No, it wasn’t Lawyer that had drawed McCarron and me from a thousand miles away and two thousand more miles apart, the three of us to meet at this moment in a New York saloon: it was that gal that done it — that gal that never had seen one of us and fur as I actively heard it to take a oath, never had said much more than good-morning to the other two — that gal that likely not even knowed but didn’t even care that she had inherited her maw’s fatality to draw four men anyhow to that web, that one strangling hair; drawed all four of us without even lifting her hand — her husband, her father, the man that was still trying to lay down his life for her maw if he could jest find somebody that wanted it, and what you might call a by-standing family friend — to be the supporting cast while she said “I do” outen the middle of a matrimonial production line at the City Hall before getting on a ship to go to Europe to do whatever it was she figgered she was going to do in that war. So I was the one that said, “This is Lawyer Stevens, Hoake,” with three waiters now (he was evidently that rich) bustling around helping us set down.
“What’s yours?” he says to Lawyer. “I know what V.K. wants. — Bushmill’s,” he says to the waiter. “Bring the bottle. — You’ll think you’re back home,” he says to me. “It tastes jest like that stuff Calvin Bookwright used to make — do you remember?” Now he was looking at it too.
“That’s an Allanovna, isn’t it?” he says. “You’ve branched out a little since Frenchman’s Bend too, haven’t you?” Now he was looking at Lawyer. He taken his whole drink at one swallow though the waiter was already there with the bottle before he could a signalled. “Don’t worry,” he says. “You’ve got my word. I’m going to keep it.”
“You stop worrying too,” I says. “Lawyer’s already got Linda. She’s going to believe him first, no matter what anybody else might forget and try to tell her.” And we could have et dinner there too, but Lawyer says,
“This is New York. We can eat dinner in Uncle Cal Bookwright’s springhouse back home.” So we went to that dining-room. Then it was time. We went to the City Hall in a taxicab. While he was getting out, the other taxicab come up and they got out. He was not big, he jest looked big, like a football player. No: like a prize fighter. He didn’t look jest tough, and ruthless ain’t the word neither.
He looked like he would beat you or maybe you would beat him but you probably wouldn’t, or he might kill you or you might kill him though you probably wouldn’t. But he wouldn’t never dicker with you, looking at you with eyes that was pale like Hub Hampton’s but they wasn’t hard: jest looking at you without no hurry and completely, missing nothing, and with already a pretty good idea beforehand of what he was going to see.
We went inside. It was a long hall, a corridor, a line of folks two and two that they would a been the last one in it except it was a line that never had no last: jest a next to the last and not that long: on to a door that said REGISTRAR and inside. That wasn’t long neither; the two taxicabs was still waiting.
“So this is Grinnich Village,” I says. The door give right off the street but with a little shirt-tail of ground behind it you could a called a yard though maybe city folks called it a garden; It even had one tree in it, with three things on it that undoubtedly back in the spring or summer was leaves.
But inside it was nice: full of folks of course, with two waiters dodging in and out with trays of glasses of champagne and three or four of the company helping too, not to mention the folks that was taking over the apartment while Linda and her new husband was off at the war in Spain — a young couple about the same age as them. “Is he a sculptor too?” I says to Lawyer.
“No,” Lawyer says. “He’s a newspaperman.”
“Oh,” I says. “Then likely they been married all the time.”
It was nice: a room with plenty of window lights. It had a heap of stuff in it too but it looked like it was used — a wall full of books and a piano and I knowed they was pictures because they was hanging on the wall and I knowed that some of the other things was sculpture but the rest of them I didn’t know what they was, made outen pieces of wood or iron or strips of tin and wires.
Except that I couldn’t ask then because of the rest of the poets and painters and sculptors and musicians, since he would still have to be the host until we — him and Linda and Lawyer and Hoake and me — could slip out and go down to where the ship was; evidently a heap of folks found dreams in Grinnich Village but evidently it was a occasion when somebody married in it. And one of them wasn’t even a poet or painter or sculptor or musician or even jest a ordinary moral newspaperman but evidently a haberdasher taking Saturday evening off. Because we was barely in the room before he was not only looking at it too but rubbing it between his thumb and finger. “Allanovna,” he says.
“That’s right,” I says.
“Oklahoma?” he says. “Oil?”
“Sir?” I says.
“Oh,” he says. “Texas. Cattle then. In Texas you can choose your million between oil and cattle, right?”
“No sir,” I says, “Missippi. I sell sewing machines.”
So it was a while before Kohl finally come to me to fill my glass again.
“I understand you grew up with Linda’s mother,” he says.
“That’s right,” I says. “Did you make these?”
“These what?” he says.
“In this room,” I says.
“Oh,” he says. “Do you want to see more of them? Why?”
“I don’t know yet,” I says. “Does that matter?” So we shoved on through the folks — it had begun to take shoving by now — into a hall and then up some stairs. And this was the best of all: a loft with one whole side of the roof jest window lights — a room not jest where folks used but where somebody come off by his-self and worked. And him jest standing a little behind me, outen the way, giving me time and room both to look. Until at last he says,
“Shocked? Mad?” Until I says,
“Do I have to be shocked and mad at something jest because I never seen it before?”
“At your age, yes,” he says. “Only children can stand surprise for the pleasure of surprise. Grown people can’t bear surprise unless they are promised in advance they will want to own it.”
“Maybe I ain’t had enough time yet,” I says.
“Take it then,” he says. So he leaned against the wall with his arms folded like a football player, with the noise of the party where he was still supposed to be host at coming up the stairs from below, while I taken my time to look: at some I did recognise and some I almost could recognise and maybe if I had time enough I would, and some I knowed I wouldn’t never quite recognise, until all of a sudden I knowed that wouldn’t matter neither, not jest to him but to me too.
Because anybody can see and hear and smell and feel and taste what he expected to hear and see and feel and smell and taste, and won’t nothing much notice your presence nor miss your lack. So maybe when you can see and feel and smell and hear and taste what you never expected to and hadn’t never even imagined until that moment, maybe that’s why Old Moster picked you out to be the one of the ones to be alive.
So now it was time for that-ere date. I mean the one that Lawyer and Hoake had fixed up, with Hoake saying, “But what can I tell her — her husband — her friends?” and Lawyer says,
“Why do you need to tell anybody anything? I’ve attended to all that. As soon as enough of them have drunk her health, just take her by the arm and clear out. Just don’t forget to be aboard the ship by eleven-thirty.”
Except Hoake still tried, the two