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A Moveable Feast
perhaps, to live in the small Greek temple and that maybe I could go with Ezra when we would drop in to crown him with laurel.

I knew where there was fine laurel that I could gather, riding out on my bicycle to get it, and I thought we could crown him any time he felt lonesome or any time Ezra had gone over the manuscript or the proofs of another big poem like The Waste Land. The whole thing turned out badly for me morally, as so many things have, because the money that I had earmarked for getting the Major out of the bank I took out to Enghien and bet on jumping horses that raced under the influence of stimulants.

At two meetings the stimulated horses that I was backing outraced the unstimulated or insufficiently stimulated beasts except for one race in which our fancy had been overstimulated to such a point that before the start he threw his jockey and breaking away completed a full circuit of the steeplechase course jumping beautifully by himself the way one can sometimes jump in dreams. Caught up and remounted he started the race and figured honorably, as the French racing phrase has it, but was out of the money.

I would have been happier if the amount of the wager had gone to Bel Esprit which was no longer existent. But I comforted myself that with those wagers which had prospered I could have contributed much more to Bel Esprit than was my original intention.

A Strange Enough Ending

The way it ended with Gertrude Stein was strange enough. We had become very good friends and I had done a number of practical things for her such as getting her long book started as a serial with Ford and helping type the manuscript and reading her proof and we were getting to be better friends than I could ever wish to be. There is not much future in men being friends with great women although it can be pleasant enough before it gets better or worse, and there is usually even less future with truly ambitious women writers.

One time when I gave the excuse for not having stopped in at 27 rue de Fleurus for some time that I did not know whether Miss Stein would be at home, she said, “But Hemingway, you have the run of the place. Don’t you know that? I mean it truly. Come in any time and the maidservant”—she used her name but I have forgotten it—“will look after you and you must make yourself at home until I come.”

I did not abuse this but sometimes I would stop in and the maidservant would give me a drink and I would look at the pictures and if Miss Stein did not turn up I would thank the maidservant and leave a message and go away. Miss Stein and a companion were getting ready to go south in Miss Stein’s car and on this day Miss Stein had asked me to come by in the forenoon to say good-by. She had asked us to come and visit, Hadley and I staying at an hotel, but Hadley and I had other plans and other places where we wanted to go.

Naturally you say nothing about this, but you can still hope to go and then it is impossible. I knew a little about the system of not visiting people. I had to learn it. Much later Picasso told me that he always promised the rich to come when they asked him because it made them so happy and then something would happen and he would be unable to appear. But that had nothing to do with Miss Stein and he said it about other people.

It was a lovely spring day and I walked down from the Place de l’Observatoire through the little Luxembourg. The horse-chestnut trees were in blossom and there were many children playing on the graveled walks with their nurses sitting on the benches, and I saw wood pigeons in the trees and heard others that I could not see.

The maidservant opened the door before I rang and told me to come in and to wait. Miss Stein would be down at any moment. It was before noon but the maidservant poured me a glass of eau-de-vie, put it in my hand and winked happily. The colorless alcohol felt good on my tongue and it was still in my mouth when I heard someone speaking to Miss Stein as I had never heard one person speak to another; never, anywhere, ever.

Then Miss Stein’s voice came pleading and begging, saying, “Don’t, pussy. Don’t. Don’t, please don’t. I’ll do anything, pussy, but please don’t do it. Please don’t. Please don’t, pussy.”

I swallowed the drink and put the glass down on the table and started for the door. The maidservant shook her finger at me and whispered, “Don’t go. She’ll be right down.”

“I have to go,” I said and tried not to hear any more as I left but it was still going on and the only way I could not hear it was to be gone. It was bad to hear and the answers were worse.

In the courtyard I said to the maidservant, “Please say I came to the courtyard and met you. That I could not wait because a friend is sick. Say bon voyage for me. I will write.”

“C’est entendu, Monsieur. What a shame you cannot wait.”

“Yes,” I said. “What a shame.”

That was the way it finished for me, stupidly enough, although I still did the small jobs, made the necessary appearances, brought people that were asked for and waited dismissal with most of the other men friends when that epoch came and the new friends moved in. It was sad to see new worthless pictures hung in with the great pictures but it made no difference any more.

Not to me it didn’t. She quarreled with nearly all of us that were fond of her except Juan Gris and she couldn’t quarrel with him because he was dead. I am not sure that he would have cared because he was past caring and it showed in his paintings.

Finally she even quarreled with the new friends but none of us followed it any more. She got to look like a Roman emperor and that was fine if you liked your women to look like Roman emperors. But Picasso had painted her, and I could remember her when she looked like a woman from Friuli.

In the end everyone, or not quite everyone, made friends again in order not to be stuffy or righteous. I did too. But I could never make friends again truly, neither in my heart nor in my head. When you cannot make friends any more in your head is the worst. But it was more complicated than that.

The Man Who Was Marked for Death

The afternoon I met Ernest Walsh, the poet, in Ezra’s studio, he was with two girls in long mink coats and there was a long, shiny, hired car from Claridge’s outside in the street with a uniformed chauffeur. The girls were blondes and they had crossed on the same ship with Walsh. The ship had arrived the day before and he had brought them with him to visit Ezra.

Ernest Walsh was dark, intense, faultlessly Irish, poetic and clearly marked for death as a character is marked for death in a motion picture. He was talking to Ezra and I talked with the girls who asked me if I had read Mr. Walsh’s poems. I had not and one of them brought out a green-covered copy of Harriet Monroe’s Poetry, A Magazine of Verse and showed me poems by Walsh in it.

“He gets twelve hundred dollars apiece,” she said.

“For each poem,” the other girl said.

My recollection was that I received twelve dollars a page, if that, from the same magazine. “He must be a very great poet,” I said.

“It’s more than Eddie Guest gets,” the first girl told me.

“It’s more than who’s that other poet gets. You know.”

“Kipling,” her friend said.

“It’s more than anybody gets ever,” the first girl said.

“Are you staying in Paris very long?” I asked them.

“Well no. Not really. We’re with a group of friends.”

“We came over on this boat, you know. But there wasn’t anyone on it really. Mr. Walsh was on it of course.”

“Doesn’t he play cards?” I asked.

She looked at me in a disappointed but understanding way.

“No. He doesn’t have to. Not writing poetry the way he can write it.”

“What ship are you going back on?”

“Well that depends. It depends on the boats and on a lot of things. Are you going back?”

“No. I’m getting by all right.”

“This is sort of the poor quarter over here, isn’t it?”

“Yes. But it’s pretty good. I work the cafés and I’m out at the track.”

“Can you go out to the track in those clothes?”

“No. This is my café outfit.”

“It’s kind of cute,” one of the girls said. “I’d like to see some of that café life. Wouldn’t you, dear?”

“I would,” the other girl said. I wrote their names down in my address book and promised to call them at Claridge’s. They were nice girls and I said good-by to them and to Walsh and to Ezra. Walsh was still talking to Ezra with great intensity.

“Don’t forget,” the taller one of the girls said.

“How could I?” I told her and shook hands with them both again.

The next I heard from Ezra about Walsh was that he had been bailed out of Claridge’s by some lady admirers of poetry and of young poets who

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perhaps, to live in the small Greek temple and that maybe I could go with Ezra when we would drop in to crown him with laurel. I knew where there