Can’t hear with the waters of. The chittering waters of. Flittering bats, fieldmice bawk talk. Ho! Are you not gone ahome? What Thom Malone? Can’t hear with bawk of bats, all thim liffeying waters of. Ho, talk save us ! My foos won’t moos. I feel as old as yonder elm. A tale told of Shaun or Shem? All Livia’s daughtersons. Dark hawks hear us. Night! Night! My ho head halls. I feel as heavy as yonder stone. Tell me of John or Shaun? Who were Shem and Shaun the living sons or daughters of? Night now! Tell me, tell me, tell me, elm! Night night! Telmetale of stem or stone. Beside the rivering waters of, hitherandthithering waters of. Night!
Finnegan’s Wake — Episode 2: Part 1 Every evening at lighting up o’clock sharp and until further notice in Feenichts Playhouse. (Bar and conveniences always open, Diddlem Club douncestears.) Entrancings: gads, a scrab; the quality, one large shilling. Newly billed for each wickeday perfumance. Somndoze massinees. By arraignment, childream’s hours, expercatered. Jampots, rinsed porters, taken in token. With nightly redistribution of parts and players by the puppetry producer and daily dubbing of ghosters, with the benedict;on of the Holy Genesius Archimimus and under the distinguished patronage of their Elderships the Oldens from the four coroners of Findrias, Murias, Gorias and Falias, Messoirs the Coarbs, Clive Sollis, Galorius Kettle, Pobiedo Lancey and Pierre Dusort, while the Caesar-in-Chief looks. On. Sennet. As played to the Adelphi by the Brothers Bratislavoff (Hyrcan and Haristobulus), after humpteen dumpteen revivals. Before ah the King’s Hoarsers with all the Queen’s Mum. And wordloosed over seven seas crowdblast in cellelleneteutoslavzendlatinsoundscript. In four tubbloids. While fern may cald us until firn make cold. The Mime of Mick, Nick and the Maggies, adopted from the Ballymooney Bloodriddon Murther by Bluechin Blackdillain (authorways ‘Big Storey’), featuring:
GLUGG (Mr Seumas McQuillad, hear the riddles between the robot in his dress circular and the gagster in the rogues’ gallery), the bold bad bleak boy of the storybooks, who, when the tabs go up, as we discover, because he knew to mutch, has been divorced into disgrace court by
THE FLORAS (Girl Scouts from St. Bride’s Finishing Establishment, demand acidulateds), a month’s bunch of pretty maidens who, while they pick on her, their pet peeve, form with valkyrienne licence the guard for
IZOD (Miss Butys Pott, ask the attendantess for a leaflet), a bewitching blonde who dimples delightfully and is approached in loveliness only by her grateful sister reflection in a mirror, the cloud of the opal, who, having jilted Glugg, is being fatally fascinated by
CHUFF (Mr Sean O’Mailey, see the chalk and sanguine pictograph on the safety drop), the fine frank fairhaired fellow of the fairytales, who wrestles for tophole with the bold bad bleak boy Glugg,geminally about caps or puds or tog bags or bog gats or chuting rudskin gunerally or something,until they adumbrace a pattern of somebody else or other, after which they are both carried off the set and brought home to be well soaped, sponged and scrubbed again by
ANN (Miss Corrie Corriendo, Grischun scoula, bring the babes, Pieder, Poder and Turtey, she mistributes mandamus monies, after perdunamento, hendrud aloven entrees, pulcinellis must not miss our national rooster’s rag), their poor little old mother-inlieu, who is woman of the house, playing opposite to
HUMP (Mr Makeall Gone, read the sayings from Laxdalesaga in the programme about King Ericus of Schweden and the spirit’s whispers in his magical helmet), cap-a-pipe with watch and topper, coat, crest and supporters, the cause of all our grievances, the whirl, the flash and the trouble, who, having partially recovered from a recent impeachment due to egg everlasting, but throughandthoroughly proconverted, propounded for cyclological, is, studding sail once more, jibsheets and royals, in the semblance of the substance for the membrance of the umbrance with the remnance of the emblence reveiling a quemdam supercargo, of The Rockery, Poopinheavin, engaged in entertaining in his pilgrimst customhouse at Caherlehome-upon-Eskur those statutory persons
THE CUSTOMERS (Components of the Afterhour Courses at St. Patricius’ Academy for Grownup Gentlemen, consult the annuary, coldporters sibsuction), a bundle of a dozen of representative locomotive civics, each inn quest of outings, who are still more sloppily served after every cup final by
SAUNDERSON (Mr Knut Oelsvinger, Tiffsdays off, wouldntstop in bad, imitation of flatfish, torchbearing supperaape, dud halfsovereign, no chee daily, rolly pollsies, Glen of the Downs, the Gugnir, his geyswerks, his earsequack, his lokistroki, o.s.v.), a scherinsheiner and spoilcurate, unconcerned in the mystery but under the inflounce of the milldieuw and butt of
KATE (Miss Rachel Lea Varian, she tells forkings for baschfellors, under purdah of card palmer teaput tosspot Madam d’Elta, during the pawses), kook-and-dishdrudge, whitch believes wanthingthats, whouse be the churchyard or whorts up the aasgaars, the show must go on.
