But the places for which we have most longed, such as Venice (all the more so, the most agreeable hostesses, such as the Duchesse de Guermantes, amusements such as the theatre), how pale, insignificant, dead they become when we are tied to the heart of another person by a bond so painful that it prevents us from tearing ourselves away. “Albertine is perfectly right, for that matter, about our marriage. Mamma herself was saying that all these postponements were ridiculous. Marrying her is what I ought to have done long ago, it is what I shall have to do, it is what has made her write her letter without meaning a word of it; it is only to bring about our marriage that she has postponed for a few hours what she must desire as keenly as I desire it: her return to this house. Yes, that is what she meant, that is the purpose of her action,” my compassionate judgment assured me; but I felt that, in telling me this, my judgment was still maintaining the same hypothesis which it had adopted from the start. Whereas I felt that it was the other hypothesis which had invariably proved correct. No doubt this second hypothesis would never have been so bold as to formulate in so many words that Albertine could have had intimate relations with Mile. Vinteuil and her friend. And yet, when I was overwhelmed by the invasion of those terrible tidings, as the train slowed down before stopping at Parville station, it was the second hypothesis that had already been proved correct. This hypothesis had never, in the interval, conceived the idea that Albertine might leave me of her own accord, in this fashion, and without warning me and giving me time to prevent her departure. But all the same if, after the immense leap forwards which life had just made me take, the reality that confronted me was as novel as that which is presented by the discovery of a scientist, the inquiries of an examining magistrate or the researches of a historian into the mystery of a crime or a revolution, this reality while exceeding the meagre previsions of my second hypothesis nevertheless fulfilled them.
This second hypothesis was not an intellectual feat, and the panic fear that I had felt on the evening when Albertine had refused to kiss me, the night when I had heard the sound of her window being opened, that fear was not based upon reason. But—and the sequel will shew this more clearly, as several episodes must have indicated it already—the fact that our intellect is not the most subtle, the most powerful, the most appropriate instrument for grasping the truth, is only a reason the more for beginning with the intellect, and not with a subconscious intuition, a ready-made faith in presentiments. It is life that, little by little, case by case, enables us to observe that what is most important to our heart, or to our mind, is learned not by reasoning but by other powers. And then it is the intellect itself which, taking note of their superiority, abdicates its sway to them upon reasoned grounds and consents to become their collaborator and their servant. It is faith confirmed by experiment. The unforeseen calamity with which I found myself engaged, it seemed to me that I had already known it also (as I had known of Albertine’s friendship with a pair of Lesbians), from having read it in so many signs in which (notwithstanding the contrary affirmations of my reason, based upon Albertine’s own statements) I had discerned the weariness, the horror that she felt at having to live in that state of slavery, signs traced as though in invisible ink behind her sad, submissive eyes, upon her cheeks suddenly inflamed with an unaccountable blush, in the sound of the window that had suddenly been flung open. No doubt I had not ventured to interpret them in their full significance or to form a definite idea of her immediate departure.
I had thought, with a mind kept in equilibrium by Albertine’s presence, only of a departure arranged by myself at an undetermined date, that is to say a date situated in a non-existent time; consequently I had had merely the illusion of thinking of a departure, just as people imagine that they are not afraid of death when they think of it while they are in good health and actually do no more than introduce a purely negative idea into a healthy state which the approach of death would automatically destroy. Besides, the idea of Albertine’s departure on her own initiative might have occurred to my mind a thousand times over, in the clearest, the most sharply defined form, and I should no more have suspected what, in relation to myself, that is to say in reality, that departure would be, what an unprecedented, appalling, unknown thing, how entirely novel a calamity. Of her departure, had I foreseen it, I might have gone on thinking incessantly for years on end, and yet all my thoughts of it, placed end to end, would not have been comparable for an instant, not merely in intensity but in kind, with the unimaginable hell the curtain of which Françoise had raised for me when she said: “Mademoiselle Albertine has gone.” In order to form an idea of an unknown situation our imagination borrows elements that are already familiar and for that reason does not form any idea of it. But our sensibility, even in its most physical form, receives, as it were the brand of the lightning, the original and for long indelible imprint of the novel event. And I scarcely ventured to say to myself that, if I had foreseen this departure, I would perhaps have been incapable of picturing it to myself in all its horror, or indeed, with Albertine informing me of it, and myself threatening, imploring her, of preventing it! How far was any longing for Venice removed from me now!
As far as, in the old days at Combray, was the longing to know Mme. de Guermantes when the time came at which I longed for one thing only, to have Mamma in my room. And it was indeed all these anxieties that I had felt ever since my childhood, which, at the bidding of this new anguish, had come hastening to reinforce it, to amalgamate themselves with it in a homogeneous mass that was stifling me. To be sure, the physical blow which such a parting strikes at the heart, and which, because of that terrible capacity for registering things with which the body is endowed, makes our suffering somehow contemporaneous with all the epochs in our life in which we have suffered; to be sure, this blow at the heart upon which the woman speculates a little perhaps—so little compunction do we shew for the sufferings of other people—who is anxious to give the maximum intensity to regret, whether it be that, merely hinting at an imaginary departure, she is seeking only to demand better terms, or that, leaving us for ever—for ever!–she desires to wound us, or, in order to avenge herself, or to continue to be loved, or to enhance the memory that she will leave behind her, to rend asunder the net of weariness, of indifference which she has felt being woven about her—to be sure, this blow at our heart, we had vowed that we would avoid it, had assured ourselves that we would make a good finish. But it is rarely indeed that we do finish well, for, if all was well, we would never finish! And besides, the woman to whom we shew the utmost indifference feels nevertheless in an obscure fashion that while we have been growing tired of her, by virtue of an identical force of habit, we have grown more and more attached to her, and she reflects that one of the essential elements in a good finish is to warn the other person before one goes. But she is afraid, if she warns us, of preventing her own departure. Every woman feels that, if her power over a man is great, the only way to leave him is sudden flight. A fugitive because a queen, precisely.
To be sure, there is an unspeakable interval between the boredom which she inspired a moment ago and, because she has gone, this furious desire to have her back again. But for this, apart from those which have been furnished in the course of this work and others which will be furnished later on, there are reasons. For one thing, her departure occurs as often as not at the moment when our indifference—real or imagined—is greatest, at the extreme point of the oscillation of the pendulum. The woman says to herself: “No, this sort of thing cannot go on any longer,” simply because the man speaks of nothing but leaving her, or thinks of nothing else; and it is she who leaves him. Then, the pendulum swinging back to its other extreme, the interval is all the greater. In an instant it returns to this point; once more, apart from all the reasons that have been given, it is so natural. Our heart still beats; and besides, the woman who has gone is no longer the same as the woman who was with us.
Her life under our roof, all too well known, is suddenly enlarged by the addition of the lives with which she is inevitably to be associated, and it is perhaps to associate herself with them that she has