In the Bois, I hummed phrases from Vinteuil’s sonata. I was no longer hurt by the thought that Albertine had fooled me, for almost all my memories of her had entered into that secondary chemical state in which they no longer cause any anxious oppression of the heart, but rather comfort. Now and then, at the passages which she used to play most often, when she was in the habit of uttering some reflexion which I had thought charming at the time, of suggesting some reminiscence, I said to myself: “Poor little girl,” but without melancholy, merely adding to the musical phrase an additional value, a value that was so to speak historic and curious like that which the portrait of Charles I by Van Dyck, so beautiful already in itself, acquires from the fact that it found its way into the national collection because of Mme. du Barry’s desire to impress the King. When the little phrase, before disappearing altogether, dissolved into its various elements in which it floated still for a moment in scattered fragments, it was not for me as it had been for Swann a messenger from Albertine who was vanishing. It was not altogether the same association of ideas that the little phrase had aroused in me as in Swann. I had been impressed, most of all, by the elaboration, the attempts, the repetitions, the ‘outcome’ of a phrase which persisted throughout the sonata as that love had persisted throughout my life. And now, when I realised how, day by day, one element after another of my love departed, the jealous side of it, then some other, drifted gradually back in a vague remembrance to the feeble bait of the first outset, it was my love that I seemed, in the scattered notes of the little phrase, to see dissolving before my eyes.
As I followed the paths separated by undergrowth, carpeted with a grass that diminished daily, the memory of a drive during which Albertine had been by my side in the carriage, from which she had returned home with me, during which I felt that she was enveloping my life, floated now round about me, in the vague mist of the darkening branches in the midst of which the setting sun caused to gleam, as though suspended in the empty air, a horizontal web embroidered with golden leaves. Moreover my heart kept fluttering at every moment, as happens to anyone in whose eyes a rooted idea gives to every woman who has halted at the end of a path, the appearance, the possible identity of the woman of whom he is thinking. “It is perhaps she!” We turn round, the carriage continues on its way and we do not return to the spot. These leaves, I did not merely behold them with the eyes of my memory, they interested me, touched me, like those purely descriptive pages into which an artist, to make them more complete, introduces a fiction, a whole romance; and this work of nature thus assumed the sole charm of melancholy which was capable of reaching my heart.
The reason for this charm seemed to me to be that I was still as much in love with Albertine as ever, whereas the true reason was on the contrary that oblivion was continuing to make such headway in me that the memory of Albertine was no longer painful to me, that is to say, it had changed; but however clearly we may discern our impressions, as I then thought that I could discern the reason for my melancholy, we are unable to trace them back to their more remote meaning. Like those maladies the history of which the doctor hears his patient relate to him, by the help of which he works back to a more profound cause, of which the patient is unaware, similarly our impressions, our ideas, have only a symptomatic value. My jealousy being held aloof by the impression of charm and agreeable sadness which I was feeling, my senses reawakened. Once again, as when I had ceased to see Gilberte, the love of woman arose in me, rid of any exclusive association with any particular woman already loved, and floated like those spirits that have been liberated by previous destructions and stray suspended in the springtime air, asking only to be allowed to embody themselves in a new creature. Nowhere do there bud so many flowers, forget-me-not though they be styled, as in a cemetery. I looked at the girls with whom this fine day so countlessly blossomed, as I would have looked at them long ago from Mme. de Villeparisis’s carriage or from the carriage in which, upon a similar Sunday, I had come there with Albertine. At once, the glance which I had just cast at one or other of them was matched immediately by the curious, stealthy, enterprising glance, reflecting unimaginable thoughts, which Albertine had furtively cast at them and which, duplicating my own with a mysterious, swift, steel-blue wing, wafted along these paths which had hitherto been so natural the tremor of an unknown element with which my own desire would not have sufficed to animate them had it remained alone, for it, to me, contained nothing that was unknown.
Moreover at Balbec, when I had first longed to know Albertine, was it not because she had seemed to me typical of those girls the sight of whom had so often brought me to a standstill in the streets, upon country roads, and because she might furnish me with a specimen of their life? And was it not natural that now the cooling star of my love in which they were condensed should explode afresh in this scattered dust of nebulae? They all of them seemed to me Albertines—the image that I carried inside me making me find copies of her everywhere—and indeed, at the turning of an avenue, the girl who was getting into a motor-car recalled her so strongly, was so exactly of the same figure, that I asked myself for an instant whether it were not she that I had just seen, whether people had not been deceiving me when they sent me the report of her death. I saw her again thus at the corner of an avenue, as perhaps she had been at Balbec, getting into a car in the same way, when she was so full of confidence in life. And this other girl’s action in climbing into the car, I did not merely record with my eyes, as one of those superficial forms which occur so often in the course of a walk: become a sort of permament action, it seemed to me to extend also into the past in the direction of the memory which had been superimposed upon it and which pressed so deliciously, so sadly against my heart. But by this time the girl had vanished.
A little farther on I saw a group of three girls slightly older, young women perhaps, whose fashionable, energetic style corresponded so closely with what had attracted me on the day when I first saw Albertine and her friends, that I hastened in pursuit of these three new girls and, when they stopped a carriage, looked frantically in every direction for another. I found one, but it was too late. I did not overtake them. A few days later, however, as I was coming home, I saw, emerging from the portico of our house, the three girls whom I had followed in the Bois. They were absolutely, the two dark ones especially, save that they were slightly older, the type of those young ladies who so often, seen from my window or encountered in the street, had made me form a thousand plans, fall in love with life, and whom I had never been able to know. The fair one had a rather more delicate, almost an invalid air, which appealed to me less. It was she nevertheless that was responsible for my not contenting myself with glancing at them for a moment, but, becoming rooted to the ground, staring at them with a scrutiny of the sort which, by their fixity which nothing can distract, their application as though to a problem, seem to be conscious that the true object is hidden far beyond what they behold. I should doubtless have allowed them to disappear as I had allowed so many others, had not (at the moment when they passed by me) the fair one—was it because I was scrutinising them so closely?–darted a stealthy glance at myself, than, having passed me and turning her head, a second glance which fired my blood. However, as she ceased to pay attention to myself and resumed her conversation with her friends, my ardour would doubtless have subsided, had it not been increased
