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Intruder in the Dust
what looked out through it or from behind it not black nor white either, not arrogant at all and not even scornful: just intolerant inflexible and composed.

Then Aleck Sander came back with his clothes, dried now and still almost hot from the stove and he dressed, stamping into his stiffened boots; Edmonds’ boy squatting again against the wall was still eating something from his hand and he said: ‘I’ll have my dinner at Mr Edmonds’.’

The man neither protested nor acquiesced. He didn’t stir; he was not even looking at him. He just said, inflexible and calm: ‘She done already dished it up now:’ and he went on past the old woman who stood aside from the door to let him pass, into the kitchen: an oilcloth-covered table set in the bright sunny square of a southern window where—he didn’t know how he knew it since there were no signs, traces, soiled plates to show it—Edmonds’ boy and Aleck Sander had already eaten, and sat down and ate in his turn of what obviously was to be Lucas’ dinner—collard greens, a slice of sidemeat fried in flour, big flat pale heavy half-cooked biscuits, a glass of buttermilk: nigger food too, accepted and then dismissed also because it was exactly what he had expected, it was what Negroes ate, obviously because it was what they liked, what they chose; not (at twelve: he would be a man grown before he experienced his first amazed dubiety at this) that out of their long chronicle this was all they had had a chance to learn to like except the ones who ate out of white folks’ kitchens but that they had elected this out of all eating because this was their palates and their metabolism; afterward, ten minutes later and then for the next four years he would be trying to tell himself that it was the food which had thrown him off.

But he would know better; his initial error, misjudgment had been there all the time, not even needing to be abetted by the smell of the house and the quilt in order to survive what had looked out (and not even at him: just looked out) from the man’s face; rising at last and with the coin, the half dollar already in his hand going back into the other room: when he saw for the first time because he happened to be facing it now the gold-framed portrait-group on its gold easel and he went to it, stooping to peer at it in its shadowy corner where only the gold leaf gleamed, before he knew he was going to do it. It had been retouched obviously; from behind the round faintly prismatic glass dome as out of a seer’s crystal ball there looked back at him again the calm intolerant face beneath the swaggering rake of the hat, a tieless starched collar clipped to a white starched shirt with a collarbutton shaped like a snake’s head and almost as large, the watch-chain looped now across a broadcloth vest inside a broadcloth coat and only the toothpick missing, and beside him the tiny doll-like woman in another painted straw hat and a shawl; that is it must have been the woman though it looked like nobody he had ever seen before and then he realised it was more than that: there was something ghastly, almost intolerably wrong about it or her: when she spoke and he looked up, the man still standing straddled before the fire and the woman sitting again in the rocking chair in its old place almost in the corner and she was not looking at him now and he knew she had never looked at him since he re-entered yet she said:

‘That’s some more of Lucas’ doings:’ and he said,

‘What?’ and the man said,

‘Molly dont like it because the man that made it took her headrag off:’ and that was it, she had hair; it was like looking at an embalmed corpse through the hermetic glass lid of a coffin and he thought Molly. Of course because he remembered now what it was his uncle had told him about Lucas or about them. He said:

‘Why did he take it off?’

‘I told him to,’ the man said. ‘I didn’t want no field nigger picture in the house:’ and he walked toward them now, putting the fist holding the half dollar back into his pocket and scooping the dime and the two nickels—all he had—into the palm with it, saying,

‘You came from town. My uncle knows you—Lawyer Gavin Stevens.’

‘I remember your mama too,’ she said. ‘She use to be Miss Maggie Dandridge.’

‘That was my grandmother,’ he said. ‘My mother’s name was Stevens too:’ and extended the coins: and in the same second in which he knew she would have taken them he knew that only by that one irrevocable second was he forever now too late, forever beyond recall, standing with the slow hot blood as slow as minutes themselves up his neck and face, forever with his dumb hand open and on it the four shameful fragments of milled and minted dross, until at last the man had something that at least did the office of pity.

‘What’s that for?’ the man said, not even moving, not even tilting his face downward to look at what was on his palm: for another eternity and only the hot dead moveless blood until at last it ran to rage so that at least he could bear the shame: and watched his palm turn over not flinging the coins but spurning them downward ringing onto the bare floor, bouncing and one of the nickels even rolling away in a long swooping curve with a dry minute sound like the scurry of a small mouse: and then his voice:

‘Pick it up!’

And still nothing, the man didn’t move, hands clasped behind him, looking at nothing; only the rush of the hot dead heavy blood out of which the voice spoke, addressing nobody: ‘Pick up his money:’ and he heard and saw Aleck Sander and Edmonds’ boy reach and scurry among the shadows near the floor. ‘Give it to him,’ the voice said: and saw Edmonds’ boy drop his two coins into Aleck Sander’s palm and felt Aleck Sander’s hand fumble the four of them at his own dropped hand and then into it. ‘Now go on and shoot your rabbit,’ the voice said. ‘And stay out of that creek.’

Chapter Two

And they walked again in the bright cold (even though it was noon now and about as warm as it would ever get today probably), back across the creek bridge and (suddenly: looking around, they had gone almost a half-mile along the creek and he didn’t even remember it) the dog put a rabbit into a brier patch beside a cottonfield and yapping hysterically hoicked it out again, the small frantic tawny-colored blob looking one instant spherical and close-coupled as a croquet ball and the next one long as a snake, bursting out of the thicket ahead of the dog, the small white flare of its scut zigzagging across the skeletoned cottonrows like the sail of a toy boat on a windy pond while across the thicket Aleck Sander yelled:

‘Shoot him! Shoot him!’ then ‘Whyn’t you shoot him?’ and then he turned without haste and walked steadily to the creek and drew the four coins from his pocket and threw them out into the water: and sleepless in bed that night he knew that the food had been not just the best Lucas had to offer but all he had to offer; he had gone out there this morning as the guest not of Edmonds but of old Carothers McCaslin’s plantation and Lucas knew it when he didn’t and so Lucas had beat him, stood straddled in front of the hearth and without even moving his clasped hands from behind his back had taken his own seventy cents and beat him with them, and writhing with impotent fury he was already thinking of the man whom he had never seen but once and that only twelve hours ago, as within the next year he was to learn every white man in that whole section of the country had been thinking about him for years: We got to make him be a nigger first. He’s got to admit he’s a nigger.

Then maybe we will accept him as he seems to intend to be accepted. Because he began at once to learn a good deal more about Lucas. He didn’t hear it: he learned it, all that anyone who knew that part of the country could tell him about the Negro who said ‘ma’am’ to women just as any white man did and who said ‘sir’ and ‘mister’ to you if you were white but who you knew was thinking neither and he knew you knew it but who was not even waiting, daring you to make the next move, because he didn’t even care. For instance, this.

It was a Saturday afternoon three years ago at the crossroads store four miles from Edmonds’ place where at some time during Saturday afternoon every tenant and renter and freeholder white or black in the neighborhood would at least pass and usually stop, quite often even to buy something, the saddled trace-galled mules and horses tied among the willows and birches and sycamores in the trampled mud below the spring and their riders overflowing the store itself out onto the dusty banquette in front, standing or squatting on their heels drinking bottled sodapop and spitting tobacco and rolling without hurry cigarettes and

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what looked out through it or from behind it not black nor white either, not arrogant at all and not even scornful: just intolerant inflexible and composed. Then Aleck Sander