was or even if it had been anything because the parcel was still heavy and still rattled, not even when, Uncle Buddy dead and his father, at last and after almost seventy-five years in bed after the sun rose, said: ‘Go get that damn cup. Bring that Damn Hub Beauchamp too if you have to:’ because it still rattled though his uncle no longer put it even into his hands now but carried it himself from one to the other, his mother, McCaslin, Tennie, shaking it before each in turn, saying: ‘Hear it? Hear it?’ his face still innocent, not quite baffled but only amazed and not very amazed and still indomitable: and, his father and Uncle Buddy both gone now, one day without reason or any warning the almost completely empty house in which his uncle and Tennie’s ancient and quarrelsome great-grandfather (who claimed to have seen Lafayette and McCaslin said in another ten years would be remembering God) lived, cooked and slept in one single room, burst into peaceful conflagration, a tranquil instantaneous sourceless unanimity of combustion, walls floors and roof: at sunup it stood where his uncle’s father had built it sixty years ago, at sundown the four blackened and smokeless chimneys rose from a light white powder of ashes and a few charred ends of planks which did not even appear to have been very hot: and out of the last of evening, the last one of the twenty-two miles, on the old white mare which was the last of that stable which McCaslin remembered, the two old men riding double up to the sister’s door, the one wearing his fox-horn on its braided deerhide thong and the other carrying the burlap parcel wrapped in a shirt, the tawny wax-daubed shapeless lump sitting again and on an almost identical shelf and his uncle holding the half-opened door now, his hand not only on the knob but one foot against it and the key waiting in the other hand, the face urgent and still not baffled but still and even indomitably not very amazed and himself standing in the half-opened door looking quietly up at the burlap shape become almost three times its original height and a good half less than its original thickness and turning away and he would remember not his mother’s look this time nor yet Tennie’s inscrutable expression but McCaslin’s dark and aquiline face grave insufferable and bemused: then one night they waked him and fetched him still half-asleep into the lamplight, the smell of medicine which was familiar by now in that room and the smell of something else which he had not smelled before and knew at once and would never forget, the pillow, the worn and ravaged face from which looked out still the boy innocent and immortal and amazed and urgent, looking at him and trying to tell him until McCaslin moved and leaned over the bed and drew from the top of the nightshirt the big iron key on the greasy cord which suspended it, the eyes saying Yes Yes Yes now, and cut the cord and unlocked the closet and brought the parcel to the bed, the eyes still trying to tell him even when he took the parcel so that was still not it, the hands still clinging to the parcel even while relinquishing it, the eyes more urgent than ever trying to tell him but they never did; and he was ten and his mother was dead too and McCaslin said, ‘You are almost halfway now. You might as well open it:’ and he: ‘No. He said twenty-one:’ and he was twenty-one and McCaslin shifted the bright lamp to the centre of the cleared dining-room table and set the parcel beside it and laid his open knife beside the parcel and stood back with that expression of old grave intolerant and repudiating and he lifted it, the burlap lump which fifteen years ago had changed its shape completely overnight, which shaken gave forth a thin weightless not-quite-musical curiously muffled clatter, the bright knife-blade hunting amid the mazed intricacy of string, the knobby gouts of wax bearing his uncle’s Beauchamp seal rattling on to the table’s polished top and, standing amid the collapse of burlap folds, the unstained tin coffee-pot still brand-new, the handful of copper coins and now he knew what had given them the muffled sound: a collection of minutely-folded scraps of paper sufficient almost for a rat’s nest, of good linen bond, of the crude ruled paper such as negroes use, of raddedly-torn ledger-pages and the margins of newspapers and once the paper label from a new pair of overalls, all dated and all signed, beginning with the first one not six months after they had watched him seal the silver cup into the burlap on this same table in this same room by the light even of this same lamp almost twenty-one years ago:

I owe my Nephew Isaac Beauchamp McCaslin five (5) pieces Gold which I.O.U constitutes My note of hand with Interest at 5 percent.
Hubert Fitz-Hubert Beauchamp
at Warwick 27 Nov 1867

and he: ‘Anyway he called it Warwick:’ once at least, even if no more. But there was more:

Isaac 24 Dec 1867 I.O.U. 2 pieces Gold H.Fh.B. I.O.U. Isaac 1 piece Gold 1 Jan 1868 H.Fh.B.

then five again then three then one then one then a long time and what dream, what dreamed splendid recoup, not of any injury or betrayal of trust because it had been merely a loan: nay, a partnership:

I.O.U. Beauchamp McCaslin or his heirs twenty-five (25) pieces Gold This & All preceeding constituting My notes of hand at twenty (20) percentum compounded annually. This date of 19th January 1873
Beauchamp

no location save that in time and signed by the single not name but word as the old proud earl himself might have scrawled Nevile: and that made forty-three and he could not remember himself of course but the legend had it at fifty, which balanced: one: then one: then one: then one and then the last three and then the last chit, dated after he came to live in the house with them and written in the shaky hand not of a beaten old man because he had never been beaten to know it but of a tired old man maybe and even at that tired only on the outside and still indomitable, the simplicity of the last one the simplicity not of resignation but merely of amazement, like a simple comment or remark, and not very much of that:

One silver cup. Hubert Beauchamp

and McCaslin: ‘So you have plenty of coppers anyway. But they are still not old enough yet to be either rarities or heirlooms. So you will have to take the money:’ except that he didn’t hear McCaslin, standing quietly beside the table and looking peacefully at the coffee-pot and the pot sitting one night later on the mantel above what was not even a fireplace in the little cramped icelike room in Jefferson as McCaslin tossed the folded banknotes on to the bed and, still standing (there was nowhere to sit save on the bed) did not even remove his hat and overcoat: and he

‘As a loan. From you. This one:’ and McCaslin
‘You cant. I have no money that I can lend to you. And you will have to go to the bank and get it next month because I wont bring it to you:’ and he could not hear McCaslin now either, looking peacefully at McCaslin, his kinsman, his father almost yet no kin now as, at the last, even fathers and sons are no kin: and he
‘It’s seventeen miles, horseback and in the cold. We could both sleep here:’ and McCaslin

‘Why should I sleep here in my house when you wont sleep yonder in yours?’ and gone, and he looking at the bright rustless unstained tin and thinking and not for the first time how much it takes to compound a man (Isaac McCaslin for instance) and of the devious intricate choosing yet unerring path that man’s (Isaac McCaslin’s for instance) spirit takes among all that mass to make him at last what he is to be, not only to the astonishment of them (the ones who sired the McCaslin who sired his father and Uncle Buddy and their sister, and the ones who sired the Beauchamp who sired his Uncle Hubert and his Uncle Hubert’s sister) who believed they had shaped him, but to Isaac McCaslin too

as a loan and used it though he would not have had to: Major de Spain offered him a room in his house as long as he wanted it and asked nor would ever ask any question, and old General Compson more than that, to take him into his own room, to sleep in half of his own bed and more than Major de Spain because he told him baldly why: ‘You sleep with me and before this winter is out, I’ll know the reason. You’ll tell me. Because I dont believe you just quit. It looks like you just quit but I have watched you in the woods too much and I dont believe you just quit even if it does look damn like it:’ using it as a loan, paid his board and rent for a month and bought the tools, not simply because he was good with his hands because he had intended to use his hands and it could have been with horses, and not in mere static and hopeful emulation of the Nazarene as the young gambler buys a spotted shirt because