Like Plato he is full of satirical reflections on governments and princes; on the state of the world and of knowledge. The hero of his discourse (Hythloday) is very unwilling to become a minister of state, considering that he would lose his independence and his advice would never be heeded (Compare an exquisite passage, of which the conclusion is as follows: ‘And verily it is naturally given…suppressed and ended.’) He ridicules the new logic of his time; the Utopians could never be made to understand the doctrine of Second Intentions (‘For they have not devised one of all those rules of restrictions, amplifications, and suppositions, very wittily invented in the small Logicals, which here our children in every place do learn. Furthermore, they were never yet able to find out the second intentions; insomuch that none of them all could ever see man himself in common, as they call him, though he be (as you know) bigger than was ever any giant, yea, and pointed to of us even with our finger.’) He is very severe on the sports of the gentry; the Utopians count ‘hunting the lowest, the vilest, and the most abject part of butchery.’ He quotes the words of the Republic in which the philosopher is described ‘standing out of the way under a wall until the driving storm of sleet and rain be overpast,’ which admit of a singular application to More’s own fate; although, writing twenty years before (about the year 1514), he can hardly be supposed to have foreseen this. There is no touch of satire which strikes deeper than his quiet remark that the greater part of the precepts of Christ are more at variance with the lives of ordinary Christians than the discourse of Utopia (‘And yet the most part of them is more dissident from the manners of the world now a days, than my communication was. But preachers, sly and wily men, following your counsel (as I suppose) because they saw men evil-willing to frame their manners to Christ’s rule, they have wrested and wried his doctrine, and, like a rule of lead, have applied it to men’s manners, that by some means at the least way, they might agree together.’)
The ‘New Atlantis’ is only a fragment, and far inferior in merit to the ‘Utopia.’ The work is full of ingenuity, but wanting in creative fancy, and by no means impresses the reader with a sense of credibility. In some places Lord Bacon is characteristically different from Sir Thomas More, as, for example, in the external state which he attributes to the governor of Solomon’s House, whose dress he minutely describes, while to Sir Thomas More such trappings appear simple ridiculous. Yet, after this programme of dress, Bacon adds the beautiful trait, ‘that he had a look as though he pitied men.’ Several things are borrowed by him from the Timaeus; but he has injured the unity of style by adding thoughts and passages which are taken from the Hebrew Scriptures.
The ‘City of the Sun’ written by Campanella (1568-1639), a Dominican friar, several years after the ‘New Atlantis’ of Bacon, has many resemblances to the Republic of Plato. The citizens have wives and children in common; their marriages are of the same temporary sort, and are arranged by the magistrates from time to time. They do not, however, adopt his system of lots, but bring together the best natures, male and female, ‘according to philosophical rules.’ The infants until two years of age are brought up by their mothers in public temples; and since individuals for the most part educate their children badly, at the beginning of their third year they are committed to the care of the State, and are taught at first, not out of books, but from paintings of all kinds, which are emblazoned on the walls of the city. The city has six interior circuits of walls, and an outer wall which is the seventh. On this outer wall are painted the figures of legislators and philosophers, and on each of the interior walls the symbols or forms of some one of the sciences are delineated. The women are, for the most part, trained, like the men, in warlike and other exercises; but they have two special occupations of their own. After a battle, they and the boys soothe and relieve the wounded warriors; also they encourage them with embraces and pleasant words. Some elements of the Christian or Catholic religion are preserved among them. The life of the Apostles is greatly admired by this people because they had all things in common; and the short prayer which Jesus Christ taught men is used in their worship. It is a duty of the chief magistrates to pardon sins, and therefore the whole people make secret confession of them to the magistrates, and they to their chief, who is a sort of Rector Metaphysicus; and by this means he is well informed of all that is going on in the minds of men. After confession, absolution is granted to the citizens collectively, but no one is mentioned by name. There also exists among them a practice of perpetual prayer, performed by a succession of priests, who change every hour. Their religion is a worship of God in Trinity, that is of Wisdom, Love and Power, but without any distinction of persons. They behold in the sun the reflection of His glory; mere graven images they reject, refusing to fall under the ‘tyranny’ of idolatry.
Many details are given about their customs of eating and drinking, about their mode of dressing, their employments, their wars. Campanella looks forward to a new mode of education, which is to be a study of nature, and not of Aristotle. He would not have his citizens waste their time in the consideration of what he calls ‘the dead signs of things.’ He remarks that he who knows one science only, does not really know that one any more than the rest, and insists strongly on the necessity of a variety of knowledge. More scholars are turned out in the City of the Sun in one year than by contemporary methods in ten or fifteen. He evidently believes, like Bacon, that henceforward natural science will play a great part in education, a hope which seems hardly to have been realized, either in our own or in any former age; at any rate the fulfilment of it has been long deferred.
There is a good deal of ingenuity and even originality in this work, and a most enlightened spirit pervades it. But it has little or no charm of style, and falls very far short of the ‘New Atlantis’ of Bacon, and still more of the ‘Utopia’ of Sir Thomas More. It is full of inconsistencies, and though borrowed from Plato, shows but a superficial acquaintance with his writings. It is a work such as one