Secondary characters
Franz Kemmerich had enlisted with his best friend and classmate, Bäumer, at only 19 years. Kemmerich is shot in the leg early in the story; his injured leg has to be amputated, and he dies shortly after. In anticipation of Kemmerich’s imminent death, Müller was eager to get his boots. Paul later visits Kemmerich’s mother while on leave, and lies to her that Franz died instantly and painlessly.
Behm was a youthful and overweight student and the only one in Paul’s class that was not quickly influenced by Kantorek’s patriotism to join the war, but is pressured into volunteering alongside his friends. He is the first of Paul’s friends to die. He is blinded in no man’s land and believed to be dead by his friends. The next day, when he is seen walking blindly around no man’s land, it is discovered that he was only unconscious, but he is killed before he can be rescued.
Kantorek is the schoolmaster of Paul and his friends, including Kropp, Leer, Müller, and Behm. Behaving “in a way that cost him nothing,” Kantorek is a strong supporter of the war and encourages Bäumer and other students in his class to join the war effort.
Mittelstädt is another of Paul’s school friends who is promoted to training reservists behind the front, where in a twist of fate he ends up with Kantorek in his unit after the schoolmaster is drafted himself.
Leer is an intelligent soldier in Bäumer’s company, and one of his classmates, and an “old hand” at womanizing and seduction.
Lieutenant Bertinck is the leader of Bäumer’s company. He is shot towards the end of the war while defending his men from a flamethrower team, losing his chin in the same explosion that wounds Leer.
Detering is a farmer who longs to return to his wife and farm. He is fond of horses and is angered when he sees them used in combat.
Hamacher is a patient at the Catholic hospital where Paul and Albert Kropp are temporarily stationed.
Publication and reception
From November 10 to December 9, 1928, All Quiet on the Western Front was published in serial form in Vossische Zeitung magazine. It was released in book form the following year to great success, selling one and a half million copies that same year. Although publishers had worried that interest in World War I had waned more than 10 years after the armistice, Remarque’s realistic depiction of trench warfare from the perspective of young soldiers struck a chord with the war’s survivors—veterans and civilians alike—and provoked strong reactions, both positive and negative, around the world.
With All Quiet on the Western Front, Remarque emerged as an eloquent spokesman for a generation that had been, in his own words, “destroyed by war, even though it might have escaped its shells.” Remarque’s harshest critics, in turn, were his countrymen, many of whom felt the book denigrated the German war effort, and that Remarque had exaggerated the horrors of war to further his pacifist agenda.
The strongest voices against Remarque came from the emerging Nazi Party and its ideological allies. In 1933, when the Nazis rose to power, All Quiet on the Western Front became one of the first degenerate books to be publicly burnt; in 1930, screenings of the Academy Award-winning film based on the book were met with Nazi-organized protests and mob attacks on both movie theatres and audience members.
Objections to Remarque’s portrayal of the World War I German soldiers were not limited to those of the Nazis in 1933. Dr. Karl Kroner [de] was concerned about Remarque’s depiction of the medical personnel as being inattentive, uncaring, or absent from frontline action. Kroner was specifically worried that the book would perpetuate German stereotypes abroad that had subsided since the First World War.
He offered the following clarification: “People abroad will draw the following conclusions: if German doctors deal with their own fellow countrymen in this manner, what acts of inhumanity will they not perpetuate against helpless prisoners delivered up into their hands or against the populations of occupied territory?”
A fellow patient of Remarque’s in the military hospital in Duisburg objected to the negative depictions of the nuns and patients and to the general portrayal of soldiers: “There were soldiers to whom the protection of homeland, protection of house and homestead, protection of family were the highest objective, and to whom this will to protect their homeland gave the strength to endure any extremities.”
These criticisms suggest that experiences of the war and the personal reactions of individual soldiers to their experiences may be more diverse than Remarque portrays them; however, it is beyond question that Remarque gives voice to a side of the war and its experience that was overlooked or suppressed at the time. This perspective is crucial to understanding the true effects of World War I. The evidence can be seen in the lingering depression that Remarque and many of his friends and acquaintances were suffering a decade later.
The book was also banned in other European countries on the grounds that it was considered anti-war propaganda; Austrian soldiers were forbidden from reading the book in 1929, and Czechoslovakia banned it from its military libraries. The Italian translation was also banned in 1933. When the Nazis were re-militarizing Germany, the book was banned as it was deemed counterproductive to German rearmament. In contrast, All Quiet on the Western Front was trumpeted by pacifists as an anti-war book.
Remarque makes a point in the opening statement that the novel does not advocate any political position, but is merely an attempt to describe the experiences of the soldier.
Much of the literary criticism came from Salomo Friedlaender, who wrote a book Hat Erich Maria Remarque wirklich gelebt? “Did Erich Maria Remarque really live?” (under the pen name Mynona), which was, in its turn, criticized in: Hat Mynona wirklich gelebt? “Did Mynona really live?” by Kurt Tucholsky. Friedlaender’s criticism was mainly personal in nature—he attacked Remarque as being egocentric and greedy. Remarque publicly stated that he wrote All Quiet on the Western Front for personal reasons, not for profit, as Friedlaender had charged.
All Quiet on the Western Front was followed in 1931 by The Road Back, which follows the surviving characters after the Treaty of Versailles, and the two are considered part of a trilogy alongside the narratively unrelated Three Comrades, released in 1936 and set well into the post-war era.
Adaptations
Films
All Quiet on the Western Front, a 1930 American film directed by Lewis Milestone, starring Louis Wolheim, Lew Ayres, John Wray, Arnold Lucy, and Ben Alexander. Recipient of two Oscars, including Best Picture at the 3rd Academy Awards.
All Quiet on the Western Front, a 1979 CBS television film by Delbert Mann, starring Richard Thomas and Ernest Borgnine.
All Quiet on the Western Front, a 2022 German film directed by Edward Berger, starring Felix Kammerer and Albrecht Schuch. Nominated for nine Oscars, including Best Picture, at the 95th Academy Awards, and winning seven British Academy Film Awards and four Oscars.
