But do I mean by this that Miller is a ‘great author’, a new hope for English prose? Nothing of the kind. Miller himself would be the last to claim or want any such thing. No doubt he will go on writing — anybody who has ones started always goes on writing — and associated with him there are a number of writers of approximately the same tendency, Lawrence Durrell, Michael Fraenkel and others, almost amounting to a ‘school’. But he himself seems to me essentially a man of one book. Sooner or later I should expect him to descend into unintelligibility, or into charlatanism: there are signs of both in his later work. His last book, Tropic of Capricorn, I have not even read. This was not because I did not want to read it, but because the police and Customs authorities have so far managed to prevent me from getting hold of it. But it would surprise me if it came anywhere near Tropic of Cancer or the opening chapters of Black Spring. Like certain other autobiographical novelists, he had it in him to do just one thing perfectly, and he did it. Considering what the fiction of the nineteen-thirties has been like, that is something.
Miller’s books are published by the Obelisk Press in Paris. What will happen to the Obelisk Press, now that war has broken out and Jack Kathane, the publisher, is dead, I do not know, but at any rate the books are still procurable. I earnestly counsel anyone who has not done so to read at least Tropic of Cancer. With a little ingenuity, or by paying a little over the published price, you can get hold of it, and even if parts of it disgust you, it will stick in your memory. It is also an ‘important’ book, in a sense different from the sense in which that word is generally used. As a rule novels are spoken of as ‘important’ when they are either a ‘terrible indictment’ of something or other or when they introduce some technical innovation. Neither of these applies to Tropic of Cancer.
Its importance is merely symptomatic. Here in my opinion is the only imaginative prose-writer of the slightest value who has appeared among the English-speaking races for some years past. Even if that is objected to as an overstatement, it will probably be admitted that Miller is a writer out of the ordinary, worth more than a single glance; and after all, he is a completely negative, unconstructive, amoral writer, a mere Jonah, a passive acceptor of evil, a sort of Whitman among the corpses. Symptomatically, that is more significant than the mere fact that five thousand novels are published in England every year and four thousand nine hundred of them are tripe. It is a demonstration of the impossibility of any major literature until the world has shaken itself into its new shape.
