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Mosquitoes
The Semitic man looked at him, then he too looked about at the others and upon the now peaceful scene of their recent activities. “One certainly pays a price for art,” he murmured, “one really does.”

“Talliaferro’s the only one who has suffered any actual damage,” Fairchild protested. “And I’m just going to buy him off now. Come on, Talliaferro, we can fix you up.”
“That won’t be sufficient,” the Semitic man said, still ominous. “The rest of us have been assailed enough in our vanities to rise from principle.”

“Well, then, if I have to, I’ll buy you all off,” Fairchild answered. He led the way toward the stairs. But he halted again and looked back at them. “Where’s Gordon?” he asked. Nobody knew. “Well, no matter. He knows where to come.” He went on. “After all,” he said, “there are compensations for art, ain’t there?”

The Semitic man admitted that there were. “Though,” he added, “it’s a high price to pay for whisky.” He descended in his turn. “Yes, we really must get something out of it. We spend enough time on it and suffer enough moral and mental turmoil because of it.”

“Sure,” Fairchild agreed. “The ones that produce it get a lot from it. They get the boon of keeping their time pretty well filled. And that’s a whole lot to expect in this world,” he said profoundly, fumbling at his door. It opened at last and he said: “Oh, here you are. Say, you just missed it.”

Major Ayers, his neglected tumbler beside him and clutching a book, came up for air when they entered, festooned yet with a kind of affable bewilderment. “Missed what?” he repeated.

They all began to tell him about it at once, producing Mr. Talliaferro as evidence from where he lurked unhappily in their midst, for Major Ayers’ inspection and commiseration; and still telling him about it they found seats while Fairchild again assumed the ritual of his hidden suitcase. Major Ayers already had the chair, but the Semitic man attempted the book anyway. “What have you got there?” he asked.

Major Ayers’ hearty bewilderment descended upon him again. “I was passing the time,” he explained quickly. He stared at the book. “It’s quite strange,” he said. Then he added: “I mean, the way… The way they get their books up nowadays. I like the way they get their books up. Jolly, with colors, y’know. But I—” He considered a moment. “I rather lost the habit of reading at Sandhurst,” he explained in a burst of confidence. “And then, on active service constantly..

“War is bad,” the Semitic man agreed. “What were you reading?”
“I rather lost the habit of reading at Sandhurst,” Major Ayers explained again. He raised the book again.

Fairchild opened a fresh bottle. “Somebody’ll have to dig up some more glasses. Mark, see if you can slip back to the kitchen and get one or two more. Let’s see the book,” he said reaching his hand. The Semitic man forestalled him.

“You go ahead and give us some whisky. I’d rather forget my grief that way, just now.”
“But look,” Fairchild insisted. The other fended him off.

“Give us some whisky, I tell you,” he repeated. “Here’s Mark with the glasses. What we need in this country is protection from artists. They even want to annoy us with each other’s stuff.”
“Go ahead,” Fairchild replied equably, “have your joke. You know my opinion of smartness.” He passed glasses among them.

“He can’t mean that,” the Semitic man said, “Just because the New Republic gives him hell—”
“But the Dial once bought a story of him,” Mark Frost said with hollow envy.

“And what a fate for a man in all the lusty pride of his Ohio valley masculinity: immolation in a home for old young ladies of either sex…. That atmosphere was too rare for him. Eh, Dawson?”

Fairchild laughed. “Well, I ain’t much of an Alpinist. What do you want to be in there for, Mark?”

“It would suit Mark exactly,” the Semitic man said, “that vague polite fury of the intellect in which they function. What I can’t see is how Mark has managed to stay out of it…. But then, if you’ll look close enough, you’ll find an occasional grain of truth in these remarks which Mark and I make and which you consider merely smart.

But you utter things not quite clever enough to be untrue, and while we are marveling at your profundity, you lose courage and flatly contradict yourself the next moment. Why, only that tactless and well meaning God of yours alone knows.

Why any one should worry enough about the temporary meaning or construction of words to contradict himself consciously or to feel annoyed when he has done it unconsciously, is beyond me.”

