Then a crack springs like a sword slash beneath them all; the earth breaks under their feet and tilts like jagged squares of pale fudge, framing a black yawn out of which, like a silent explosion, bursts the unmistakable smell of rotted flesh. While they scramble and leap (in silence now; there has been no sound since the first man screamed) from one cake to another, the cakes tilt and slide until the whole floor of the valley rushes slowly under them and plunges them downward into darkness. A grave rumbling rises into the sunlight on a blast of decay and of faint dust which hangs and drifts in the faint air about the black orifice.
The captain feels himself plunging down a sheer and shifting wall of moving earth, of sounds of terror and of struggling in the ink dark. Someone else screams. The scream ceases; he hears the voice of the wounded man coming thin and reiterant out of the plunging bowels of decay: “A’m no dead! A’m no dead!” and ceasing abruptly, as if a hand had been laid on his mouth.
Then the moving cliff down which the captain plunges slopes gradually off and shoots him, uninjured, onto a hard floor, where he lies for a time on his back while across his face the lightward- and airward-seeking blast of death and dissolution rushes. He has fetched up against something; it tumbles down upon him lightly, with a muffled clatter as if it had come to pieces.
Then he begins to see the light, the jagged shape of the cavern mouth high overhead, and then the sergeant is bending over him with a pocket torch. “McKie?” the captain says. For reply the sergeant turns the flash upon his own face. “Where’s Mr. McKie?” the captain says.
“A’s gone, sir-r,” the sergeant says in a husky whisper. The captain sits up.
“How many are left?”
“Fourteen, sir-r,” the sergeant whispers.
“Fourteen. Twelve missing. We’ll have to dig fast.” He gets to his feet. The faint light from above falls coldly upon the heaped avalanche, upon the thirteen helmets and the white bandage of the wounded man huddled about the foot of the cliff. “Where are we?”
For answer the sergeant moves the torch. It streaks laterally into the darkness, along a wall, a tunnel, into yawning blackness, the walls faceted with pale glints of chalk. About the tunnel, sitting or leaning upright against the walls, are skeletons in dark tunics and bagging Zouave trousers, their moldering arms beside them; the captain recognizes them as Senegalese troops of the May fighting of 1915, surprised and killed by gas probably in the attitudes in which they had taken refuge in the chalk caverns.
He takes the torch from the sergeant.
“We’ll see if there’s anyone else,” he says. “Have out the trenching tools.” He flashes the light upon the precipice. It rises into gloom, darkness, then into the faint rumor of daylight overhead. With the sergeant behind him he climbs the shifting heap, the earth sighing beneath him and shaling downward.
The injured man begins to wail again, “A’m no dead! A’m no dead!” until his voice goes into a high sustained screaming. Someone lays a hand over his mouth. His voice is muffled, then it becomes laughter on a rising note, becomes screaming again, is choked again.
The captain and the sergeant mount as high as they dare, prodding at the earth while the earth shifts beneath them in long hushed sighs. At the foot of the precipice the men huddle, their faces lifted faint, white, and patient into the light. The captain sweeps the torch up and down the cliff. There is nothing, no arm, no hand, in sight. The air is clearing slowly. “We’ll get on,” the captain says.
“Ay, sir-r,” the sergeant says.
In both directions the cavern fades into darkness, plumbless and profound, filled with the quiet skeletons sitting and leaning against the walls, their arms beside them.
“The cave-in threw us forward,” the captain says.
“Ay, sir-r,” the sergeant whispers.
“Speak out,” the captain says. “It’s but a bit of a cave. If men got into it, we can get out.”
“Ay, sir-r,” the sergeant whispers.
“If it threw us forward, the entrance will be yonder.”
“Ay, sir-r,” the sergeant whispers.
The captain flashes the torch ahead. The men rise and huddle quietly behind him, the wounded man among them. He whimpers. The cavern goes on, unrolling its glinted walls out of the darkness; the sitting shapes grin quietly into the light as they pass. The air grows heavier; soon they are trotting, gasping, then the air grows lighter and the torch sweeps up another slope of earth, closing the tunnel.
