The possibility of applying the principle of correlated variation to psychology depends on differential psychology, the study of psychological variation. I believe, moreover, that a combination of study of the anatomical “habit,” and the mental characteristics will lead to a statical psycho-physics, a true science of physiognomy. The rule of investigation in all the three sciences will have to be that the question is posed as follows; given that two organisms are known to differ in one respect, in what other respects are they different? This will be the golden rule of discovery, and, following it, we shall no longer lose ourselves hopelessly in the dark maze that surrounds the answer to the question “Why?” As soon as we are informed as to one difference, we must diligently seek out the others, and the mere putting of the question in this form will directly bring about many discoveries.
The conscious pursuit of this rule of investigation will be particularly valuable in dealing with problems of the mind. Mental actions are not co-existent in the sense of physical characters, and it has been only by accidental and fortunate chances, when the phenomena have presented themselves in rapid succession in an individual, that discoveries of correlation in mental phenomena have been noticed. The correlated mental phenomena may be very different in kind, and it is only when we know what we are after and deliberately seek for them that we shall be able to transcend the special difficulties of the kind of material we are investigating, and so secure for psychology what is comparatively simple in anatomy.
CHAPTER VI
EMANCIPATED WOMEN
As an immediate application of the attempt to establish the principle of intermediate sexual forms by means of a differential psychology, we must now come to the question which it is the special object of this book to answer, theoretically and practically, I mean the woman question, theoretically so far as it is not a matter of ethnology and national economics, and practically in so far as it is not merely a matter of law and domestic economy, that is to say, of social science in the widest sense. The answer which this chapter is about to give must not be considered as final or as exhaustive. It is rather a necessary preliminary investigation, and does not go beyond deductions from the principles that I have established. It will deal with the exploration of individual cases and will not attempt to found on these any laws of general significance. The practical indications that it will give are not moral maxims that could or would guide the future; they are no more than technical rules abstracted from past cases. The idea of male and female types will not be discussed here; that is reserved for the second part of my book. This preliminary investigation will deal with only those charactero-logical conclusions from the principle of sexually intermediate forms that are of significance in the woman question.
The general direction of the investigation is easy to understand from what has already been stated. A woman’s demand for emancipation and her qualification for it are in direct proportion to the amount of maleness in her. The idea of emancipation, however, is many-sided, and its indefiniteness is increased by its association with many practical customs which have nothing to do with the theory of emancipation. By the term emancipation of a woman I imply neither her mastery at home nor her subjection of her husband. I have not in mind the courage which enables her to go freely by night or by day unaccompanied in public places, or the disregard of social rules which prohibit bachelor women from receiving visits from men, or discussing or listening to discussions of sexual matters.
I exclude from my view the desire for economic independence, the becoming fit for positions in technical schools, universities and conservatoires or teachers’ institutes. And there may be many other similar movements associated with the word emancipation which I do not intend to deal with. Emancipation, as I mean to discuss it, is not the wish for an outward equality with man, but what is of real importance in the woman question, the deep-seated craving to acquire man’s character, to attain his mental and moral freedom, to reach his real interests and his creative power. I maintain that the real female element has neither the desire nor the capacity for emancipation in this sense. All those who are striving for this real emancipation, all women who are truly famous and are of conspicuous mental ability, to the first glance of an expert reveal some of the anatomical characters of the male, some external bodily resemblance to a man.
Those so-called “women” who have been held up to admiration in the past and present, by the advocates of woman’s rights, as examples of what women can do, have almost invariably been what I have described as sexually intermediate forms. The very first of the historical examples, Sappho herself, has been handed down to us as an example of the sexual invert, and from her name has been derived the accepted terms for perverted sexual relations between women. The contents of the second and third chapter thus at once become important with regard to the woman question. The characterological material at our disposal with regard to celebrated and emancipated women is too vague to serve as the foundation of any satisfactory theory. What is wanted is some principle which would enable us to determine at what point between male and female such individuals were placed. My law of sexual affinity is such a principle. Its application to the facts of homo-sexuality showed that the woman who attracts and is attracted by other women is herself half male.
Interpreting the historical evidence at our disposal in the light of this principle, we find that the degree of emancipation and the proportion of maleness in the composition of a woman are practically identical. Sappho was only the forerunner of a long line of famous women who were either homo-sexually or bisexually inclined. Classical scholars have defended Sappho warmly against the implication that there was anything more than mere friendship in her relations with her own sex, as if the accusation were necessarily degrading. In the second part of my book, however, I shall show reasons in favour of the possibility that homo-sexuality is a higher form than hetero-sexuality. For the present, it is enough to say that homo-sexuality in a woman is the outcome of her masculinity and presupposes a higher degree of development. Catherine II. of Russia, and Queen Christina of Sweden, the highly gifted although deaf, dumb and blind, Laura Bridgman, George Sand, and a very large number of highly gifted women and girls concerning whom I myself have been able to collect information, were partly bisexual, partly homo-sexual.
I shall now turn to other indications in the case of the large number of emancipated women regarding whom there is no evidence as to homo-sexuality, and I shall show that my attribution of maleness is no caprice, no egotistical wish of a man to associate all the higher manifestations of intelligence with the male sex. Just as homo-sexual or bisexual women reveal their maleness by their preference either for women or for womanish men, so hetero-sexual women display maleness in their choice of a male partner who is not preponderatingly male. The most famous of George Sand’s many affairs were those with de Musset, the most effeminate and sentimental poet, and with Chopin, who might be described almost as the only female musician, so effeminate are his compositions.[5]
Vittoria Colonna is less known because of her own poetic compositions than because of the infatuation for her shown by Michael Angelo, whose earlier friendships had been with youths. The authoress, Daniel Stern, was the mistress of Franz Liszt, whose life and compositions were extremely effeminate, and who had a dubious friendship with Wagner, the interpretation of which was made plain by his later devotion to King Ludwig II. of Bavaria. Madame de Staal, whose work on Germany is probably the greatest book ever produced by a woman, is supposed to have been intimate with August Wilhelm Schlegel, who was a homo-sexualist, and who had been tutor to her children. At certain periods of his life, the face of the husband of Clara Schumann might have been taken as that of a woman, and a good deal of his music, although certainly not all, was effeminate.
[5] Chopin’s portraits show his effeminacy plainly. Merimée describes George Sand as being as thin as a nail. At the first meeting of the two, the lady behaved like a man, and the
