He didn’t disturb it. He didn’t even look for the other grave where he and McCaslin and Major de Spain and Boon had laid Sam’s body, along with his hunting horn and his knife and his tobacco-pipe, that Sunday morning two years ago; he didn’t have to. He had stepped over it, perhaps on it. But that was all right. He probably knew I was in the woods this morning long before I got here, he thought, going on to the tree which had supported one end of the platform where Sam lay when McCaslin and Major de Spain found them — the tree, the other axle-grease tin nailed to the trunk, but weathered, rusted, alien too yet healed already into the wilderness’s concordant generality, raising no tuneless note, and empty, long since empty of the food and tobacco he had put into it that day, as empty of that as it would presently be of this which he drew from his pocket — the twist of tobacco, the new bandanna handkerchief, the small paper sack of the peppermint candy which Sam had used to love; that gone too, almost before he had turned his back, not vanished but merely translated into the myriad life which printed the dark mould of these secret and sunless places with delicate fairy tracks, which, breathing and biding and immobile, watched him from beyond every twig and leaf until he moved, moving again, walking on; he had not stopped, he had only paused, quitting the knoll which was no abode of the dead because there was no death, not Lion and not Sam: not held fast in earth but free in earth and not in earth but of earth, myriad yet undiffused of every myriad part, leaf and twig and particle, air and sun and rain and dew and night, acorn oak and leaf and acorn again, dark and dawn and dark and dawn again in their immutable progression and, being myriad, one: and Old Ben too, Old Ben too; they would give him his paw back even, certainly they would give him his paw back: then the long challenge and the long chase, no heart to be driven and outraged, no flesh to be mauled and bled — Even as he froze himself he seemed to hear Ash’s parting admonition.
He could even hear the voice as he froze, immobile, one foot just taking his weight, the toe of the other just lifted behind him, not breathing, feeling again and as always the sharp shocking inrush from when Isaac McCaslin long yet was not, and so it was fear all right but not fright as he looked down at it. It had not coiled yet and the buzzer had not sounded either, only one thick rapid contraction, one loop cast sideways as though merely for purchase from which the raised head might start slightly backward, not in fright either, not in threat quite yet, more than six feet of it, the head raised higher than his knee and less than his knee’s length away, and old, the once-bright markings of its youth dulled now to a monotone concordant too with the wilderness it crawled and lurked: the old one, the ancient and accursed about the earth, fatal and solitary and he could smell it now: the thin sick smell of rotting cucumbers and something else which had no name, evocative of all knowledge and an old weariness and of pariah-hood and of death.
At last it moved. Not the head. The elevation of the head did not change as it began to glide away from him, moving erect yet off the perpendicular as if the head and that elevated third were complete and all: an entity walking on two feet and free of all laws of mass and balance and should have been because even now he could not quite believe that all that shift and flow of shadow behind that walking head could have been one snake: going and then gone; he put the other foot down at last and didn’t know it, standing with one hand raised as Sam had stood that afternoon six years ago when Sam led him into the wilderness and showed him and he ceased to be a child, speaking the old tongue which Sam had spoken that day without premeditation either: “Chief,” he said: “Grandfather.”
He couldn’t tell when he first began to hear the sound, because when he became aware of it, it seemed to him that he had been already hearing it for several seconds — a sound as though someone were hammering a gun-barrel against a piece of railroad iron, a sound loud and heavy and not rapid yet with something frenzied about it, as the hammerer were not only a strong man and an earnest one but a little hysterical too. Yet it couldn’t be on the log-line because, although the track lay in that direction, it was at least two miles from him and this sound was not three hundred yards away.
But even as he thought that, he realised where the sound must be coming from: whoever the man was and whatever he was doing, he was somewhere near the edge of the clearing where the Gum Tree was and where he was to meet Boon. So far, he had been hunting as he advanced, moving slowly and quietly and watching the ground and the trees both. Now he went on, his gun unloaded and the barrel slanted up and back to facilitate its passage through brier and undergrowth, approaching as it grew louder and louder that steady savage somehow queerly hysterical beating of metal on metal, emerging from the woods, into the old clearing, with the solitary gum tree directly before him.
At first glance the tree seemed to be alive with frantic squirrels. There appeared to be forty or fifty of them leaping and darting from branch to branch until the whole tree had become one green maelstrom of mad leaves, while from time to time, singly or in twos and threes, squirrels would dart down the trunk then whirl without stopping and rush back up again as thought sucked violently back by the vacuum of their fellows’ frenzied vortex. Then he saw Boon, sitting, his back against the trunk, his head bent, hammering furiously at something on his lap. What he hammered with was the barrel of his dismembered gun, what he hammered at was the breech of it.
The rest of the gun lay scattered about him in a half-dozen pieces while he bent over the piece on his lap his scarlet and streaming walnut face, hammering the disjointed barrel against the gun-breech with the frantic abandon of a madman. He didn’t even look up to see who it was. Still hammering, he merely shouted back at the boy in a hoarse strangled voice:
“Get out of here! Dont touch them! Dont touch a one of them! They’re mine!”
The End
Old Man, William Faulkner
Old Man
Once (it was in Mississippi, in May, in the flood year 1927) there were two convicts. One of them was about twenty-five, tall, lean, flat-stomached, with a sunburned face and Indian-black hair and pale, china-colored outraged eyes—an outrage directed not at the men who had foiled his crime, not even at the lawyers and judges who had sent him here, but at the writers, the uncorporeal names attached to the stories, the paper novels—the Diamond Dicks and Jesse Jameses and such—whom he believed had led him into his present predicament through their own ignorance and gullibility regarding the medium in which they dealt and took money for, in accepting information on which they placed the stamp of verisimilitude and authenticity (this so much the more criminal since there was no sworn notarised statement attached and hence so much the quicker would the information be accepted by one who expected the same unspoken good faith, demanding, asking, expecting no certification, which he extended along with the dime or fifteen cents to pay for it) and retailed for money and which on actual application proved to be impractical and (to the convict) criminally false; there would be times when he would halt his mule and plow in midfurrow (there is no walled penitentiary in Mississippi; it is a cotton plantation which the convicts work under the rifles and shotguns of guards and trusties) and muse with a kind of enraged impotence, fumbling among the rubbish left him by his one and only experience with courts
