What celestial sign was by both simultaneously observed?
A star precipitated with great apparent velocity across the firmament from Vega in the Lyre above the zenith beyond the stargroup of the Tress of Berenice towards the zodiacal sign of Leo.
How did the centripetal remainer afford egress to the centrifugal departer?
By inserting the barrel of an arruginated male key in the hole of an unstable female lock, obtaining a purchase on the bow of the key and turning its wards from right to left, withdrawing a bolt from its staple, pulling inward spasmodically an obsolescent unhinged door and revealing an aperture for free egress and free ingress.
How did they take leave, one of the other, in separation?
Standing perpendicular at the same door and on different sides of its base, the lines of their valedictory arms, meeting at any point and forming any angle less than the sum of two right angles.
What sound accompanied the union of their tangent, the disunion of their (respectively) centrifugal and centripetal hands?
The sound of the peal of the hour of the night by the chime of the bells in the church of Saint George.
What echoes of that sound were by both and each heard?
By Stephen:
Liliata rutilantium. Turma circumdet.
Iubilantium te virginum. Chorus excipiat.
By Bloom:
Heigho, heigho,
Heigho, heigho.
Where were the several members of the company which with Bloom that day at the bidding of that peal had travelled from Sandymount in the south to Glasnevin in the north?
Martin Cunningham (in bed), Jack Power (in bed), Simon Dedalus (in bed), Ned Lambert (in bed), Tom Kernan (in bed), Joe Hynes (in bed), John Henry Menton (in bed), Bernard Corrigan (in bed), Patsy Dignam (in bed), Paddy Dignam (in the grave).
Alone, what did Bloom hear?
The double reverberation of retreating feet on the heavenborn earth, the double vibration of a jew’s harp in the resonant lane.
Alone, what did Bloom feel?
The cold of interstellar space, thousands of degrees below freezing point or the absolute zero of Fahrenheit, Centigrade or Reaumur: the incipient intimations of proximate dawn.
Of what did bellchime and handtouch and footstep and lonechill remind him?
Of companions now in various manners in different places defunct: Percy Apjohn (killed in action, Modder River), Philip Gilligan (phthisis, Jervis Street hospital), Matthew F. Kane (accidental drowning, Dublin Bay), Philip Moisel (pyemia, Heytesbury street), Michael Hart (phthisis, Mater Misericordiae hospital), Patrick Dignam (apoplexy, Sandymount).
What prospect of what phenomena inclined him to remain?
The disparition of three final stars, the diffusion of daybreak, the apparition of a new solar disk.
Had he ever been a spectator of those phenomena?
Once, in 1887, after a protracted performance of charades in the house of Luke Doyle, Kimmage, he had awaited with patience the apparition of the diurnal phenomenon, seated on a wall, his gaze turned in the direction of Mizrach, the east.
He remembered the initial paraphenomena?
More active air, a matutinal distant cock, ecclesiastical clocks at various points, avine music, the isolated tread of an early wayfarer, the visible diffusion of the light of an invisible luminous body, the first golden limb of the resurgent sun perceptible low on the horizon.
Did he remain?
With deep inspiration he returned, retraversing the garden, reentering the passage, reclosing the door. With brief suspiration he reassumed the candle, reascended the stairs, reapproached the door of the front room, hallfloor, and reentered.
What suddenly arrested his ingress?
The right temporal lobe of the hollow sphere of his cranium came into contact with a solid timber angle where, an infinitesimal but sensible fraction of a second later, a painful sensation was located in consequence of antecedent sensations transmitted and registered.
Describe the alterations effected in the disposition of the articles of furniture.
A sofa upholstered in prune plush had been translocated from opposite the door to the ingleside near the compactly furled Union Jack (an alteration which he had frequently intended to execute): the blue and white checker inlaid majolicatopped table had been placed opposite the door in the place vacated by the prune plush sofa: the walnut sideboard (a projecting angle of which had momentarily arrested his ingress) had been moved from its position beside the door to a more advantageous but more perilous position in front of the door: two chairs had been moved from right and left of the ingleside to the position originally occupied by the blue and white checker inlaid majolicatopped table.
Describe them.
One: a squat stuffed easychair, with stout arms extended and back slanted to the rere, which, repelled in recoil, had then upturned an irregular fringe of a rectangular rug and now displayed on its amply upholstered seat a centralised diffusing and diminishing discolouration. The other: a slender splayfoot chair of glossy cane curves, placed directly opposite the former, its frame from top to seat and from seat to base being varnished dark brown, its seat being a bright circle of white plaited rush.
What significances attached to these two chairs?
Significances of similitude, of posture, of symbolism, of circumstantial evidence, of testimonial supermanence.
What occupied the position originally occupied by the sideboard?
