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The Wild Palms (If I Forget Thee, Jerusalem)
nobody came for me,” the refugee said. He began to tremble though at first he spoke quietly enough. “I set there on that sonabitching cotton house, expecting hit to go any minute. I saw that launch and them boats come up and they never had no room for me. Full of bastard niggers and one of them setting there playing a guitar but there wasn’t no room for me. A guitar!” he cried; now he began to scream, trembling, slavering, his face twitching and jerking. “Room for a bastard nigger guitar but not for me—”

“Steady now,” the Warden said. “Steady now.”

“Give him a drink,” one of the officers said. The Warden poured the drink. The deputy handed it to the refugee, who took the glass in both jerking hands and tried to raise it to his mouth. They watched him for perhaps twenty seconds, then the deputy took the glass from him and held it to his lips while he gulped, though even then a thin trickle ran from each corner of his mouth, into the stubble on his chin.

“So we picked him and—” the deputy called the plump convict’s name now “—both up just before dark and come on in. But that other fellow is gone.”

“Yes,” the Warden said. “Well. Here I haven’t lost a prisoner in ten years, and now, like this—I’m sending you back to the Farm tomorrow. Have his family notified, and his discharge papers filled out at once.”

“All right,” the deputy said. “And listen, chief. He wasn’t a bad fellow and maybe he never had no business in that boat. Only he did say he could paddle one. Listen. Suppose I write on his discharge, Drowned while trying to save lives in the great flood of nineteen twenty-seven, and send it down for the Governor to sign it. It will be something nice for his folks to have, to hang on the wall when neighbors come in or something. Maybe they will even give his folks a cash bonus because after all they sent him to the Farm to raise cotton, not to fool around in a boat in a flood.”

“All right,” the Warden said. “I’ll see about it. The main thing is to get his name off the books as dead before some politician tries to collect his food allowance.”

“All right,” the deputy said. He turned and herded his companions out. In the drizzling darkness again he said to the plump convict: “Well, your partner beat you. He’s free. He’s done served his time out but you’ve got a right far piece to go yet.”

“Yah,” the plump convict said. “Free. He can have it.”

Chapter V The Wild Palms

On the second morning in the Chicago hotel Wilbourne waked and found that Charlotte was dressed and gone, hat coat and handbag, leaving a note for him in a big sprawling untrained hand such as you associate at first glance with a man until you realise an instant later it is profoundly feminine: Back at noon. C., then, beneath the initial: Or maybe later. She returned before noon, he was asleep again; she sat on the side of the bed, her hand in his hair, rolling his head on the pillow to shake him awake, still in the open coat and the hat shoved back from her forehead, looking down at him with that sober yellow profundity, and now he mused indeed on that efficiency of women in the mechanics, the domiciling, of cohabitation.

Not thrift, not husbandry, something far beyond that, who (the entire race of them) employed with infallible instinct, a completely uncerebrated rapport for the type and nature of male partner and situation, either the cold penuriousness of the fabled Vermont farmwife or the fantastic extravagance of the Broadway revue mistress as required, absolutely without regard for the intrinsic value of the medium which they saved or squandered and with little more regard or grief for the bauble which they bought or lacked, using both the presence and absence of jewel or checking account as pawns in a chess game whose prize was not security at all but respectability within the milieu in which they lived, even the love-nest under the rose to follow a rule and a pattern; he thought, It’s not the romance of illicit love which draws them, not the passionate idea of two damned and doomed and isolated forever against the world and God and the irrevocable which draws men; it’s because the idea of illicit love is a challenge to them, because they have an irresistible desire to (and an unshakable belief that they can, as they all believe they can successfully conduct a boarding house) take the illicit love and make it respectable, take Lothario himself and trim the very incorrigible bachelor’s ringlets which snared them into the seemly decorum of Monday’s hash and suburban trains. “I’ve found it,” she said.

“Found what?”

“An apartment. A studio. Where I can work too.”

“Too?” She shook his head again with that savage obliviousness, she actually hurt him a little; he thought again, There’s a part of her that doesn’t love anybody, anything; and then, a profound and silent lightning-clap—a white glare—ratiocination, instinct, he did not know which: Why, she’s alone. Not lonely, alone. She had a father and then four brothers exactly like him and then she married a man exactly like the four brothers and so she probably never even had a room of her own in all her life and so she has lived all her life in complete solitude and she doesn’t even know it as a child who has never tasted cake doesn’t know what cake is.

“Yes, too. Do you think that twelve hundred dollars will last forever? You live in sin; you cant live on it.”

“I know it. I thought of that before I told you over the phone that night I had twelve hundred dollars. But this is honeymoon; later will be—”

“I know that too.” She grasped his hair again, hurting him again though now he knew she knew she was hurting him. “Listen: it’s got to be all honeymoon, always. Forever and ever, until one of us dies. It cant be anything else. Either heaven, or hell: no comfortable safe peaceful purgatory between for you and me to wait in until good behavior or forbearance or shame or repentance overtakes us.”

“So it’s not me you believe in, put trust in; it’s love.” She looked at him. “Not just me; any man.”

“Yes. It’s love. They say love dies between two people. That’s wrong. It doesn’t die. It just leaves you, goes away, if you are not good enough, worthy enough. It doesn’t die; you’re the one that dies. It’s like the ocean: if you’re no good, if you begin to make a bad smell in it, it just spews you up somewhere to die. You die anyway, but I had rather drown in the ocean than be urped up onto a strip of dead beach and be dried away by the sun into a little foul smear with no name to it, just This Was for an epitaph. Get up. I told the man we would move in today.”

They left the hotel with their bags within the hour, by cab; they mounted three flights of stairs. She even had the key; she opened the door for him to enter; he knew she was looking not at the room but at him. “Well?” she said. “Do you like it?”

It was a big oblong room with a skylight in the north wall, possibly the handiwork of a dead or bankrupt photographer or maybe a former sculptor or painter tenant, with two cubbyholes for kitchen and bath. She rented that skylight, he told himself quietly, thinking how as a rule women rent bathrooms primarily. It’s only incidental that there is a place to sleep and cook food. She chose a place not to hold us but to hold love; she did not just run from one man to another; she did not merely mean to swap one piece of clay she made a bust with for another— He moved now, and then he thought, Maybe I’m not embracing her but clinging to her because there is something in me that wont admit it cant swim or cant believe it can. “It’s all right,” he said. “It’s fine. Nothing can beat us now.”

During the next six days he made the rounds of the hospitals, interviewing (or being interviewed by) Residents and Staff Heads. They were brief interviews. He was not particular what he did and he had something to offer—his degree from a good medical school, his twenty months’ internship in a hospital which was known, yet always after the first three or four minutes, something began to happen. He knew what it was, though he told himself differently (this sitting after the fifth interview, on a sunny bench in a park among the bums and W.P.A. gardeners and nursemaids and children): It’s because I really dont try hard enough, dont really realise the need for trying because I have accepted completely her ideas about love; I look upon love with the same boundless faith that it will clothe and feed me as the Mississippi or Louisiana countryman, converted last week at a camp-meeting revival, looks upon religion, knowing that that was not the reason, that it was the twenty months of internship instead of twenty-four, thinking I have been confounded by numbers, thinking how it is apparently more seemly to die in the dulcet smell than to be saved by an apostate from convention.

At last he found a job. It

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nobody came for me,” the refugee said. He began to tremble though at first he spoke quietly enough. “I set there on that sonabitching cotton house, expecting hit to go