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Bradbury Stories
was an immense ferment in the lower gardens now and in the fields beyond and on the roads and in the air. Millions were still waiting. Where was the great arrival?

“Well, now,” said the old man, filling another glass with wine for the young reporter. “Aren’t I something? I made the machines, built miniature cities, lakes, ponds, seas. Erected vast architectures against crystal-water skies, talked to dolphins, played with whales, faked tapes, mythologized films. Oh, it took years, years of sweating work and secret preparation before I announced my departure, left and came back with good news!”

They drank the rest of the vintage wine. There was a hum of voices. All of the people below were looking up at the roof.
The time traveler waved at them and turned.

“Quickly, now. It’s up to you from here on. You have the tape, my voice on it, just freshly made. Here are three more tapes, with fuller data. Here’s a film-cassette history of my whole inspired fraudulence. Here’s a final manuscript. Take, take it all, hand it on. I nominate you as son to explain the father. Quickly!”

Hustled into the elevator once more, Shumway felt the world fall away beneath. He didn’t know whether to laugh or cry, so gave, at last, a great hoot.
The old man, surprised, hooted with him, as they stepped out below and advanced upon the Toynbee Convector.

“You see the point, don’t you, son? Life has always been lying to ourselves! As boys, young men, old men. As girls, maidens, women, to gently lie and prove the lie true. To weave dreams and put brains and ideas and flesh and the truly real beneath the dreams. Everything, finally, is a promise. What seems a lie is a ramshackle need, wishing to be born. Here. Thus and so.”
He pressed the button that raised the plastic shield, pressed another that started the time machine humming, then shuffled quickly in to thrust himself into the Convector’s seat.

“Throw the final switch, young man!”
“But—”
“You’re thinking,” here the old man laughed, “if the time machine is a fraud, it won’t work, what’s the use of throwing a switch, yes? Throw it, anyway. This time, it will work!”
Shumway turned, found the control switch, grabbed hold, then looked at Craig Bennett Stiles.
“I don’t understand. Where are you going?”

“Why, to be one with the ages, of course. To exist now, only in the deep past.”
“How can that be?”
“Believe me, this time it will happen. Good-bye, dear, fine, nice young man.”
“Good-bye.”
“Now. Tell me my name.”
“What?”
“Speak my name and throw the switch.”
“Time traveler?”
“Yes! Now!”

The young man yanked the switch. The machine hummed, roared, blazed with power.
“Oh,” said the old man, shutting his eyes. His mouth smiled gently. “Yes.”
His head fell forward on his chest.

Shumway yelled, banged the switch off and leaped forward to tear at the straps binding the old man in his device.
In the midst of so doing, he stopped, felt the time traveler’s wrist, put his fingers under the neck to test the pulse there and groaned. He began to weep.
The old man had, indeed, gone back in time, and its name was death. He was traveling in the past now, forever.

Shumway stepped back and turned the machine on again. If the old man were to travel, let the machine—symbolically, anyway—go with him. It made a sympathetic humming. The fire of it, the bright sun fire, burned in all of its spider grids and armatures and lighted the cheeks and the vast brow of the ancient traveler, whose head seemed to nod with the vibrations and whose smile, as he traveled into darkness, was the smile of a child much satisfied.

The reporter stood for a long moment more, wiping his cheeks with the backs of his hands. Then, leaving the machine on, he turned, crossed the room, pressed the button for the glass elevator and, while he was waiting, took the time traveler’s tapes and cassettes from his jacket pockets and, one by one, shoved them into the incinerator trash flue set in the wall.
The elevator doors opened, he stepped in, the doors shut. The elevator hummed now, like yet another time device, taking him up into a stunned world, a waiting world, lifting him up into a bright continent, a future land, a wondrous and surviving planet . . .

That one man with one lie had created.

Forever and the Earth

After seventy years of writing short stories that never sold, Mr. Henry William Field arose one night at eleven-thirty and burned ten million words. He carried the manuscripts downstairs through his dark old mansion and threw them into the furnace.

“That’s that,” he said, and thinking about his lost art and his misspent life, he put himself to bed, among his rich antiques. “My mistake was in ever trying to picture this wild world of A.D. 2257. The rockets, the atom wonders, the travels to planets and double suns. Nobody can do it. Everyone’s tried. All of our modern authors have failed.”
Space was too big for them, and rockets too swift, and atomic science too instantaneous, he thought. But at least the other writers, while failing, had been published, while he, in his idle wealth, had used the years of his life for nothing.

