he was a boy. Beside his chair his brogans sit. They look as though they had been hacked with a blunt axe out of pig-iron. Vernon has been to town. I have never seen him go to town in overalls. His wife, they say. She taught school too, once.

I fling the dipper dregs to the ground and wipe my mouth on my sleeve. It is going to rain before morning. Maybe before dark. “Down to the barn,” I say. “Harnessing the team.”

Down there fooling with that horse. He will go on through the barn, into the pasture. The horse will not be in sight: he is up there among the pine seedlings, in the cool. Jewel whistles, once and shrill. The horse snorts, then Jewel sees him, glinting for a gaudy instant among the blue shadows. Jewel whistles again; the horse comes dropping down the slope, stiff-legged, his ears cocking and flicking, his mis-matched eyes rolling, and fetches up twenty feet away, broadside on, watching Jewel over his shoulder in an attitude kittenish and alert.

“Come here, sir,” Jewel says. He moves. Moving that quick his coat, bunching, tongues swirling like so many flames. With tossing mane and tail and rolling eye the horse makes another short curveting rush and stops again, feet bunched, watching Jewel. Jewel walks steadily toward him, his hands at his sides. Save for Jewel’s legs they are like two figures carved for a tableau savage in the sun.

When Jewel can almost touch him, the horse stands on his hind legs and slashes down at Jewel. Then Jewel is enclosed by a glittering maze of hooves as by an illusion of wings; among them, beneath the upreared chest, he moves with the flashing limberness of a snake. For an instant before the jerk comes on to his arms he sees his whole body earth-free, horizontal, whipping snake-limber, until he finds the horse’s nostrils and touches earth again.

Then they are rigid, motionless, terrific, the horse back-thrust on stiffened, quivering legs, with lowered head; Jewel with dug heels, shutting off the horse’s wind with one hand, with the other patting the horse’s neck in short strokes myriad and caressing, cursing the horse with obscene ferocity.

They stand in rigid terrific hiatus, the horse trembling and groaning. Then Jewel is on the horse’s back. He flows upward in a stooping swirl like the lash of a whip, his body in mid-air shaped to the horse. For another moment the horse stands spraddled, with lowered head, before it bursts into motion. They descend the hill in a series of spine-jolting jumps, Jewel high, leech-like on the withers, to the fence where the horse bunches to a scuttering halt again.

“Well,” Jewel says, “you can quit now, if you got a-plenty.”

Inside the barn Jewel slides running to the ground before the horse stops. The horse enters the stall, Jewel following. Without looking back the horse kicks at him, slamming a single hoof into the wall with a pistol-like report. Jewel kicks him in the stomach; the horse arches his neck back, crop-toothed; Jewel strikes him across the face with his fist and slides on to the trough and mounts upon it. Clinging to the hay-rack he lowers his head and peers out across the stall-tops and through the doorway. The path is empty; from here he cannot even hear Cash sawing. He reaches up and drags down hay in hurried armfuls and crams it into the rack.

“Eat,” he says. “Get the goddamn stuff out of sight while you got a chance, you pussel-gutted bastard. You sweet son of a bitch,” he says.

JEWEL

IT’S because he stays out there, right under the window, hammering and sawing on that goddamn box. Where she’s got to see him. Where every breath she draws is full of his knocking and sawing where she can see him saying See. See what a good one I am making for you. I told him to go somewhere else. I said Good God do you want to see her in it. It’s like when he was a little boy and she says if she had some fertilizer she would try to raise some flowers and he taken the bread-pan and brought it back from the barn full of dung.

And now them others sitting there, like buzzards. Waiting, fanning themselves. Because I said if you wouldn’t keep on sawing and nailing at it until a man can’t sleep even and her hands laying on the quilt like two of them roots dug up and tried to wash and you couldn’t get them clean. I can see the fan and Dewey Dell’s arm. I said if you’d just let her alone. Sawing and knocking, and keeping the air always moving so fast on her face that when you’re tired you can’t breathe it, and that goddamn adze going.

One lick less. One lick less. One lick less until everybody that passes in the road will have to stop and see it and say what a fine carpenter he is. If it had just been me when Cash fell off of that church and if it had just been me when pa laid sick with that load of wood fell on him, it would not be happening with every bastard in the county coming in to stare at her because if there is a God what the hell is He for. It would just be me and her on a high hill and me rolling the rocks down the hill at their faces, picking them up and throwing them down the hill, faces and teeth and all by God until she was quiet and not that goddamn adze going. One lick less. One lick less and we could be quiet.

DARL

WE watch him come around the corner and mount the steps. He does not look at us. “You ready?” he says.

“If you’re hitched up,” I say. I say “Wait.” He stops, looking at pa. Vernon spits, without moving. He spits with decorous and deliberate precision into the pocked dust below the porch. Pa rubs his hands slowly on his knees. He is gazing out beyond the crest of the bluff, out across the land. Jewel watches him a moment, then he goes on to the pail and drinks again.

“I mislike undecision as much as ere a man,” pa says.

“It means three dollars,” I say. The shirt across pa’s hump is faded lighter than the rest of it. There is no sweat stain on his shirt. I have never seen a sweat stain on his shirt. He was sick once from working in the sun when he was twenty-two years old, and he tells people that if he ever sweats, he will die. I suppose he believes it.

“But if she don’t last until you get back,” he says. “She will be disappointed.”

Vernon spits into the dust. But it will rain before morning.

“She’s counted on it,” pa says. “She’ll want to start right away. I know her. I promised her I’d keep the team here and ready, and she’s counting on it.”

“We’ll need that three dollars then, sure,” I say. He gazes out over the land, rubbing his hands on his knees. Since he lost his teeth his mouth collapses in slow repetition when he dips. The stubble gives his lower face that appearance that old dogs have. “You’d better make up your mind soon, so we can get there and get a load on before dark,” I say.

“Ma ain’t that sick,” Jewel says. “Shut up, Darl.”

“That’s right,” Vernon says. “She seems more like herself to-day than she has in a week. Time you and Jewel get back, she’ll be setting up.”

“You ought to know,” Jewel says. “You been here often enough looking at her. You or your folks.” Vernon looks at him. Jewel’s eyes look like pale wood in his high-blooded face. He is a head taller than any of the rest of us, always was. I told them that’s why ma always whipped him and petted him more. Because he was peakling around the house more. That’s why she named him Jewel I told them.

“Shut up, Jewel,” pa says, but as though he is not listening much. He gazes out across the land, rubbing his knees.

“You could borrow the loan of Vernon’s team and we could catch up with you,” I say. “If she didn’t wait for us.”

“Ah, shut your goddamn mouth,” Jewel says.

“She’ll want to go in ourn,” pa says. He rubs his knees. “Don’t ere a man mislike it more.”

“It’s laying there, watching Cash whittle on that damn . . .” Jewel says. He says it harshly, savagely, but he does not say the word. Like a

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get up and go back to the bucket. It would be black, the shelf black, the still surface of the water a round orifice in nothingness, where before I stirred