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The Guermantes Way
that they had been waiting for some time, just as Mme. de Guermantes was afraid that after looking at so many pictures I would find it tiring and would be hindered from taking my ease among them if her husband engaged me in a continuous flow of introductions. So that it was the absence of grandeur in this gesture that disclosed its true grandeur. As, also, did that indifference shewn by the Duke to the splendour of his surroundings, in contrast to his deference towards a guest, however insignificant, whom he desired to honour.

Not that M. de Guermantes was not in certain respects thoroughly commonplace, shewing indeed some of the absurd weaknesses of a man with too much money, the arrogance of an upstart, which he certainly was not. But just as a public official or a priest sees his own humble talents multiplied to infinity (as a wave is by the whole mass of the sea which presses behind it) by those forces on which they can rely, the Government of France and the Catholic Church, so M. de Guermantes was borne on by that other force, aristocratic courtesy in its truest form. This courtesy drew the line at any number of people. Mme. de Guermantes would not have asked to her house Mme. de Cambremer, or M. de Forcheville. But the moment that anyone (as was the case with me) appeared eligible for admission into the Guermantes world, this courtesy revealed treasures of hospitable simplicity more 176splendid still, were that possible, than those historic rooms, or the marvellous furniture that had remained in them.

When he wished to give pleasure to anyone, M. de Guermantes possessed, in this way, for making his guest for the moment the principal person present, an art which made the most of the circumstances and the place. No doubt at Guermantes his “distinctions” and “favours” would have assumed another form. He would have ordered his carriage to take me for a drive, alone with himself, before dinner. Such as they were, one could not help feeling touched by his manners as one is in reading memoirs of the period by those of Louis XIV when he replies good-naturedly, smiling and almost with a bow, to some one who has come to solicit his favour. It must however in both instances be borne in mind that this “politeness” did not go beyond the strict meaning of the word.

Louis XIV (with whom the sticklers for pure nobility of his day find fault, nevertheless, for his scant regard for etiquette, so much so that, according to Saint-Simon, he was only a very minor king, as kings go, when compared with such monarchs as Philippe de Valois or Charles V), has the most minute instructions drawn up so that Princes of the Blood and Ambassadors may know to what sovereigns they ought to give precedence. In certain cases, in view of the impossibility of arriving at a decision, a compromise is arranged by which the son of Louis XIV, Monseigneur, shall entertain certain foreign sovereigns only out of doors, in the open air, so that it may not be said that in entering the house one has preceded the other; and the Elector Palatine, entertaining the Duc de Chevreuse at dinner, pretends, so as not to have 177to make way for his guest, to be taken ill, and dines with him indeed, but dines lying down, thus avoiding the difficulty. M. le Duc evading opportunities of paying his duty to Monsieur, the latter, on the advice of the King, his brother, who is moreover extremely attached to him, seizes an excuse for making his cousin attend his levee and forcing him to pass him his shirt. But as soon as the feeling is deep, when the heart is involved, this rule of duty, so inflexible when politeness only is at stake, changes entirely. A few hours after the death of this brother, one of the people whom he most dearly loved, when Monsieur, in the words of the Duc de Montfort, is “still warm”, we find Louis XIV singing snatches from operas, astonished that the Duchesse de Bourgogne, who has difficulty in concealing her grief, should be looking so woe-begone, and, desiring that the gaiety of the court shall be at once resumed, so that his courtiers may be encouraged to sit down to the tables, ordering the Duc de Bourgogne to start a game of brelan. Well, not only in his social and concentrated activities, but in the most spontaneous utterances, the ordinary preoccupations of M. de Guermantes, the use he made of his time, one found a similar contrast; the Guermantes were no more susceptible than other mortals to grief; one might indeed say that their actual sensibility was lower; on the other hand one saw their names every day in the social columns of the Gaulois on account of the prodigious number of funerals at which they would have felt it a neglect of duty not to have their presence recorded. As the traveller discovers, almost unaltered, the houses roofed with turf, the terraces which may have met the eyes of Xenophon or Saint Paul, so in the manners of M. de Guermantes, a man who melted 178one’s heart by his courtesy and revolted it by his harshness, I found still intact after the lapse of more than two centuries that deviation typical of court life under Louis XIV which transfers all scruples of conscience from matters of the affections and morality and applies them to purely formal questions.

The other reason for the friendliness shewn me by the Princesse de Parme was of a more personal kind. It was that she was convinced beforehand that everything that she saw at the Duchesse de Guermantes’s, people and things alike, was of a quality superior to that of anything that she had at home. It is true that in all the other houses of her acquaintance she behaved as if this had been the case; over the simplest dish, the most ordinary flowers, she was not satisfied with going into ecstasies, she would ask leave to send round next morning, to copy the recipe or to examine the variety of blossom, her head cook or head gardener, gentlemen with large salaries who kept their own carriages and were deeply humiliated at having to come to inquire after a dish they despised or to take notes of a kind of carnation that was not half so fine, had not such ornamental streaks, did not produce so large a blossom as those which they had long been growing for her at home. But if in the Princess, wherever she went, this astonishment at the sight of the most commonplace things was assumed, and intended to shew that she did not derive from the superiority of her rank and riches a pride forbidden by her early instructors, habitually dissembled by her mother and intolerable in the sight of her Creator, it was, on the other hand, in all sincerity that she regarded the drawing-room of the Duchesse de Guermantes as a privileged place in which she could pass 179only from surprise to delight. To a certain extent, for that matter, though not nearly enough to justify this state of mind, the Guermantes were different from the rest of noble society, they were rarer and more refined. They had given me at first sight the opposite impression; I had found them vulgar, similar to all other men and women, but because before meeting them I had seen in them, as in Balbec, in Florence, in Parma, only names. Evidently, in this drawing-room, all the women whom I had imagined as being like porcelain figures were even more like the great majority of women. But, in the same way as Balbec or Florence, the Guermantes, after first disappointing the imagination because they resembled their fellow-creatures rather than their name, could subsequently, though to a less degree, appeal to the intellect by certain distinctive characteristics. Their bodily structure, the colour—a peculiar pink that merged at times into violet—of their skins, a certain almost flashing fairness of the finely spun hair, even in the men, on whom it was massed in soft golden tufts, half a wall-growing lichen, half a catlike fur (a luminous sparkle to which corresponded a certain brilliance of intellect, for if people spoke of the Guermantes complexion, the Guermantes hair, they spoke also of the wit of the Guermantes, as of the wit of the Mortemarts—a certain social quality whose superior fineness was famed even before the days of Louis XIV and all the more universally recognised since they published the fame of it themselves), all this meant that in the material itself, precious as that might be, in which one found them embedded here and there, the Guermantes remained recognisable, easy to detect and to follow, like the veins whose paleness streaks a block of jasper or onyx, or, better still, 180like the pliant waving of those tresses of light whose loosened hairs run like flexible rays along the sides of a moss-agate.

The Guermantes—those at least who were worthy of the name—were not only of a quality of flesh, or hair, of transparency of gaze that was exquisite, but had a way of holding themselves, of walking, of bowing, of looking at one before they shook one’s hand, of shaking hands, which made them as different in all these respects from an ordinary person in society as he in turn was from a peasant in a smock. And despite their friendliness one asked oneself: “Have they not indeed the

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that they had been waiting for some time, just as Mme. de Guermantes was afraid that after looking at so many pictures I would find it tiring and would be