Taking one thing with another, I should say that the press is slightly freer than it was before the war. I know out of my own experience that you can print things now which you couldn’t print ten years ago. War resisters have probably been less maltreated in this war than in the last one, and the expression of unpopular opinion in public is certainly safer. There is some hope, therefore, that the liberal habit of mind, which thinks of truth as something outside yourself, something to be discovered, and not as something you can make up as you go along, will survive. But I still don’t envy the future historian’s job. Is it not a strange commentary on our time that even the casualties in the present war cannot be estimated within several millions?
TRIBUNE February 25, 1944
Looking through Chesterton’s Introduction to Hard Times in the Everyman Edition (incidentally, Chesterton’s Introductions to Dickens are about the best thing he ever wrote) , I note the typically sweeping statement: ‘There are no new ideas.’ Chesterton is here claiming that the ideas which animated the French Revolution were not new ones but simply a revival of doctrines which had flourished earlier and then had been abandoned. But the claim that ‘there is nothing new under the sun’ is one of the stock arguments of intelligent reactionaries.
Catholic apologists, in particular, use it almost automatically. Everything that you can say or think has been said or thought before. Every political theory from Liberalism to Trotskyism can be shown to be a development of some heresy in the early Church. Every system of philosophy springs ultimately from the Greeks. Every scientific theory (if we are to believe the popular Catholic press) was anticipated by Roger Bacon and others in the thirteenth century. Some Hindu thinkers go even further and claim that not merely the scientific theories, but the products of applied science as well, aeroplanes, radio and the whole bag of tricks, were known to the ancient Hindus, who afterward dropped them as being unworthy of their attention.
It is not very difficult to see that this idea is rooted in the fear of progress. If there is nothing new under the sun, if the past in some shape or another always returns, then the future when it comes will be something familiar. At any rate what will never come — since it has never come before — is that hated, dreaded thing, a world of free and equal human beings. Particularly comforting to reactionary thinkers is the idea of a cyclical universe, in which the same chain of events happens over and over again. In such a universe every seeming advance towards democracy simply means that the coming age of tyranny and privilege is a little bit nearer. This belief, obviously superstitious though it is, is widely held nowadays, and is common among Fascists and near-Fascists.
In fact, there are new ideas. The idea that an advanced civilization need not rest on slavery is a relatively new idea, for instance; it is a good deal younger than the Christian religion. But even if Chesterton’s dictum were true, it would only be true in the sense that a statue is contained in every block of stone. Ideas may not change, but emphasis shifts constantly. It could be claimed, for example, that the most important part of Marx’s theory is contained in the saying: ‘Where your treasure is, there will your heart be also.’ But before Marx developed it, what force had that saying had? Who had paid any attention to it? Who had inferred from it — what it certainly implies — that laws, religions and moral codes are all a superstructure built over existing property relations? It was Christ, according to the Gospel, who uttered the text, but it was Marx who brought it to life. And ever since he did so the motives of politicians, priests, judges, moralists and millionaires have been under the deepest suspicion — which, of course, is why they hate him so much.
TRIBUNE April 14, 1944
Attacking Mr. C. A. Smith and myself in the Malvern Torch for various remarks about the Christian religion, Mr. Sidney Dark grows very angry because I have suggested that the belief in personal immortality is decaying. ‘I would wager’, he says, ‘that if a Gallup poll were taken seventy-five percent (of the British population) would confess to a vague belief in survival’. Writing elsewhere during the same week, Mr. Dark puts it at eighty-five percent.
Now, I find it very rare to meet anyone, of whatever background, who admits to believing in personal immortality. Still, I think it quite likely that if you asked everyone the question and put pencil and paper in hands, a fairly large number (I am not so free with my percentages as Mr. Dark) would admit the possibility that after death there might be ‘something’. The point Mr. Dark has missed is that the belief, such as it is, hasn’t the actuality it had for our forefathers. Never, literally never in recent years, have I met anyone who gave me the impression of believing in the next world as firmly as he believed in the existence of, for instance, Australia. Belief in the next world does not influence conduct as it would if it were genuine. With that endless existence beyond death to look forward to, how trivial our lives here would seem! Most Christians profess to believe in Hell. Yet have you ever met a Christian who seemed as afraid of Hell as he was of cancer? Even very devout Christians will make jokes about Hell. They wouldn’t make jokes about leprosy, or RAF pilots with their faces burnt away: the subject is too painful. Here there springs into my mind a little triolet by the late A. M. Currie:
It's a pity that Poppa has sold his soul
It makes him sizzle at breakfast so.
The money was useful, but still on the whole
It's a pity that Poppa has sold his soul
When he might have held on like the Baron de Coal
And not cleared out when the price was low.
It's a pity that Poppa has sold his soul
It makes him sizzle at breakfast so.Currie, a Catholic, would presumably have said that he believed in Hell. If his next-door neighbour had been burnt to death he would not have written a comic poem about it, yet he can make jokes about somebody being fried for millions of years. I say that such belief has no reality. It is a sham currency, like the money in Samuel Butler’s Musical Banks.
TRIBUNE May 5, 1944
For anyone who wants a good laugh I recommend a book which was published about a dozen years ago, but which I only recently succeeded in getting hold of. This is I. A. Richards’s Practical Criticism.
Although mostly concerned with the general principles of literary criticism, it also describes an experiment that Mr Richards made with, or one should perhaps say on, his English students at Cambridge. Various volunteers, not actually students but presumably interested in English literature, also took part. Thirteen poems were presented to them, and they were asked to criticize them. The authorship of the poems was not revealed, and none of them was well enough known to be recognized at sight by the average reader. You are getting, therefore, specimens of literary criticism not complicated by snobbishness of the ordinary kind.
One ought not to be too superior, and there is no need to be, because the book is so arranged that you can try the experiment on yourself. The poems, unsigned, are all together at the end, and the authors’ names are on a fold-over page which you need not look at till afterwards. I will say at once that I only spotted the authorship of two, one of which I knew already, and though I could date most of the others within a few decades, I made two bad bloomers, in one case attributing to Shelley a poem written in the nineteen-twenties. But still, some of the comments recorded by Dr Richards are startling. They go to show that many people who would describe themselves as lovers of poetry have no more notion of distinguishing between a good poem and a bad one than a dog has of arithmetic.
For example, a piece of completely spurious bombast by Alfred Noyes gets quite a lot of praise. One critic compares it to Keats. A sentimental ballad from Rough Rhymes of a Padre, by ‘Woodbine Willie’, also gets quite a good press. On the other hand, a magnificent sonnet by John Donne gets a distinctly chilly reception. Dr Richards records only three favourable criticisms and about a dozen cold or hostile ones. One writer says contemptuously that the poem ‘would make a good hymn’, while another remarks, ‘I can find no other reaction except disgust.’ Donne was at that time at the top of his reputation and no doubt most of the people taking part in this experiment would have fallen on their faces at his name. D. H. Lawrence’s poem ‘The Piano’ gets many sneers, though it is praised by a minority. So also with a short poem by Gerard Manley Hopkins. ‘The worst poem I have ever read,’ declares one writer, while another’s criticism is simply ‘Pish-posh!’
However, before blaming these youthful students for their bad
