of it, the paintless house which outwardly did not change but which on the inside seemed each time larger because he was too little to realise then that there was less and less in it of the fine furnishings, the rosewood and mahogany and walnut which for him had never existed anywhere anyway save in his mother’s tearful lamentations and the occasional piece small enough to be roped somehow on to the rear or the top of the carriage on their return (And he remembered this, he had seen it: an instant, a flash, his mother’s soprano ‘Even my dress! Even my dress!’ loud and outraged in the barren unswept hall; a face young and female and even lighter in colour than Tomey’s Terrel’s for an instant in a closing door; a swirl, a glimpse of the silk gown and the flick and glint of an ear-ring: an apparition rapid and tawdry and illicit yet somehow even to the child, the infant still almost, breathless and exciting and evocative: as though, like two limpid and pellucid streams meeting, the child which he still was had made serene and absolute and perfect rapport and contact through that glimpsed nameless illicit hybrid female flesh with the boy which had existed at that stage of inviolable and immortal adolescence in his uncle for almost sixty years; the dress, the face, the ear-rings gone in that same aghast flash and his uncle’s voice: ‘She’s my cook! She’s my new cook! I had to have a cook, didn’t I?’ then the uncle himself, the face alarmed and aghast too yet still innocently and somehow even indomitably of a boy, they retreating in their turn now, back to the front gallery, and his uncle again, pained and still amazed, in a sort of desperate resurgence if not of courage at least of self-assertion: ‘They’re free now! They’re folks too just like we are!’ and his mother: “That’s why! That’s why! My mother’s house! Defiled! Defiled!’ and his uncle: ‘Damn it, Sibbey, at least give her time to pack her grip:’ then over, finished, the loud uproar and all, himself and Tennie and he remembered Tennie’s inscrutable face at the broken shutterless window of the bare room which had once been the parlour while they watched, hurrying down the lane at a stumbling trot, the routed compounder of his uncle’s uxory: the back, the nameless face which he had seen only for a moment, the once-hooped dress ballooning and flapping below a man’s overcoat, the worn heavy carpet-bag jouncing and banging against her knee, routed and in retreat true enough and in the empty lane solitary young-looking and forlorn yet withal still exciting and evocative and wearing still the silken banner captured inside the very citadel of respectability, and unforgettable.)