Time: the pressant.
With futurist onehorse balletbattle pictures and the Pageant of Past History worked up with animal variations amid everglaning mangrovemazes and beorbtracktors by Messrs Thud and Blunder. Shadows by the film folk, masses by the good people. Promptings by Elanio Vitale. Longshots, upcloses, outblacks and stagetolets by Hexenschuss, Coachmaher, Incubone and Rocknarrag. Creations tastefully designed by Madame Berthe Delamode. Dances arranged by Harley Quinn and Coollimbeina. Jests, jokes, jigs and jorums for the Wake lent from the properties of the late cemented Mr T. M. Finnegan R.I.C. Lipmasks and hairwigs by Ouida Nooikke. Limes and Floods by Crooker and Toll. Kopay pibe by Kappa Pedersen. Hoed Pine hat with twentyfour ventholes by Morgen. Bosse and stringbag from Heteroditheroe’s and All Ladies’ presents. Tree taken for grafted. Rock rent. Phenecian blends and Sourdanian doofpoosts by Shauvesourishe and Wohntbedarft. The oakmulberryeke with silktrick twomesh from Shop-Sowry, seedsmanchap. Grabstone beg from General Orders Mailed. The crack (that’s Cork!) by a smoker from the gods. The interjection (Buckley!) by the fire ment in the pit. Accidental music providentially arranged by L’Archet and Laccorde. Melodiotiosities in purefusion by the score. To start with in the beginning, we need hirtly bemark, a community prayer, everyone for himself, and to conclude with as an exodus, we think it well to add, a chorale in canon, good for us all for us all us all all. Songs betune the acts by the ambiamphions of Annapolis, Joan MockComic, male soprano, and Jean Souslevin, bass noble, respectively: O, Mester Sogermon, ef thes es whot ye deux, then I’m not surpleased ye want that bottle of Sauvequipeu and Oh Off Nunch Der Rasche Ver Lasse Mitsch Nitscht. Till the summit scenes of climbacks castastrophear, The Bearded Mountain (Polymop Baretherootsch), and The River Romps to Nursery (Maidykins in Undiform). The whole thugogmagog, including the portions understood to be oddmitted as the results of the respective titulars neglecting to produce themselves, to be wound up for an afterenactment by a Magnificent Transformation Scene showing the Radium Wedding of Neid and Moorning and the Dawn of Peace, Pure, Perfect and Perpetual, Waking the Weary of the World.
An argument follows.
Chuffy was a nangel then and his soard fleshed light like likening. Fools top ! Singty, sangty, meekly loose, defendy nous from prowlabouts. Make a shine on the curst. Emen.
But the duvlin sulph was in Glugger, that lost-to-lurning. Punct. He was sbuffing and sputing, tussing like anisine, whipping his eyesoult and gnatsching his teats over the brividies from existers and the outher liubbocks of life. He halth kelchy chosen a clayblade and makes prayses to his three of clubs. To part from these, my corsets, is into overlusting fear. Acts of feet, hoof and jarrety: athletes longfoot. Djowl, uphere !
Aminxt that nombre of evelings, but how pierceful in their sojestiveness were those first girly stirs, with zitterings of flight released and twinglings of twitchbells in rondel after, with waverings that made shimmershake rather naightily all the duskcended airs and shylit beaconings from shehind hims back. Sammy, call on. Mirrylamb, she was shuffering all the diseasinesses of the unherd of. Mary Louisan Shousapinas ! If Arck could no more salve his agnols from the wiles of willy wooly woolf! If all the airish signics of her dipandump helpabit from an Father Hogam till the Mutther Masons could not that Glugg to catch her by the calour of her brideness! Not Rose, Sevilla nor Citronelle; not Esmeralde, Pervinca nor Indra; not Viola even nor all of them four themes over. But, the monthage stick in the melmelode jawr, I am (twintomine) all thees thing. Up tighty in the front, down again on the loose, drim and drumming on her back and a pop from her whistle. What is that, O holytroopers? Isot givin yoe?
Up he stulpled, glee you gees,with search a fling did die near sea, beamy owen and calmy hugh and if you what you my call for me I will wishyoumaycull for you.
And they are met, face a facing. They are set, force to force. And no such Copenhague-Marengo was less so fated for a fall since in Glenasmole of Smiling Thrushes Patch Whyte passed O’Sheen ascowl.
Arrest thee, scaldbrother! came the evangelion, sabre accusant, from all Saint Joan’s Wood to kill or maim him, and be dumm but ill s’arrested. Et would proffer to his delected one the his trifle from the grass.
A space. Who are you? The cat’s mother. A time. What do you lack? The look of a queen.
But what is that
