I looked forward a few years. I saw this street as it’ll be in five years’ time, say, or three years’ time (1941 they say it’s booked for), after the fighting’s started.
No, not all smashed to pieces. Only a little altered, kind of chipped and dirty-looking, the shop-windows almost empty and so dusty that you can’t see into them. Down a side street there’s an enormous bomb-crater and a block of buildings burnt out so that it looks like a hollow tooth. Thermite. It’s all curiously quiet, and everyone’s very thin. A platoon of soldiers comes marching up the street. They’re all as thin as rakes and their boots are dragging. The sergeant’s got corkscrew moustaches and holds himself like a ramrod, but he’s thin too and he’s got a cough that almost tears him open. Between his coughs he’s trying to bawl at them in the old parade-ground style. ‘Nah then, Jones! Lift yer ’ed up! What yer keep starin’ at the ground for? All them fag-ends was picked up years ago.’ Suddenly a fit of coughing catches him. He tries to stop it, can’t, doubles up like a ruler, and almost coughs his guts out. His face turns pink and purple, his moustache goes limp, and the water runs out of his eyes.
I can hear the air-raid sirens blowing and the loud-speakers bellowing that our glorious troops have taken a hundred thousand prisoners. I see a top-floor-back in Birmingham and a child of five howling and howling for a bit of bread. And suddenly the mother can’t stand it any longer, and she yells at it, ‘Shut your trap, you little bastard!’ and then she ups the child’s frock and smacks its bottom hard, because there isn’t any bread and isn’t going to be any bread. I see it all. I see the posters and the food-queues, and the castor oil and the rubber truncheons and the machine-guns squirting out of bedroom windows.
Is it going to happen? No knowing. Some days it’s impossible to believe it. Some days I say to myself that it’s just a scare got up by the newspapers. Some days I know in my bones there’s no escaping it.
When I got down near Charing Cross the boys were yelling a later edition of the evening papers. There was some more drivel about the murder, LEGS. FAMOUS SURGEON’S STATEMENT. Then another poster caught my eye: KING ZOG’S WEDDING POSTPONED. King Zog! What a name! It’s next door to impossible to believe a chap with a name like that isn’t a jet-black Negro.
But just at that moment a queer thing happened. King Zog’s name–but I suppose, as I’d already seen the name several times that day, it was mixed up with some sound in the traffic or the smell of horse-dung or something–had started memories in me.
The past is a curious thing. It’s with you all the time. I suppose an hour never passes without your thinking of things that happened ten or twenty years ago, and yet most of the time it’s got no reality, it’s just a set of facts that you’ve learned, like a lot of stuff in a history book. Then some chance sight or sound or smell, especially smell, sets you going, and the past doesn’t merely come back to you, you’re actually in the past. It was like that at this moment.
I was back in the parish church at Lower Binfield, and it was thirty-eight years ago. To outward appearances, I suppose, I was still walking down the Strand, fat and forty-five, with false teeth and a bowler hat, but inside me I was Georgie Bowling, aged seven, younger son of Samuel Bowling, corn and seed merchant, of 57 High Street, Lower Binfield. And it was Sunday morning, and I could smell the church. How I could smell it! You know the smell churches have, a peculiar, dank, dusty, decaying, sweetish sort of smell. There’s a touch of candle-grease in it, and perhaps a whiff of incense and a suspicion of mice, and on Sunday mornings it’s a bit overlaid by yellow soap and serge dresses, but predominantly it’s that sweet, dusty, musty smell that’s like the smell of death and life mixed up together. It’s powdered corpses, really.
In those days I was about four feet high. I was standing on the hassock so as to see over the pew in front, and I could feel Mother’s black serge dress under my hand. I could also feel my stockings pulled up over my knees–we used to wear them like that then–and the saw edge of the Eton collar they used to buckle me into on Sunday mornings. And I could hear the organ wheezing and two enormous voices bellowing out the psalm. In our church there were two men who led the singing, in fact they did so much of the singing that nobody else got much of a chance. One was Shooter, the fishmonger, and the other was old Wetherall, the joiner and undertaker. They used to sit opposite one another on either side of the nave, in the pews nearest the pulpit. Shooter was a short fat man with a very pink, smooth face, a big nose, drooping moustache, and a chin that kind of fell away beneath his mouth. Wetherall was quite different. He was a great, gaunt, powerful old devil of about sixty, with a face like a death’s-head and stiff grey hair half an inch long all over his head.
I’ve never seen a living man who looked so exactly like a skeleton. You could see every line of the skull in his face, his skin was like parchment, and his great lantern jaw full of yellow teeth worked up and down just like the jaw of a skeleton in an anatomical museum. And yet with all his leanness he looked as strong as iron, as though he’d live to be a hundred and make coffins for everyone in that church before he’d finished. Their voices were quite different, too. Shooter had a kind of desperate, agonized bellow, as though someone had a knife at his throat and he was just letting out his last yell for help. But Wetherall had a tremendous, churning, rumbling noise that happened deep down inside him, like enormous barrels being rolled to and fro underground. However much noise he let out, you always knew he’d got plenty more in reserve. The kids nicknamed him Rumbletummy.
They used to get up a kind of antiphonal effect, especially in the psalms. It was always Wetherall who had the last word. I suppose really they were friends in private life, but in my kid’s way I used to imagine that they were deadly enemies and trying to shout one another down. Shooter would roar out ‘The Lord is my shepherd’, and then Wetherall would come in with ‘Therefore can I lack nothing’, drowning him completely. You always knew which of the two was master. I used especially to look forward to that psalm that has the bit about Sihon king of the Amorites and Og the king of Bashan (this was what King Zog’s name had reminded me of). Shooter would start off with ‘Sihon king of the Amorites’, then perhaps for half a second you could hear the rest of the congregation singing the ‘and’, and then Wetherall’s enormous bass would come in like a tidal wave and swallow everybody up with ‘Og the king of Bashan’. I wish I could make you hear the tremendous, rumbling, subterranean barrel-noise that he could get into that word ‘Og’. He even used to clip off the end of the ‘and’, so that when I was a very small kid I used to think it was Dog the king of Bashan. But later, when I got the names right, I formed a picture in my mind’s eye of Sihon and Og. I saw them as a couple of those great Egyptian statues that I’d seen pictures of in the penny encyclopedia, enormous stone statues thirty feet high, sitting on their thrones opposite one another, with their hands on their knees and a faint mysterious smile on their faces.
How it came back to me! That peculiar feeling–it was only a feeling, you couldn’t describe it as an activity–that we used to call ‘Church’. The sweet corpsy smell, the rustle of Sunday dresses, the wheeze of the organ and the roaring voices, the spot of light from the hole in the window creeping slowly up the nave. In some way the grown-ups could put it across that this extraordinary performance was necessary. You took it for granted, just as you took the Bible, which you got in big doses in those days. There were texts on every wall and you knew whole chapters of the O.T. by heart. Even now my head’s stuffed full of bits out of the Bible. And the children of Israel did evil again in the sight of the Lord. And Asher abode in his breeches. Followed them from Dan until thou come unto Beersheba. Smote him under the fifth rib, so that he died. You never understood it, you didn’t try to or want to, it was just a kind of medicine, a queer-tasting stuff that you had to swallow and knew to be in some
