And I reckon a hog is still a hog, no matter what it looks like. So here goes, sitting still for an instant longer until the bow of the pirogue grounded lighter than the falling of a leaf and stepped out of it and paused just for one instant while the words It does look big stood for just a second, unemphatic and trivial, somewhere where some fragment of his attention could see them and vanished, and stooped straddling, the knife driving even as he grasped the near foreleg, this all in the same instant when the lashing tail struck him a terrific blow upon the back. But the knife was home, he knew that even on his back in the mud, the weight of the thrashing beast longwise upon him, its ridged back clutched to his stomach, his arm about its throat, the hissing head clamped against his jaw, the furious tail lashing and flailing, the knife in his other hand probing for the life and finding it, the hot fierce gush: and now sitting beside the profound up-bellied carcass, his head again between his knees in the old attitude while his own blood freshened the other which drenched him, thinking, It’s my durn nose again.
So he sat there, his head, his streaming face, bowed between his knees in an attitude not of dejection but profoundly bemused, contemplative, while the shrill voice of the Cajan seemed to buzz at him from an enormous distance; after a time he even looked up at the antic wiry figure bouncing hysterically about him, the face wild and grimacing, the voice gobbling and high; while the convict, holding his face carefully slanted so the blood would run free, looked at him with the cold intentness of a curator or custodian paused before one of his own glass cases, the Cajan threw up the rifle, cried “Boom-boom-boom!” flung it down and in pantomime re-enacted the recent scene then whirled his hands again, crying “Magnifique! Magnifique! Cent d’argent! Mille d’argent! Tout l’argent sous le ciel de Dieu!”
But the convict was already looking down again, cupping the coffee-colored water to his face, watching the constant bright carmine marble it, thinking, It’s a little late to be telling me that now, and not even thinking this long because presently they were in the pirogue again, the convict squatting again with that unbreathing rigidity as though he were trying by holding his breath to decrease his very weight, the bloody skin in the bows before him and he looking at it, thinking, And I cant even ask him how much my half will be.
But this not for long either, because as he was to tell the plump convict later, money has but one language. He remembered that too (they were at home now, the skin spread on the platform, where for the woman’s benefit now the Cajan once more went through the pantomime—the gun which was not used, the hand-to-hand battle; for the second time the invisible alligator was slain amid cries, the victor rose and found this time that not even the woman was watching him. She was looking at the once more swollen and inflamed face of the convict. “You mean it kicked you right in the face?” she said.
“Nah,” the convict said harshly, savagely. “It never had to. I done seem to got to where if that boy was to shoot me in the tail with a bean blower my nose would bleed.”)—remembered that too but he did not try to tell it. Perhaps he could not have—how two people who could not even talk to one another made an agreement which both not only understood but which each knew the other would hold true and protect (perhaps for this reason) better than any written and witnessed contract.
They even discussed and agreed somehow that they should hunt separately, each in his own vessel, to double the chances of finding prey. But this was easy: the convict could almost understand the words in which the Cajan said, “You do not need me and the rifle; we will only hinder you, be in your way.” And more than this, they even agreed about the second rifle: that there was someone, it did not matter who—friend, neighbor, perhaps one in business in that line—from whom they could rent a second rifle; in their two patois, the one bastard English, the other bastard French—the one volatile, with his wild bright eyes and his voluble mouth full of stumps of teeth, the other sober, almost grim, swollen-faced and with his naked back blistered and scoriated like so much beef—they discussed this, squatting on either side of the pegged-out hide like two members of a corporation facing each other across a mahogany board table, and decided against it, the convict deciding: “I reckon not,” he said.
“I reckon if I had knowed enough to wait to start out with a gun, I still would. But since I done already started out without one, I dont reckon I’ll change.” Because it was a question of the money in terms of time, days. (Strange to say, that was the one thing which the Cajan could not tell him: how much the half would be. But the convict knew it was half.) He had so little of them. He would have to move on soon, thinking (the convict), All this durn foolishness will stop soon and I can get on back, and then suddenly he found that he was thinking, Will have to get on back, and he became quite still and looked about at the rich strange desert which surrounded him, in which he was temporarily lost in peace and hope and into which the last seven years had sunk like so many trivial pebbles into a pool, leaving no ripple, and he thought quietly, with a kind of bemused amazement, Yes. I reckon I had done forgot how good making money was. Being let to make it.
So he used no gun, his the knotted rope and the Thuringian mace, and each morning he and the Cajan took their separate ways in the two boats to comb and creep the secret channels about the lost land from (or out of) which now and then still other pint-sized dark men appeared gobbling, abruptly and as though by magic from nowhere, in other hollowed logs, to follow quietly and watch him at his single combats—men named Tine and Toto and Theule, who were not much larger than and looked a good deal like the muskrats which the Cajan (the host did this too, supplied the kitchen too, he expressed this too like the rifle business, in his own tongue, the convict comprehending this too as though it had been English: “Do not concern yourself about food, O Hercules.
Catch alligators; I will supply the pot.”) took now and then from traps as you take a shoat pig at need from a pen, and varied the eternal rice and fish (the convict did tell this: how at night, in the cabin, the door and one sashless window battened against mosquitoes—a form, a ritual, as empty as crossing the fingers or knocking on wood—sitting beside the bug-swirled lantern on the plank table in a temperature close to blood heat he would look down at the swimming segment of meat on his sweating plate and think, It must be Theule.
He was the fat one.)—day following day, unemphatic and identical, each like the one before and the one which would follow while his theoretical half of a sum to be reckoned in pennies, dollars, or tens of dollars he did not know, mounted—the mornings when he set forth to find waiting for him like the matador his aficionados the small clump of constant and deferential pirogues, the hard noons when ringed half about by little motionless shells he fought his solitary combats, the evenings, the return, the pirogues departing one by one into inlets and passages which during the first few days he could not even distinguish, then the platform in the twilight where before the static woman and the usually nursing infant and the one or two bloody hides of the day’s take the Cajan would perform his ritualistic victorious pantomime before the two growing rows of knifemarks in one of the boards of the wall; then the nights when, the woman and child in the single bunk and the Cajan already snoring on
