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The Doors of Perception
draw a breath without knowing it was part of the plot.» «So you think you know where madness lies?»
My answer was a convinced and heartfelt, «Yes.» «And you couldn’t control it?»

«No I couldn’t control it. If one began with fear and hate as the major premise, one would have to go on to the conclusion.» «Would you be able,» my wife asked, «to fix your attention on what The Tibetan Book of The Dead calls the Clear Light?» I was doubtful.
«Would it keep the evil away, if you could hold it? Or would you not be able to hold it?»

I considered the question for some time. «Perhaps,» I answered at last, «perhaps I could — but only if there were somebody there to tell me about the Clear Light. One couldn’t do it by oneself. That’s the point, I suppose, of the Tibetan ritual — someone sitting there all the time and telling you what’s what.»

After listening to the record of this part of the experiment, I took down my copy of Evans-Wentz’s edition of The Tibetan Book of the Dead, and opened at random. «O nobly born, let not thy mind be distracted.» That was the problem — to remain undistracted. Undistracted by the memory of past sins, by imagined pleasure, by the bitter aftertaste of old wrongs and humiliations, by all the fears and hates and cravings that ordinarily eclipse the Light. What those Buddhist monks did for the dying and the dead, might not the modern psychiatrist do for the insane? Let there be a voice to assure them, by day and even while they are asleep, that in spite of all the terror, all the bewilderment and confusion, the ultimate Reality remains unshakably itself and is of the same substance as the inner light of even the most cruelly tormented mind. By means of such devices as recorders, clock-controlled switches, public address systems and pillow speakers it should be very easy to keep the inmates of even an understaffed institution constantly reminded of this primordial fact. Perhaps a few of the lost souls might in this way be helped to win some measure of control over the universe — at once beautiful and appalling, but always other than human, always totally incomprehensible — in which they find themselves condemned to live.
None too soon, I was steered away from the disquieting splendors of my garden chair. Drooping in green parabolas from the hedge, the ivy fronds shone with a kind of glassy, jade-like radiance. A moment later a clump of Red Hot Pokers, in full bloom, had exploded into my field of vision. So passionately alive that they seemed to be standing on the very brink of utterance, the flowers strained upwards into the blue. Like the chair under the laths, they protected too much. I looked down at the leaves and discovered a cavernous intricacy of the most delicate green lights and shadows, pulsing with undecipherable mystery.

Roses : The flowers are easy to paint, The leaves difficult.
Shiki’s haiku (which I quote in R. H. Blyth’s translation) expresses, by indirection, exactly what I then felt — the excessive, the too obvious glory of the flowers, as contrasted with the subtler miracle of their foliage.

We walked out into the street. A large pale blue automobile was standing at the curb. At the sight of it, I was suddenly overcome by enormous merriment. What complacency, what an absurd self-satisfaction beamed from those bulging surfaces of glossiest enamel! Man had created the thing in his own image — or rather in the image of his favorite character in fiction. I laughed till the tears ran down my cheeks.

We re-entered the house. A meal had been prepared. Somebody, who was not yet identical with myself, fell to with ravenous appetite. From a considerable distance and without much interest, I looked on.

When the meal had been eaten, we got into the car and went for a drive. The effects of the mescalin were already on the decline: but the flowers in the gardens still trembled on the brink of being supernatural, the pepper trees and carobs along the side streets still manifestly belonged to some sacred grove. Eden alternated with Dodona. Yggdrasil with the mystic Rose. And then, abruptly, we were at an intersection, waiting to cross Sunset Boulevard. Before us the cars were rolling by in a steady stream -thousands of them, all bright and shiny like an advertiser’s dream and each more ludicrous than the last. Once again I was convulsed with laughter. The Red Sea of traffic parted at last, and we crossed into another oasis of trees and lawns and roses. In a few minutes we had climbed to a vantage point in the hills, and there was the city spread out beneath us. Rather disappointingly, it looked very like the city I had seen on other occasions. So far as I was concerned, transfiguration was proportional to distance. The nearer, the more divinely other. This vast, dim panorama was hardly different from itself.