A vertical piano (Cadby) with exposed keyboard, its closed coffin supporting a pair of long yellow ladies’ gloves and an emerald ashtray containing four consumed matches, a partly consumed cigarette and two discoloured ends of cigarettes, its musicrest supporting the music in the key of G natural for voice and piano of Love’s Old Sweet Song (words by G. Clifton Bingham, composed by J. L. Molloy, sung by Madam Antoinette Sterling) open at the last page with the final indications ad libitum, forte, pedal, animato, sustained pedal, ritirando, close.
With what sensations did Bloom contemplate in rotation these objects?
With strain, elevating a candlestick: with pain, feeling on his right temple a contused tumescence: with attention, focussing his gaze on a large dull passive and a slender bright active: with solicitation, bending and downturning the upturned rugfringe: with amusement, remembering Dr Malachi Mulligan’s scheme of colour containing the gradation of green: with pleasure, repeating the words and antecedent act and perceiving through various channels of internal sensibility the consequent and concomitant tepid pleasant diffusion of gradual discolouration.
His next proceeding?
From an open box on the majolicatopped table he extracted a black diminutive cone, one inch in height, placed it on its circular base on a small tin plate, placed his candlestick on the right corner of the mantelpiece, produced from his waistcoat a folded page of prospectus (illustrated) entitled Agendath Netaim, unfolded the same, examined it superficially, rolled it into a thin cylinder, ignited it in the candleflame, applied it when ignited to the apex of the cone till the latter reached the stage of rutilance, placed the cylinder in the basin of the candlestick disposing its unconsumed part in such a manner as to facilitate total combustion.
What followed this operation?
The truncated conical crater summit of the diminutive volcano emitted a vertical and serpentine fume redolent of aromatic oriental incense.
What homothetic objects, other than the candlestick, stood on the mantelpiece?
A timepiece of striated Connemara marble, stopped at the hour of 4.46 a.m. on the 21 March 1896, matrimonial gift of Matthew Dillon: a dwarf tree of glacial arborescence under a transparent bellshade, matrimonial gift of Luke and Caroline Doyle: an embalmed owl, matrimonial gift of Alderman John Hooper.
What interchanges of looks took place between these three objects and Bloom?
In the mirror of the giltbordered pierglass the undecorated back of the dwarf tree regarded the upright back of the embalmed owl. Before the mirror the matrimonial gift of Alderman John Hooper with a clear melancholy wise bright motionless compassionate gaze regarded Bloom while Bloom with obscure tranquil profound motionless compassionated gaze regarded the matrimonial gift of Luke and Caroline Doyle.
What composite asymmetrical image in the mirror then attracted his attention?
The image of a solitary (ipsorelative) mutable (aliorelative) man.
Why solitary (ipsorelative)?
Brothers and sisters had he none.
Yet that man’s father was his grandfather’s son.
Why mutable (aliorelative)?
From infancy to maturity he had resembled his maternal procreatrix. From maturity to senility he would increasingly resemble his paternal procreator.
What final visual impression was communicated to him by the mirror?
The optical reflection of several inverted volumes improperly arranged and not in the order of their common letters with scintillating titles on the two bookshelves opposite.
Catalogue these books.
Thom’s Dublin Post Office Directory, 1886.
Denis Florence M‘Carthy’s Poetical Works (copper beechleaf bookmark at p. 5).
Shakespeare’s Works (dark crimson morocco, goldtooled).
The Useful Ready Reckoner (brown cloth).
The Secret History of the Court of Charles II (red cloth, tooled binding).
The Child’s Guide (blue cloth).
The Beauties of Killarney (wrappers).
When We Were Boys by William O’Brien M. P. (green cloth, slightly faded, envelope bookmark at p. 217).
Thoughts from Spinoza (maroon leather).
The Story of the Heavens by Sir Robert Ball (blue cloth).
Ellis’s Three Trips to Madagascar (brown cloth, title obliterated).
The Stark-Munro Letters by A. Conan Doyle, property of the City of Dublin Public Library, 106 Capel street, lent 21 May (Whitsun Eve) 1904, due 4 June 1904, 13 days overdue (black cloth binding, bearing white letternumber ticket).
Voyages in China by «Viator» (recovered with brown paper, red ink title).
Philosophy of the Talmud (sewn pamphlet).
Lockhart’s Life of Napoleon (cover wanting, marginal annotations, minimising victories, aggrandising defeats of the protagonist).
Soll und Haben by Gustav Freytag (black boards, Gothic characters, cigarette coupon bookmark at p. 24).
Hozier’s History of the Russo-Turkish War (brown cloth, 2 volumes, with gummed label, Garrison Library, Governor’s Parade, Gibraltar, on verso of cover).
Laurence Bloomfield in Ireland by William Allingham (second edition, green cloth, gilt trefoil design, previous owner’s name on recto of
