To the Spartan type the ideal State reverts in the first decline; and the character of the individual timocrat is borrowed from the Spartan citizen. The love of Lacedaemon not only affected Plato and Xenophon, but was shared by many undistinguished Athenians; there they seemed to find a principle which was wanting in their own democracy. The (Greek) of the Spartans attracted them, that is to say, not the goodness of their laws, but the spirit of order and loyalty which prevailed. Fascinated by the idea, citizens of Athens would imitate the Lacedaemonians in their dress and manners; they were known to the contemporaries of Plato as ‘the persons who had their ears bruised,’ like the Roundheads of the Commonwealth. The love of another church or country when seen at a distance only, the longing for an imaginary simplicity in civilized times, the fond desire of a past which never has been, or of a future which never will be,—these are aspirations of the human mind which are often felt among ourselves. Such feelings meet with a response in the Republic of Plato.
But there are other features of the Platonic Republic, as, for example, the literary and philosophical education, and the grace and beauty of life, which are the reverse of Spartan. Plato wishes to give his citizens a taste of Athenian freedom as well as of Lacedaemonian discipline. His individual genius is purely Athenian, although in theory he is a lover of Sparta; and he is something more than either—he has also a true Hellenic feeling. He is desirous of humanizing the wars of Hellenes against one another; he acknowledges that the Delphian God is the grand hereditary interpreter of all Hellas. The spirit of harmony and the Dorian mode are to prevail, and the whole State is to have an external beauty which is the reflex of the harmony within. But he has not yet found out the truth which he afterwards enunciated in the Laws—that he was a better legislator who made men to be of one mind, than he who trained them for war. The citizens, as in other Hellenic States, democratic as well as aristocratic, are really an upper class; for, although no mention is made of slaves, the lower classes are allowed to fade away into the distance, and are represented in the individual by the passions. Plato has no idea either of a social State in which all classes are harmonized, or of a federation of Hellas or the world in which different nations or States have a place. His city is equipped for war rather than for peace, and this would seem to be justified by the ordinary condition of Hellenic States. The myth of the earth-born men is an embodiment of the orthodox tradition of Hellas, and the allusion to the four ages of the world is also sanctioned by the authority of Hesiod and the poets. Thus we see that the Republic is partly founded on the ideal of the old Greek polis, partly on the actual circumstances of Hellas in that age. Plato, like the old painters, retains the traditional form, and like them he has also a vision of a city in the clouds.
There is yet another thread which is interwoven in the texture of the work; for the Republic is not only a Dorian State, but a Pythagorean league. The ‘way of life’ which was connected with the name of Pythagoras, like the Catholic monastic orders, showed the power which the mind of an individual might exercise over his contemporaries, and may have naturally suggested to Plato the possibility of reviving such ‘mediaeval institutions.’ The Pythagoreans, like Plato, enforced a rule of life and a moral and intellectual training. The influence ascribed to music, which to us seems exaggerated, is also a Pythagorean feature; it is not to be regarded as representing the real influence of music in the Greek world. More nearly than any other government of Hellas, the Pythagorean league of three hundred was an aristocracy of virtue. For once in the history of mankind the philosophy of order or (Greek), expressing and consequently enlisting on its side the combined endeavours of the better part of the people, obtained the management of public affairs and held possession of it for a considerable time (until about B.C. 500). Probably only in States prepared by Dorian institutions would such a league have been possible. The rulers, like Plato’s (Greek), were required to submit to a severe training in order to prepare the way for the education of the other members of the community. Long after the dissolution of the Order, eminent Pythagoreans, such as Archytas of Tarentum, retained their political influence over the cities of Magna Graecia. There was much here that was suggestive to the kindred spirit of Plato, who had doubtless meditated deeply on the ‘way of life of Pythagoras’ (Rep.) and his followers. Slight traces of Pythagoreanism are to be found in the mystical number of the State, in the number which expresses the interval between the king and the tyrant, in the doctrine of transmigration, in the music of the spheres, as well as in the great though secondary importance ascribed to mathematics in education.
But as in his philosophy, so also in the form of his State, he goes far beyond the old Pythagoreans. He attempts a task really impossible, which is to unite the past of Greek history with the future of philosophy, analogous to that other impossibility, which has often been the dream of Christendom, the attempt to unite the past history of Europe with the kingdom of Christ. Nothing actually existing in the world at all resembles Plato’s ideal State; nor does he himself imagine that such a State is possible. This he repeats again and again; e.g. in the Republic, or in the Laws where, casting a glance back on the Republic, he admits that the perfect state of communism and philosophy was impossible in his own age, though still to be retained as a pattern. The same doubt is implied in the earnestness with which he argues in the Republic that ideals are none the worse because they cannot be realized in fact, and in the chorus of laughter, which like a breaking wave will, as he anticipates, greet the mention of his proposals; though like other writers of fiction, he uses all his art to give reality to his inventions. When asked how the ideal polity can come into being, he answers ironically, ‘When one son of a king becomes a philosopher’; he designates the fiction of the earth-born men as ‘a noble lie’; and when the structure is finally complete, he fairly tells you that his Republic is a vision only, which in some sense may have reality, but not in the vulgar one of a reign of philosophers upon earth. It has been said that Plato flies as well as walks, but this falls short of the truth; for he flies and walks at the same time, and is in the air and on firm ground in successive instants.
Niebuhr has asked a trifling question, which may be briefly noticed in this place—Was Plato a good citizen? If by this is meant, Was he loyal to Athenian institutions?—he can hardly be said to be the friend of democracy: but neither is he the friend of any other existing form of government; all of them he regarded as ‘states of faction’ (Laws); none attained to his ideal of a voluntary rule over voluntary subjects, which seems indeed more nearly to describe democracy than any other; and the worst of them is tyranny. The truth is, that the question has hardly any meaning when applied to a great philosopher whose writings are not meant for a particular age and country, but for all time and all mankind. The decline of Athenian politics was probably the motive which led Plato to frame an ideal State, and the Republic may be regarded as reflecting the departing glory of Hellas. As well might we complain of St. Augustine, whose great work ‘The City of God’ originated in a similar motive, for not being loyal to the Roman Empire. Even a nearer parallel might be afforded by the first Christians, who cannot fairly be charged with being bad citizens because, though ‘subject to the higher powers,’ they were looking forward to a city which is in heaven.
2. The idea of the perfect State is full of paradox when judged of according to the ordinary notions of mankind. The paradoxes of one age have been said to become the commonplaces of the next; but the paradoxes of Plato are at least as paradoxical to us as they were to his contemporaries. The modern world has either sneered
