Into the Agapemone Brother Prince settled down with some sixty disciples—gentlefolk and servants. His state, in these early years, was lordly. He bought the Queen-Dowager’s equipage with four white horses and drove through the countryside as though he were an emperor. In London, when he visited the Great Exhibition of 1851, his open carriage was preceded by outriders, bareheaded, as befitted men in the presence of the Lord. Letters were sent through the post addressed to ‘Our Lord God, Spaxton, Somerset,’ and were duly delivered. Brother Prince, or ‘Beloved’ as now he preferred to be called by his followers, had climbed to the pinnacle of Honour. It was time for Love.
At the beginning of the ‘fifties a young lady called Miss Paterson had joined the flock. Hepworth Dixon, who visited the Agapemone some years later, has left a description of a certain fascinating ‘Sister Zoe,’ whom he identified (though she refused to give her mundane name) with the ci-devant Paterson. In a pale, romantic way, Sister Zoe was extremely beautiful. ‘Guercino might have painted such a girl for one of his rapt and mounting angels.’ Beloved was smitten. But a man whose soul was the residence of the Holy Ghost—who had indeed, by this time, actually become the Holy Ghost—could hardly be content with a bootlegged balsamo. His affair with Zoe had to be justified. He might, of course, have written her a little note to the effect that the Lord had need of her for a special purpose unto His glory.
But he must have felt that this would not be enough. Beloved lived in a society which honoured the Low Church mill-owner, growing rich on sweated labour, but was horrified by sexual impropriety. A man might grind the faces of the poor; but so long as he refrained from caressing his neighbours’ wives and daughters, he was regarded as virtuous. In money matters Beloved had found plain guidance quite sufficient; but when it came to sensuality, more elaborate justifications were needed. These were set out in The Little Book Open, published in 1856. After a brief introduction, the theme of the Little Book is announced in capital letters for all to understand. The subject of Brother Prince’s testimony is ‘THE REDEMPTION OF THE BODY.’ The Gospel ‘addressed itself to the soul of man. It left out the flesh.’ Beloved had appeared to remedy this defect.
The cosmology and theology, in terms of which Mr. Prince rationalized his desire to have an affair with Miss Paterson, may be briefly summed up as follows. God enters periodically into covenants with man, through chosen individuals. The first covenant was at the Creation, and Adam was God’s witness. The second was at the Flood, and the witness was Noah. The third was entered into after the building of the Tower of Babel; Abraham was the witness on this occasion. The fourth, with Jesus as witness, at the Redemption upon the cross. And now, at Spaxton, ‘God, in Jesus Christ, has again entered into covenant with man, at the resurrection of mankind, and I am His witness. This one man, myself, has Jesus Christ selected and appointed His witness to His counsel and purpose, to conclude the day of grace and to introduce the day of judgment, to close the dispensation of the spirit and to enter into covenant with the FLESH.’ How sorely the poor flesh needed this covenant!
It had become God’s enemy at the Fall—with an enmity that ‘neither the holiness of the law could eradicate, nor the Grace of God amend. . . . Even the dying love of a crucified Redeemer never once took away the enmity of the flesh of the believer against God; but rather brought it the more to light.’ The Gospel had saved only souls, not flesh. Beloved had come to save the flesh. He had already ‘revealed the mind of the Lord concerning the dispensation of the spirit—the Gospel—by living it as a spiritual body.’ (I neglected to remark before that Henry James Prince had for some time ceased to exist, and that what people took for the ex-curate of Charlinch was a visible manifestation of the Spirit of God.) Having lived the Gospel in a spiritual body, ‘he was now to bring to light, or reveal, the mind of the Lord concerning flesh, by living it in flesh. Accordingly there was given unto him a reed like unto a rod; and the angel said, arise and measure the temple of God. He did so.’
The circumstances in which he did so were singular in the extreme. He announced to the people in the Agapemone that ‘it was now God’s purpose to extend His love from heaven to earth, from spirit to flesh, from soul to body. . . . Agreeably thereto He (the Holy Ghost) took flesh—a woman. He did this through Brother Prince, as flesh; yet not Brother Prince as natural flesh . . . Thus the Holy Ghost took flesh in the person of those whom He had called as flesh. Thus He did measure the temple of God; and the reed like unto a rod wherewith He did measure it was the flesh He had taken.’ Having thus explained the meaning of his symbol, Brother Prince launches into an account of his taking of the flesh. ‘He took the flesh absolutely in His sovereign will. . . . He had no respect for any other will than His own. He was not influenced by what others would think or say.
He did not even consult or in any way make known His intention to the flesh He took, until He actually did take it in the presence of others; and then He took it with power and authority, as flesh that belonged to God and was at His absolute disposal; so that in the taking of it He left it no choice of its own. He took it in free grace. It was flesh He took; flesh that knew not God, that wanted not God, that was ignorant of Him; and, like all other flesh in its nature, contrary to the spirit. He took it as it was—ignorant, indifferent, independent, at enmity against God, and having nothing to commend it to Him. He took it in love. Not because it loved Him, for it did not; but because it pleased Him to set His love upon it. And though He took it in absolute power and authority, without consulting its pleasure, or even giving it a choice, yet He took it in love; for having taken it, the manner of His life with it was such as flesh could not but know and appreciate as love.
‘Moreover, although it was natural flesh He took, and therefore flesh indifferent to and at enmity with God, He never for a moment made it sensible of this, but in everything and at all times, regarded it and treated it according to His own mind, WHICH WAS TO SEE NO EVIL IN IT; in fact, He loved it as His own flesh.
‘According to the purpose He had declared, He kept it with Him continually, by day and by night. He took it openly with Him wherever He went, not being ashamed of it; and made its life happy and agreeable by affording it the enjoyment of every simple and innocent gratification.’
Through this muddy verbiage, we divine the oddest realities. From Hepworth Dixon, who had sources of information not available at the present time, we learn that the covenant of God (in the person of Mr. Prince) with the flesh (in the person of Miss Paterson) was sealed in a public act of worship, upon the sofa in that consecrated billiard-room at Spaxton. Beloved had announced in advance that the great event was to take place on a given day and at a predetermined hour. What he did not reveal in advance was the name of the particular piece of flesh which was to be reconciled. One can reconstruct the scene: the little congregation sitting in apprehensive expectation round the billiard-table in the chapel; the solemn entry of Beloved; a few prayers offered by the two Anointed Ones, otherwise Messrs. Thomas and Starky; the singing in unison of one of those hymns composed by Beloved in his own honour; then, falling upon the vibrant religious silence, the words of Beloved, announcing the name of the chosen flesh. One can reconstruct the scene, I repeat; but when it comes to Miss Paterson’s thoughts and feelings, imagination boggles. ‘He took it in love.
Not because it loved Him, for it did not; but because it pleased Him to set His love upon it.’ To set His love