After an hour of feeling this way, he fumbled through the night rooms to his library and switched on a green hurricane lamp. At random, from a collection untouched in fifty years, he selected a book. It was a book three centuries yellow and three centuries brittle, but he settled into it and read hungrily until dawn. . . .
At nine the next morning, Henry William Field staggered from his library, called his servants, televised lawyers, scientists, litterateurs.
“Come at once!” he cried.

By noon, a dozen people had stepped into the study where Henry William Field sat, very disreputable and hysterical with an odd, feeding joy, unshaven and feverish. He clutched a thick book in his brittle arms and laughed if anyone even said good morning.

“Here you see a book,” he said at last, holding it out, “written by a giant, a man born in Asheville, North Carolina, in the year 1900. Long gone to dust, he published four huge novels. He was a whirlwind. He lifted up mountains and collected winds. He left a trunk of penciled manuscripts behind when he lay in bed at Johns Hopkins Hospital in Baltimore in the year 1938, on September fifteenth, and died of pneumonia, an ancient and awful disease.”

They looked at the book.
Look Homeward, Angel.
He drew forth three more. Of Time and the River. The Web and the Rock. You Can’t Go Home Again.
“By Thomas Wolfe,” said the old man. “Three centuries cold in the North Carolina earth.”
“You mean you’ve called us simply to see four books by a dead man?” his friends protested.

“More than that! I’ve called you because I feel Tom Wolfe’s the man, the necessary man, to write of space, of time, huge things like nebulae and galactic war, meteors and planets, all the dark things he loved and put on paper were like this. He was born out of his time. He needed really big things to play with and never found them on Earth. He should have been born this afternoon instead of one hundred thousand mornings ago.”

“I’m afraid you’re a bit late,” said Professor Bolton.
“I don’t intend to be late!” snapped the old man. “I will not be frustrated by reality. You, professor, have experimented with time travel. I expect you to finish your time machine as soon as possible. Here’s a check, a blank check, fill it in. If you need more money, ask for it. You’ve done some traveling already, haven’t you?”
“A few years, yes, but nothing like centuries—”

“We’ll make it centuries! You others”—he swept them with a fierce and shining glance—“will work with Bolton. I must have Thomas Wolfe.”
“What!” They fell back before him.

“Yes,” he said. “That’s the plan. Wolfe is to be brought to me. We will collaborate in the task of describing the flight from Earth to Mars, as only he could describe it!”
They left him in his library with his books, turning the dry pages, nodding to himself. “Yes. Oh, dear Lord yes, Tom’s the boy, Tom is the very boy for this.”
The months passed slowly. Days showed a maddening reluctance to leave the calendar, and weeks lingered on until Mr. Henry William Field began to scream silently.
At the end of four months, Mr. Field awoke one midnight. The phone was ringing. He put his hand out in the darkness.

“Yes?”
“This is Professor Bolton calling.”
“Yes, Bolton?”
“I’ll be leaving in an hour,” said the voice.
“Leaving? Leaving where? Are you quitting? You can’t do that!”
“Please, Mr. Field, leaving means leaving.”
“You mean, you’re actually going?”

“Within the hour.”
“To 1938? To September fifteenth?”

“Yes!”
“You’re sure you’ve the date fixed correctly? You’ll arrive before he dies? Be sure of it! Good Lord, you’d better get there a good hour before his death, don’t you think?”
“Two hours. On the way back, we’ll mark time in Bermuda, borrow ten days of free floating continuum, inject him, tan him, swim him, vitaminize him, make him well.”

“I’m so excited I can’t hold the phone. Good luck, Bolton. Bring him through safely!”

“Thank you, sir. Good-bye.”
The phone clicked.

Mr. Henry William Field lay through the ticking night. He thought of Tom Wolfe as a lost brother to be lifted intact from under a cold, chiseled stone, to be restored to blood and fire and speaking. He trembled each time he thought of Bolton whirling on the time wind back to other calendars and other days, bearing medicines to change flesh and save souls.

Tom, he thought, faintly, in the half-awake warmth of an

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was an immense ferment in the lower gardens now and in the fields beyond and on the roads and in the air. Millions were still waiting. Where was the great