the cup, the sealed inscrutable burlap, sitting on the shelf in the locked closet, Uncle Hubert unlocking the door and lifting it down and passing it from hand to hand: his mother, his father, McCaslin and even Tennie, insisting that each take it in turn and heft it for weight and shake it again to prove the sound, Uncle Hubert himself standing spraddled before the cold unswept hearth in which the very bricks themselves were crumbling into a litter of soot and dust and mortar and the droppings of chimney-sweeps, still roaring and still innocent and still indomitable: and for a long time he believed nobody but himself had noticed that his uncle now put the cup only into his hands, unlocked the door and lifted it down and put it into his hands and stood over him until he had shaken it obediently until it sounded then took it from him and locked it back into the closet before anyone else could have offered to touch it, and even later, when competent not only to remember but to rationalise, he could not say what it was or even if it had been anything because the parcel was still heavy and still rattled, not even when, Uncle Buddy dead and his father, at last and after almost seventy-five years in bed after the sun rose, said: ‘Go get that damn cup. Bring that Damn Hub Beauchamp too if you have to:’ because it still rattled though his uncle no longer put it even into his hands now but carried it himself from one to the other, his mother, McCaslin, Tennie, shaking it before each in turn, saying: ‘Hear it? Hear it?’ his face still innocent, not quite baffled but only amazed and not very amazed and still indomitable: and, his father and Uncle Buddy both gone now, one day without reason or any warning the almost completely empty house in which his uncle and Tennie’s ancient and quarrelsome great-grandfather (who claimed to have seen Lafayette and McCaslin said in another ten years would be remembering God) lived, cooked and slept in one single room, burst into peaceful conflagration, a tranquil instantaneous sourceless unanimity of combustion, walls floors and roof: at sunup it stood where his uncle’s father had built it sixty years ago, at sundown the four blackened and smokeless chimneys rose from a light white powder of ashes and a few charred ends of planks which did not even appear to have been very hot: and out of the last of evening, the last one of the twenty-two miles, on the old white mare which was the last of that stable which McCaslin remembered, the two old men riding double up to the sister’s door, the one wearing his fox-horn on its braided deerhide thong and the other carrying the burlap parcel wrapped in a shirt, the tawny wax-daubed shapeless lump sitting again and on an almost identical shelf and his uncle holding the half-opened door now, his hand not only on the knob but one foot against it and the key waiting in the other hand, the face urgent and still not baffled but still and even indomitably not very amazed and himself standing in the half-opened door looking quietly up at the burlap shape become almost three times its original height and a good half less than its original thickness and turning away and he would remember not his mother’s look this time nor yet Tennie’s inscrutable expression but McCaslin’s dark and aquiline face grave insufferable and bemused: then one night they waked him and fetched him still half-asleep into the lamplight, the smell of medicine which was familiar by now in that room and the smell of something else which he had not smelled before and knew at once and would never forget, the pillow, the worn and ravaged face from which looked out still the boy innocent and immortal and amazed and urgent, looking at him and trying to tell him until McCaslin moved and leaned over the bed and drew from the top of the nightshirt the big iron key on the greasy cord which suspended it, the eyes saying Yes Yes Yes now, and cut the cord and unlocked the closet and brought the parcel to the bed, the eyes still trying to tell him even when he took the parcel so that was still not it, the hands still clinging to the parcel even while relinquishing it, the eyes more urgent than ever trying to tell him but they never did; and he was ten and his mother was dead too and McCaslin said, ‘You are almost halfway now. You might as well open it:’ and he: ‘No. He said twenty-one:’ and he was twenty-one and McCaslin shifted the bright lamp to the centre of the cleared dining-room table and set the parcel beside it and laid his open knife beside the parcel and stood back with that expression of old grave intolerant and repudiating and he lifted it, the burlap lump which fifteen years ago had changed its shape completely overnight, which shaken gave forth a thin weightless not-quite-musical curiously muffled clatter, the bright knife-blade hunting amid the mazed intricacy of string, the knobby gouts of wax bearing his uncle’s Beauchamp seal rattling on to the table’s polished top and, standing amid the collapse of burlap folds, the unstained tin coffee-pot still brand-new, the handful of copper coins and now he knew what had given them the muffled sound: a collection of minutely-folded scraps of paper sufficient almost for a rat’s nest, of good linen bond, of the crude ruled paper such as negroes use, of raddedly-torn ledger-pages and the margins of newspapers and once the paper label from a new pair of overalls, all dated and all signed, beginning with the first one not six months after they had watched him seal the silver cup into the burlap on this same table in this same room by the light even of this same lamp almost twenty-one years ago:

I owe my Nephew Isaac Beauchamp McCaslin five (5) pieces Gold which I.O.U constitutes My note of hand with Interest at 5 percent.
Hubert Fitz-Hubert Beauchamp
at Warwick 27 Nov 1867

and he: ‘Anyway he called it Warwick:’ once at least, even if no more. But there was more:

Isaac 24 Dec 1867 I.O.U. 2 pieces Gold H.Fh.B. I.O.U. Isaac 1 piece Gold 1 Jan 1868 H.Fh.B.

then five again then three then one then one then a long time and what dream, what dreamed splendid recoup, not of any injury or betrayal of trust because it had been merely a loan: nay, a partnership:

I.O.U. Beauchamp McCaslin or his heirs twenty-five (25) pieces Gold This & All preceeding constituting My notes of hand at twenty (20) percentum compounded annually. This date of 19th January 1873
Beauchamp

no location