We drove on, and so long as we remained in the hills, with view succeeding distant view, significance was at its everyday level, well below transfiguration point. The magic began to work again only when we turned down into a new suburb and were gliding between two rows of houses. Here, in spite of the peculiar hideousness of the architecture, there were renewals of transcendental otherness, hints of the morning’s heaven. Brick chimneys and green composition roofs glowed in the sunshine, like fragments of the New Jerusalem. And all at once I saw what Guardi had seen and (with what incomparable skill) had so often rendered in his paintings- a stucco wall with a shadow slanting across it, blank but unforgettably beautiful, empty but charged with all the meaning and the mystery of existence. The revelation dawned and was gone again within a fraction of a second. The car had moved on; time was uncovering another manifestation of the eternal Suchness. «Within sameness there is difference.

But that difference should be different from sameness is in no wise the intention of all the Buddhas. Their intention is both totality and differentiation.» This bank of red and white geraniums, for example-it was entirely different from that stucco wall a hundred yards up the road. But the «is-ness» of both was the same, the eternal quality of their transience was the same.

An hour later, with ten more miles and the visit to the World’s Biggest Drug Store safely behind us, we were back at home, and I had returned to that reassuring but profoundly unsatisfactory state known as «being in one’s right mind.» That humanity at large will ever be able to dispense with Artificial Paradises seems very unlikely. Most men and women lead lives at the worst so painful, at the best so monotonous, poor and limited that the urge to escape, the longing to transcend themselves if only for a few moments, is and has always been one of the principal appetites of the soul. Art and religion, carnivals and saturnalia, dancing and listening to oratory -all these have served, in H. G. Wells’s phrase, as Doors in the Wall. And for private, far everyday use there have always been chemical intoxicants. All the vegetable sedatives and narcotics, all the euphorics that grow on trees, the hallucinogens that ripen in berries or can be squeezed from roots -all, without exception, have been known and systematically used by human beings from time immemorial. And to these natural modifiers of consciousness modern science has added its quota of synthetics — chloral, for example, and benzedrine, the bromides and the barbiturates.

Most of these modifiers of consciousness cannot now be taken except under doctor’s orders, or else illegally and at considerable risk. For unrestricted use the West has permitted only alcohol and tobacco. All the other chemical Doors in the Wall are labeled Dope, and their unauthorized takers are Fiends.

We now spend a good deal more on drink and smoke than we spend on education. This, of course, is not surprising. The urge to escape from selfhood and the environment is in almost everyone almost all the time. The urge to do something for the young is strong only in parents, and in them only for the few years during which their children go to school. Equally unsurprising is the current attitude towards drink and smoke. In spite of the growing army of hopeless alcoholics, in spite of the hundreds of thousands of persons annually maimed or killed by drunken drivers, popular comedians still crack jokes about alcohol and its addicts. And in spite of the evidence linking cigarettes with lung cancer, practically everybody regards tobacco smoking as being hardly less normal and natural than eating. From the point of view of the rationalist utilitarian this may seem odd. For the historian, it is exactly what you would expect. A firm conviction of the material reality of Hell never prevented medieval Christians from doing what their ambition, lust or covetousness suggested. Lung cancer, traffic accidents and the millions of miserable and misery-creating alcoholics are facts even more certain than was, in Dante’s day, the fact of the Inferno. But all such facts are remote and unsubstantial compared with the near, felt fact of a craving, here and now, for release or sedation, for a drink or a smoke.

Ours is the age, among other things, of the automobile and of rocketing population. Alcohol is incompatible with safety on the roads, and its production, like that of tobacco, condemns to virtual sterility many millions of acres of the most fertile soil. The

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draw a breath without knowing it was part of the plot." "So you think you know where madness lies?"My answer was a convinced and heartfelt, "Yes." "And you couldn't control