and had the wife now, got the old man out of jail and fetched him to the rented room and sobered him by superior strength, did not even remove his own shoes for twenty-four hours, got him up and got food into him and they built the barn this time from the ground up and he married her: an only child, a small girl yet curiously bigger than she seemed at first, solider perhaps, with dark eyes and a passionate heart-shaped face, who had time even on that farm to watch most of the day while he sawed timbers to the old man’s measurements: and she: ‘Papa told me about you. That farm is really yours, isn’t it?’ and he
‘And McCaslin’s:’ and she
‘Was there a will leaving half of it to him?’ and he
‘There didn’t need to be a will. His grandmother was my father’s sister. We were the same as brothers:’ and she
‘You are the same as second cousins and that’s all you ever will be. But I dont suppose it matters:’ and they were married, they were married and it was the new country, his heritage too as it was the heritage of all, out of the earth, beyond the earth yet of the earth because his too was of the earth’s long chronicle, his too because each must share with another in order to come into it and in the sharing they become one: for that while, one: for that little while at least, one: indivisible, that while at least irrevocable and unrecoverable, living in a rented room still but for just a little while and that room wall-less and topless and floorless in glory for him to leave each morning and return to at night; her father already owned the lot in town and furnished the material and he and his partner would build it, her dowry from one: her wedding-present from three, she not to know it until the bungalow was finished and ready to be moved into and he never know who told her, not her father and not his partner and not even in drink though for a while he believed that, himself coming home from work and just time to wash and rest a moment before going down to supper, entering no rented cubicle since it would still partake of glory even after they would have grown old and lost it: and he saw her face then, just before she spoke: ‘Sit down:’ the two of them sitting on the bed’s edge, not even touching yet, her face strained and terrible, her voice a passionate and expiring whisper of immeasurable promise: ‘I love you. You know I love you. When are we going to move?’ and he
‘I didn’t — I didn’t know — Who told you—’ the hot fierce palm clapped over his mouth, crushing his lips into his teeth, the fierce curve of fingers digging into his cheek and only the palm slacked off enough for him to answer:
‘The farm. Our farm. Your farm:’ and he
‘I—’ then the hand again, finger and palm, the whole enveloping weight of her although she still was not touching him save the hand, the voice: ‘No! No!’ and the fingers themselves seeming to follow, through the cheek the impulse to speech as it died in his mouth, then the whisper, the breath again, of love and of incredible promise, the palm slackening again to let him answer:
‘When?’ and he
‘I—’ then she was gone, the hand too, standing, her back to him and her head bent, the voice so calm now that for an instant it seemed no voice of hers that he ever remembered: ‘Stand up and turn your back and shut your eyes:’ and repeated before he understood and stood himself with his eyes shut and heard the bell ring for supper below stairs and the calm voice again: ‘Lock the door:’ and he did so and leaned his forehead against the cold wood, his eyes closed, hearing his heart and the sound he had begun to hear before he moved until it ceased and the bell rang again below stairs and he knew it was for them this time and he heard the bed and turned and he had never seen her naked before, he had asked her to once, and why: that he wanted to see her naked because he loved her and he wanted to see her looking at him naked because he loved her but after that he never mentioned it again, even turning his face when she put the nightgown on over her dress to undress at night and putting the dress on over the gown to remove it in the morning and she would not let him get into bed beside her until the lamp was out and even in the heat of summer she would draw the sheet up over them both before she would let him turn to her: and the landlady came up the stairs up the hall and rapped on the door and then called their names but she didn’t move, lying still on the bed outside the covers, her face turned away on the pillow, listening to nothing, thinking of nothing, not of him anyway he thought then the landlady went away and she said, ‘Take off your clothes:’ her head still turned away, looking at nothing, thinking of nothing, waiting for nothing, not even him, her hand moving as though with volition and vision of its own, catching his wrist at the exact moment when he paused beside the bed so that he never paused but merely changed the direction of moving, downward now, the hand drawing him and she moved at last, shifted, a movement one single complete inherent not practised and one time older than man, looking at him now, drawing him still downward with the one hand down and down and he neither saw nor felt it shift, palm flat against his chest now and holding him away with the same apparent lack of any effort or any need for strength, and not looking at him now, she didn’t need to, the chaste woman, the wife, already looked upon all the men who ever rutted and now her whole body had changed, altered, he had never seen it but once and now it was not even the one he had seen but composite of all woman-flesh since man that ever of its own will reclined on its back and opened, and out of it somewhere, without any movement of lips even, the dying and invincible whisper: ‘Promise:’ and he
‘Promise?’
‘The farm.’ He moved. He had moved, the hand shifting from his chest once more to