“Well, it is a kind of sterility — Words,” Fairchild admitted. “You begin to substitute words for things and deeds, like the withered cuckold husband that took the Decameron to bed with him every night, and pretty soon the thing or the deed becomes just a kind of shadow of a certain sound you make by shaping your mouth a certain way.

But you have a confusion, too. I don’t claim that words have life in themselves. But words brought into a happy conjunction produce something that lives, just as soil and climate and an acorn in proper conjunction will produce a tree. Words are like acorns, you know. Every one of ’em won’t make a tree, but if you just have enough of ’em, you’re bound to get a tree sooner or later.”

“If you just talk long enough, you’re bound to say the right thing some day. Is that what you mean?” the Semitic man asked.
“Let me show you what I mean.” Fairchild reached again for the book.

“For heaven’s sake,” the other exclaimed, “let us have this one drink in peace. We’ll admit your contention, if that’s what you want. Isn’t that what you say, Major?”
“No, really,” Major Ayers protested, “I enjoyed the book. Though I rather lost the habit of reading at Sa—”

“I like the book myself,” Mark Frost said. “My only criticism is that it got published.”

“You can’t avoid that,” Fairchild told him. “It’s inevitable; it happens to every one who will take the risk of writing down a thousand coherent consecutive words.”
“And sooner than that,” the Semitic man added, “if you’ve murdered your husband or won a golf championship.”

“Yes,” Fairchild agreed. “Cold print. Your stuff looks so different in cold print. It lends a kind of impersonal authority even to stupidity.”
“That’s backward,” the other said. “Stupidity lends a kind of impersonal authority even to cold print.”

Fairchild stared at him. “Say, what did you just tell me about contradicting myself?”
“I can afford to,” the other answered. “I never authenticate mine.” He drained his glass. “But as for art and artists, I prefer artists: I don’t even object to paying my pro rata to feed them, so long as I am not compelled to listen to them.”

“It seems to me,” Fairchild rejoined, “that you spend a lot of time listening to them, for a man who professes to dislike it and who don’t have to.”

“That’s because I’d have to listen to somebody — artist or shoe clerk. And the artist is more entertaining because he knows less about what he is trying to do…. And besides, I talk a little, myself. I wonder what became of Gordon?”

FIVE O’CLOCK

Evening came sad as horns among the trees. The road had dropped downward again into the swamp where amid rank, impenetrable jungle dark streams wallowed aimless and obscene, and against the hidden flame of the west huge trees brooded bearded and ancient as prophets out of Genesis. David lay at full length at the roadside. He had lain there a long time, but at last he sat up and looked about for her.

She stood beside a cypress, up to her knees in thick water, her arms crossed against the tree trunk and her face hidden in her arms, utterly motionless. About them, a moist green twilight filled with unseen fire.

“David.” Her voice was muffled by her arms, and after it, there was no sound in this fecund, timeless twilight of trees. He sat beside the road, and presently she spoke again. “It’s a mess, David. I didn’t know it was going to be like this.” He made a harsh, awkward sound, as though it were some one else’s voice he was trying to speak with. “Hush,” she said. “It’s my fault: I got you into this. I’m sorry, David.”

These trees were thicker, huger, more ancient than any yet, amid the brooding twilight of their beards. “What must we do now, David?” After a while she raised her head and looked at him and repeated the question.

He answered slowly: “Whatever you want to do.”

She said: “Come here, David.” And he got slowly to his feet and stepped into the black, thick water and went to her, and for a while she looked at him soberly, without moving. Then she turned from the tree and came nearer and they stood in the foul, black water, embracing. Suddenly she clasped him fiercely. “Can’t you do something about it? Can’t you make it different? Must it be like this?”

“What do you want me to do?” he asked slowly in that voice which was not his. She loosed her arms, and he repeated as though prompted: “You do whatever you want to.”
“I’m damn sorry, David, for getting you into this. Josh is right: I’m just a fool.” She writhed her body beneath her dress, whimpering again. “They hurt me so damn bad,” she moaned.
“We must get out of this,” he said, “You tell me what

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The Semitic man looked at him, then he too looked about at the others and upon the now peaceful scene of their recent activities. “One certainly pays a price for