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In Search of Lost Time (Remembrance of Things Past)
the beach a lady from Combray, accompanied by her daughters. Her name was, I think, Madame Poussin. But among ourselves we always referred to her as the ‘Pretty Kettle of Fish,’ for it was by the perpetual repetition of this phrase that she warned her daughters of the evils that they were laying up for themselves, saying for instance if one of them was rubbing her eyes: “When you go and get ophthalmia, that will be a pretty kettle of fish.” She greeted my mother from afar with slow and melancholy bows, a sign not of condolence but of the nature of her social training. We might never have lost my grandmother, or had any reason to be anything but happy.

Living in comparative retirement at Combray within the walls of her large garden, she could never find anything soft enough to her liking, and subjected to a softening process the words and even the proper names of the French language. She felt ‘spoon’ to be too hard a word to apply to the piece of silver which measured out her syrups, and said, in consequence, ‘spune’; she would have been afraid of hurting the feelings of the sweet singer of Télémaque by calling him bluntly Fénelon—as I myself said with a clear conscience, having had as a friend the dearest and cleverest of men, good and gallant, never to be forgotten by any that knew him, Bertrand de Fénelon—and never said anything but ‘Fénelon,’ feeling that the acute accent added a certain softness.

The far from soft son-in-law of this Madame Poussin, whose name I have forgotten, having been a lawyer at Combray, ran off with the contents of the safe, and relieved my uncle among others of a considerable sum of money. But most of the people of Combray were on such friendly terms with the rest of the family that no coolness ensued and her neighbours said merely that they were sorry for Madame Poussin. She never entertained, but whenever people passed by her railings they would stop to admire the delicious shade of her trees’, which was the only thing that could be made out. She gave us no trouble at Balbec, where I encountered her only once, at a moment when she was saying to a daughter who was biting her nails: “When they begin to fester, that will be a pretty kettle of fish.”

While Mamma sat reading on the beach I remained in my room by myself. I recalled the last weeks of my grandmother’s life, and everything connected with them, the outer door of the flat which had been propped open when I went out with her for the last time. In contrast to all this the rest of the world seemed scarcely real and my anguish poisoned everything in it. Finally my mother insisted upon my going out.

But at every step, some forgotten view of the casino, of the street along which, as I waited until she was ready, that first evening, I had walked as far as the monument to Duguay-Trouin, prevented me, like a wind against which it is hopeless to struggle, from going farther; I lowered my eyes in order not to see. And after I had recovered my strength a little I turned back towards the hotel, the hotel in which I knew that it was henceforth impossible that, however long I might wait, I should find my grandmother, whom I had found there before, on the evening of our arrival.

As it was the first time that I had gone out of doors, a number of servants whom I had not yet seen were gazing at me curiously. Upon the very threshold of the hotel a young page took off his cap to greet me and at once put it on again. I supposed that Aimé had, to borrow his own expression, ‘given him the office’ to treat me with respect.

But I saw a moment later that, as some one else entered the hotel, he doffed it again. The fact of the matter was that this young man had no other occupation in life than to take off and put on his cap, and did it to perfection. Having realised that he was incapable of doing anything else and that in this art he excelled, he practised it as often as was possible daily, which won him a discreet but widespread regard from the visitors, coupled with great regard from the hall porter upon whom devolved the duty of engaging the boys and who, until this rare bird alighted, had never succeeded in finding one who did not receive notice within a week, greatly to the astonishment of Aimé who used to say: “After all, in that job they’ve only got to be polite, which can’t be so very difficult.” The manager required in addition that they should have what he called a good ‘presence,’ meaning thereby that they should not be absent from their posts, or perhaps having heard the word ‘presence’ used of personal appearance.

The appearance of the lawn behind the hotel had been altered by the creation of several flower-beds and by the removal not only of an exotic shrub but of the page who, at the time of my former visit, used to provide an external decoration with the supple stem of his figure crowned by the curious colouring of his hair. He had gone with a Polish countess who had taken him as her secretary, following the example of his two elder brothers and their typist sister, torn from the hotel by persons of different race and sex who had been attracted by their charm. The only one remaining was the youngest, whom nobody wanted, because he squinted. He was highly delighted when the Polish countess or the protectors of the other two brothers came on a visit to the hotel at Balbec.

For, albeit he was jealous of his brothers, he was fond of them and could in this way cultivate his family affections for a few weeks in the year. Was not the Abbess of Fontevrault accustomed, deserting her nuns for the occasion, to come and partake of the hospitality which Louis XIV offered to that other Mortemart, his mistress, Madame de Montespan? The boy was still in his first year at Balbec; he did not as yet know me, but having heard his comrades of longer standing supplement the word ‘Monsieur,’ when they addressed me, with my surname, he copied them from the first with an air of satisfaction, whether at shewing his familiarity with a person whom he supposed to be well-known, or at conforming with a custom of which five minutes earlier he had never heard but which he felt it to be indispensable that he should not fail to observe. I could quite well appreciate the charm that this great ‘Palace’ might have for certain persons.

It was arranged like a theatre, and a numerous cast filled it to the doors with animation. For all that the visitor was only a sort of spectator, he was perpetually taking part in the performance, and that not as in one of those theatres where the actors perform a play among the audience, but as though the life of the spectator were going on amid the sumptuous fittings of the stage. The lawn-tennis player might come in wearing a white flannel blazer, the porter would have put on a blue frock coat with silver braid before handing him his letters. If this lawn-tennis player did not choose to walk upstairs, he was equally involved with the actors in having by his side, to propel the lift, its attendant no less richly attired. The corridors on each landing engulfed a flying band of nymphlike chambermaids, fair visions against the sea, at whose modest chambers the admirers of feminine beauty arrived by cunning detours. Downstairs, it was the masculine element that predominated and made this hotel, in view of the extreme and effortless youth of the servants, a sort of Judaeo-Christian tragedy given bodily form and perpetually in performance.

And so I could not help repeating to myself, when I saw them, not indeed the lines of Racine that had come into my head at the Princesse de Guermantes’s while M. de Vaugoubert stood watching young secretaries of embassy greet M. de Charlus, but other lines of Racine, taken this time not from Esther but from Athalie: for in the doorway of the hall, what in the seventeenth century was called the portico, ‘a flourishing race’ of young pages clustered, especially at tea-time, like the young Israelites of Racine’s choruses. But I do not believe that one of them could have given even the vague answer that Joas finds to satisfy Athalie when she inquires of the infant Prince:
“What is your office, then?” for they had none.

At the most, if one had asked of any of them, like the new Queen: “But all this race, what do they then, imprisoned in this place?” he might have said: “I watch the solemn pomp and bear my part.”

Now and then one of the young supers would approach some more important personage, then this young beauty would rejoin the chorus, and, unless it were the moment for a spell of contemplative relaxation, they would proceed with their useless, reverent, decorative, daily evolutions. For, except on their ‘day off,’ ‘reared in seclusion from the world’ and never crossing the threshold, they led the same ecclesiastical existence as the Levites in Athalie, and as I gazed at that ‘young and faithful troop’ playing at the foot of the steps draped with sumptuous

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the beach a lady from Combray, accompanied by her daughters. Her name was, I think, Madame Poussin. But among ourselves we always referred to her as the ‘Pretty Kettle of