He did not repeat to himself with a sickening feeling of shame the words he had spoken, or say: “Oh, why did I not say that?” and, “Whatever made me say ‘Je vous aime’?” On the contrary, he now repeated in imagination every word that he or Natasha had spoken and pictured every detail of her face and smile, and did not wish to diminish or add anything, but only to repeat it again and again. There was now not a shadow of doubt in his mind as to whether what he had undertaken was right or wrong. Only one terrible doubt sometimes crossed his mind: “Wasn’t it all a dream? Isn’t Princess Mary mistaken? Am I not too conceited and self-confident? I believe all this—and suddenly Princess Mary will tell her, and she will be sure to smile and say: ‘How strange! He must be deluding himself. Doesn’t he know that he is a man, just a man, while I . . . ? I am something altogether different and higher.’ ”
That was the only doubt often troubling Pierre. He did not now make any plans. The happiness before him appeared so inconceivable that if only he could attain it, it would be the end of all things. Everything ended with that.
A joyful, unexpected frenzy, of which he had thought himself incapable, possessed him. The whole meaning of life—not for him alone but for the whole world—seemed to him centered in his love and the possibility of being loved by her. At times everybody seemed to him to be occupied with one thing only—his future happiness. Sometimes it seemed to him that other people were all as pleased as he was himself and merely tried to hide that pleasure by pretending to be busy with other interests. In every word and gesture he saw allusions to his happiness. He often surprised those he met by his significantly happy looks and smiles which seemed to express a secret understanding between him and them. And when he realized that people might not be aware of his happiness, he pitied them with his whole heart and felt a desire somehow to explain to them that all that occupied them was a mere frivolous trifle unworthy of attention.
When it was suggested to him that he should enter the civil service, or when the war or any general political affairs were discussed on the assumption that everybody’s welfare depended on this or that issue of events, he would listen with a mild and pitying smile and surprise people by his strange comments. But at this time he saw everybody—both those who, as he imagined, understood the real meaning of life (that is, what he was feeling) and those unfortunates who evidently did not understand it—in the bright light of the emotion that shone within himself, and at once without any effort saw in everyone he met everything that was good and worthy of being loved.
When dealing with the affairs and papers of his dead wife, her memory aroused in him no feeling but pity that she had not known the bliss he now knew. Prince Vasili, who having obtained a new post and some fresh decorations was particularly proud at this time, seemed to him a pathetic, kindly old man much to be pitied.
Often in afterlife Pierre recalled this period of blissful insanity. All the views he formed of men and circumstances at this time remained true for him always. He not only did not renounce them subsequently, but when he was in doubt or inwardly at variance, he referred to the views he had held at this time of his madness and they always proved correct.
“I may have appeared strange and queer then,” he thought, “but I was not so mad as I seemed. On the contrary I was then wiser and had more insight than at any other time, and understood all that is worth understanding in life, because . . . because I was happy.”
Pierre’s insanity consisted in not waiting, as he used to do, to discover personal attributes which he termed “good qualities” in people before loving them; his heart was now overflowing with love, and by loving people without cause he discovered indubitable causes for loving them.
AFTER PIERRE’S DEPARTURE that first evening, when Natasha had said to Princess Mary with a gaily mocking smile: “He looks just, yes, just as if he had come out of a Russian bath—in a short coat and with his hair cropped,” something hidden and unknown to herself, but irrepressible, awoke in Natasha’s soul.
Everything: her face, walk, look, and voice, was suddenly altered. To her own surprise a power of life and hope of happiness rose to the surface and demanded satisfaction. From that evening she seemed to have forgotten all that had happened to her. She no longer complained of her position, did not say a word about the past, and no longer feared to make happy plans for the future. She spoke little of Pierre, but when Princess Mary mentioned him a long-extinguished light once more kindled in her eyes and her lips curved with a strange smile.
The change that took place in Natasha at first surprised Princess Mary; but when she understood its meaning it grieved her. “Can she have loved my brother so little as to be able to forget him so soon?” she thought when she reflected on the change. But when she was with Natasha she was not vexed with her and did not reproach her. The reawakened power of life that had seized Natasha was so evidently irrepressible and unexpected by her that in her presence Princess Mary felt that she had no right to reproach her even in her heart.
Natasha gave herself up so fully and frankly to this new feeling that she did not try to hide the fact that she was no longer sad, but bright and cheerful.
When Princess Mary returned to her room after her nocturnal talk with Pierre, Natasha met her on the threshold.
“He has spoken? Yes? He has spoken?” she repeated.
And a joyful yet pathetic expression which seemed to beg forgiveness for her joy settled on Natasha’s face.
“I wanted to listen at the door, but I knew you would tell me.”
Understandable and touching as the look with which Natasha gazed at her seemed to Princess Mary, and sorry as she was to see her agitation, these words pained her for a moment. She remembered her brother and his love.
“But what’s to be done? She can’t help it,” thought the princess.
And with a sad and rather stern look she told Natasha all that Pierre had said. On hearing that he was going to Petersburg Natasha was astounded.
“To Petersburg!” she repeated as if unable to understand.
But noticing the grieved expression on Princess Mary’s face she guessed the reason of that sadness and suddenly began to cry.
“Mary,” said she, “tell me what I should do! I am afraid of being bad. Whatever you tell me, I will do. Tell me. . . .”
“You love him?”
“Yes,” whispered Natasha.
“Then why are you crying? I am happy for your sake,” said Princess Mary, who because of those tears quite forgave Natasha’s joy.
“It won’t be just yet—someday. Think what fun it will be when I am his wife and you marry Nicholas!”
“Natasha, I have asked you not to speak of that. Let us talk about you.”
They were silent awhile.
“But why go to Petersburg?” Natasha suddenly asked, and hastily replied to her own question. “But no, no, he must . . . Yes, Mary, He must. . . .”
- “Simple” is here used in the sense, common in Russia, of unpretentious, natural. —A.M.
- In an early draft of the novel Tolstoy introduced an Italian officer, Emilio Poncini, who occupied the place now allotted to Captain Ramballe, but with whom Pierre became more frank and intimate than with the latter. He visited Pierre in prison in Moscow and tried to help him, and later on they met again at Tambov and resumed their friendly intercourse. The brief mention of an unnamed Italian in this chapter is all that remains of Poncini, whom Tolstoy at first meant to make more important.—A.M
1813-20
FIRST EPILOGUE
- Discussion of forces operating in history. Chance and genius. The ideals of glory and grandeur. Alexander’s renunciation of power. The purpose of a bee
SEVEN YEARS had passed. The storm-tossed sea of European history had subsided within its shores and seemed to have become calm. But the mysterious forces that move humanity (mysterious because the laws of their motion are unknown to us) continued to operate.
Though the surface of the sea of history seemed motionless, the movement of humanity went on as unceasingly as the flow of time. Various groups of people formed and dissolved, the coming formation and dissolution of kingdoms and displacement of peoples was in course of preparation.
The sea of history was not driven spasmodically from shore to shore as previously. It was seething in its depths. Historic figures were not borne by the waves from one shore to another as before. They now seemed to rotate on one spot. The historical figures at the head of armies, who formerly reflected the movement of the masses by ordering wars, campaigns, and battles, now reflected the restless movement by political and diplomatic combinations, laws, and treaties.
The historians call this activity of the historical figures “the reaction.”
In dealing with this period they sternly condemn the historical personages who, in their opinion, caused what they describe as the reaction. All the well-known people of that period, from Alexander and Napoleon to Madame de Stael,