The men halt and huddle. The captain mounts the slope. He snaps off the light and crawls slowly along the crest of the slide, where it joins the ceiling of the cavern, sniffing. The light flashes on again. “Two men with trenching tools,” he says.
Two men mount to him. He shows them the fissure through which air seeps in small, steady breaths. They begin to dig, furiously, hurling the dirt back. Presently they are relieved by two others; presently the fissure becomes a tunnel and four men can work at once. The air becomes fresher. They burrow furiously, with whimpering cries like dogs.
The wounded man, hearing them perhaps, catching the excitement perhaps, begins to laugh again, meaningless and high. Then the man at the head of the tunnel bursts through. Light rushes in around him like water; he burrows madly; in silhouette they see his wallowing buttocks lunge from sight and a burst of daylight surges in.
The others leave the wounded man and surge up the slope, fighting and snarling at the opening. The sergeant springs after them and beats them away from the opening with a trenching spade, cursing in his hoarse whisper.
“Let them go, Sergeant,” the captain says. The sergeant desists. He stands aside and watches the men scramble into the tunnel. Then he descends, and he and the captain help the wounded man up the slope. At the mouth of the tunnel the wounded man rebels.
“A’m no dead! A’m no dead!” he wails, struggling. By cajolery and force they thrust him, still wailing and struggling, into the tunnel, where he becomes docile again and scuttles through.
“Out with you, Sergeant,” the captain says.
“After you, sir-r,” the sergeant whispers.
“Out wi ye, man!” the captain says. The sergeant enters the tunnel. The captain follows. He emerges onto the outer slope of the avalanche which had closed the cave, at the foot of which the fourteen men are kneeling in a group.
On his hands and knees like a beast, the captain breathes, his breath making a hoarse sound. “Soon it will be summer,” he thinks, dragging the air into his lungs faster than he can empty them to respire again. “Soon it will be summer, and the long days.” At the foot of the slope the fourteen men kneel.
The one in the center has a Bible in his hand, from which he is intoning monotonously. Above his voice the wounded man’s gibberish rises, meaningless and unemphatic and sustained.
The End
Red Leaves, William Faulkner
Red Leaves
I
THE TWO INDIANS crossed the plantation toward the slave quarters. Neat with whitewash, of baked soft brick, the two rows of houses in which lived the slaves belonging to the clan, faced one another across the mild shade of the lane marked and scored with naked feet and with a few homemade toys mute in the dust. There was no sign of life.
“I know what we will find,” the first Indian said.
“What we will not find,” the second said. Although it was noon, the lane was vacant, the doors of the cabins empty and quiet; no cooking smoke rose from any of the chinked and plastered chimneys.
“Yes. It happened like this when the father of him who is now the Man, died.”
“You mean, of him who was the Man.”
“Yao.”
The first Indian’s name was Three Basket. He was perhaps sixty. They were both squat men, a little solid, burgher-like; paunchy, with big heads, big, broad, dust-colored faces of a certain blurred serenity like carved heads on a ruined wall in Siam or Sumatra, looming out of a mist. The sun had done it, the violent sun, the violent shade. Their hair looked like sedge grass on burnt-over land. Clamped through one ear Three Basket wore an enameled snuffbox.
“I have said all the time that this is not the good way. In the old days there were no quarters, no Negroes. A man’s time was his own then. He had time. Now he must spend most of it finding work for them who prefer sweating to do.”
“They are like horses and dogs.”
“They are like nothing in this sensible world. Nothing contents them save sweat. They are worse than the white people.”
“It is not as though the Man himself had to find work for them to do.”
“You said it. I do not like slavery. It is not the good way. In the old days, there was the good way. But not now.”
“You do not remember the old way either.”
“I have listened to them who do. And I have tried this way. Man was not made to sweat.”
“That’s so. See what it has done to their flesh.”
“Yes. Black.
