It might have been thought that this work would have satisfied Leo Nikolaevich. And at first it did, but he became disappointed with this too, and he began again to dream of a great act of renunciation, as he expressed it in his diary. He was annoyed with the family, though he did love us. He was often angry with me. We were what stood in the way of his carrying out his dream of a free, new life, of an act of renunciation. At times he would soften, and he wrote, for instance in his diary: “It is good to be with Sonya. Yesterday I thought, as I saw her with Andryusha and Misha, what a wonderful wife and mother she is in one sense.” Remarks like that, when they were made directly to me, comforted me; but, on the other hand, his obstinate rejection of all our method of life pained and tormented me.
The famine relief work nearly cost my son Leo his life; he was at the time a young undergraduate and worked on his own account on famine relief in the Samara Province. His health, especially after an attack of typhus, broke down completely, and for a long time afterwards I suffered to see him sinking. But he recovered after being ill for two years. In 1895 our youngest son, Vanichka, died; he was seven years old, a general favourite, extraordinarily like his father, a clever, sensitive child, not long for this earth, as people say of such children.
This was the greatest sorrow of my life, and for long I could find neither peace nor comfort. At first I spent whole days in churches and cathedrals; I also prayed at home and walked in my garden, where I remembered the dear little slim figure of my boy. “Where are you, where are you, Vanichka?” I used often to cry, not believing in my loss. At last, after having spent nine hours one day in the Archangel Cathedral — it was a fast-day — I was walking home and got soaked in a violent storm of rain. I became very ill and my life was despaired of, but on Easter night at the ringing of the bells I came to myself and reëntered upon my sorrowful existence. Everybody about me, and particularly my husband and two eldest daughters, looked after me with extraordinary goodness and tenderness. This gladdened and comforted me.
In the spring my sister, T. A. Kuzminskii, arrived and took me off with her to Kiev, and that disposed me still more to religion and made a strong impression on me. My depression and loss of interest in everything continued during the summer, and it was only by chance and quite unexpectedly that my state of mind was changed — by music. That summer there was staying with us a well-known composer and superb pianist. In the evenings he used to play chess with Leo Nikolaevich, and afterwards, at the request of all of us, he often played the piano. Listening to the wonderful music of Beethoven, Mozart, Chopin, and others, superbly executed, I forgot for a time my sharp sorrow, and I used morbidly to look forward to the evening, when I should again hear that wonderful music.
Thus the summer passed, and in the autumn I engaged a music mistress and, at the age of fifty-two, began again to practise and learn to play. As time went on, I made little progress. But I went to concerts, and music saved me from despair. Leo Nikolaevich wrote somewhere about music: “Music is a sensual pleasure of hearing, just as taste is a sensual pleasure. I agree that it is less sensual than taste, but there is no moral sense in it.” I could never share this view. He himself often cried, when his favourite pieces were played. Does the pleasure of taste make one cry?
Music always acted upon me like something soothing and elevating. All the petty, everyday troubles lost their meaning. When I heard the Chopin sonata with the funeral march or certain Beethoven sonatas, I often had the desire to pray, to forgive, to love, and to think of the infinite, spiritual, mysterious, and beautiful, just as the sounds themselves do not say anything definite, but make one think, dream, and rejoice vaguely and beautifully.
IX
IN AUGUST, 1896, Leo Nikolaevich suggested that I should go with him and his sister, Marie Nikolaevna, to the monastery near Shamardin. From there we went to the Optina Monastery, where I fasted. While I confessed, Leo Nikolaevich walked round the cell of the venerable monk, Father Gerasim, but he did not come in.
After Vanichka’s death our family life was no longer happy. Gradually the other children married and the house became empty. The parting with our daughter was especially hard. Leo Nikolaevich’s health began to be bad, and in September, 1901, the doctors after a consultation ordered him off to the south, to the Crimea. Countess Panin kindly lent us her magnificent house in Gaspra, where our whole family spent nearly ten months. Leo Nikolaevich’s health not only did not improve, it grew worse. He was ill in Gaspra from one infectious disease after another, and it is with pain in my heart that I remember how I used to sit at night by my husband’s bed during nearly the whole of those ten months. We took it in turns to sit by him, I, my daughters, the doctors, friends, and above all my son, Serge. How much I used to go through and think over during those nights!
We did not go back again to our life in Moscow, and the doctors and I decided that it was best for Leo Nikolaevich to live in Yasnaya Polyana, where he was born and bred.
After making up our minds on our return from the Crimea to remain in the country, during the following years we lived quietly and peacefully, all occupied with our own work. I worked hard at writing my memoirs, under the title My Life; I often went to Moscow on business in connection with Leo Nikolaevich’s publications, and then every day in the morning I used to sit in the Historical Museum, copying from the diaries, letters, and note-books the material which I wanted for my work. It gave me great pleasure, that work upstairs in the tower of the museum, in complete solitude, surrounded by such interesting papers. I did not arrange the MSS., thinking that I might leave that for others, and considering it more useful to write my reminiscences, as I did not anticipate a long life or that my memory would remain fresh.
Moreover by mere accident I took to painting passionately, for it always attracted me. In Petersburg in the Tauric Palace a very good and interesting exhibition of old and modern portraits was opened, and we were asked to lend all our family portraits from Yasnaya Polyana. It seemed to me most unpleasant to have the walls of the drawing-room bare, and with my usual boldness I began copying the portraits before they were removed. I had never studied painting, but I loved it, like all the arts, and I was terribly excited and worked for whole days, and often the nights as well.
As formerly with music, I was completely carried away by painting. Leo Nikolaevich laughingly said that I had caught a disease called “portraititis,” and that he was afraid for my sanity. The most successful of my attempts was a copy of Leo Nikolaevich’s portrait by Kramskoi. Later I tried to paint landscapes and flowers from nature, but extreme short-sightedness put me at a great disadvantage, and I was dissatisfied with my want of skill. But I do not regret that I took up music and painting, however unskilfully, towards the end of my life. One only thoroughly understands any art when one practises it, however badly.
My last attempts were water-colour paintings of all the Yasnaya Polyana flora and of all the fungi of the Yasnaya Polyana woods.
X
IN 1904 I had to endure the pain of my son, Andrey, leaving to fight in the war against Japan. In my heart I was opposed to war as to any other kind of murder, and it was with a peculiar pain in my heart that I saw my son off at Tambov and with other mothers looked at the carriages full of soldiers — our sons doomed to death.
A happy event for our family in 1905 was the birth of an only child to our daughter, Tatyana Lvovna Sukhotin. This granddaughter, as she grew up, was a favourite of Leo Nikolaevich and of the whole family.
In 1906 I underwent a serious operation, performed by Professor V. F. Snegirev in Yasnaya Polyana. How quietly I prepared myself for death, how happy I felt, when the servants, saying good-bye to me, cried bitterly! I felt a strange sensation, when I fell asleep under the anaesthetic which was given to me: it was new and significant. All external life in its complicated setting, especially of towns, flashed before my inner vision like a quickly changing panorama. And how insignificant human vanity appeared to me! I seemed to be asking myself: what, then, is important? One thing: if God
