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Sex And Character
termination. And so the great emperor is no more than a phenomenon of nature, whereas the genius is outside nature and is an incorporation of the mind. The works of men of action crumble at the death of their authors, if indeed they have not already decayed, or they survive only a brief time leaving no traces behind them except what the chronicles record as having been done and later undone. The emperor creates no works that survive time, passing into eternity; such creations come from genius. It is the genius in reality and not the other who is the creator of history, for it is only the genius who is outside and unconditioned by history. The great man has a history, the emperor is only a part of history. The great man transcends time; time creates and time destroys the emperor.

The great man of science, unless he is also a philosopher (I think of such names as Newton and Gauss, Linnæus and Darwin, Copernicus and Galileo), deserves the title of genius as little as the man of action. Men of science are not universal; they deal only with a branch or branches of knowledge. This is not due, as is sometimes said, merely to the extreme modern specialisation that makes it impossible to master everything. Even in the nineteenth and twentieth centuries there are still amongst the learned men individuals with a knowledge as many-sided as that of Aristotle or Leibnitz; the names of von Humboldt and William Wundt at once come to my mind. The absence of genius comes from something much more deeply seated in the men of science, and in science itself, from a cause which I shall explain in the eighth chapter.

Probably some one may be disposed to argue that if even the most distinguished men of science have not a knowledge so universal as that of the philosopher, there are some who stand on the outermost fringes of philosophy, and to whom it is yet difficult to deny the word genius. I think of such men as Fichte, Schleiermacher, Carlyle, and Nietzsche. Which of the merely scientific has felt in himself an unconditioned comprehension of all men and of all things, or even the capacity to verify any single thing in his mind and by his mind? On the contrary, has not the whole history of the science of the last thousand years been directed against this? This is the reason why men of science are necessarily one-sided. No man of science, unless he is also a philosopher, however eminent his achievements, has that continuous unforgetting life that the genius exhibits, and this is because of his want of universality.

Finally, it is to be observed that the investigations of the scientific are always in definite relation to the knowledge of their day. The scientific man takes possession of a definite store of experimental or observed knowledge, increases or alters it more or less, and then hands it on. And much will be taken away from his achievements, much will silently disappear; his treatises may make a brave show in the libraries, but they cease to be actively alive. On the other hand, we can ascribe to the work of the great philosopher, as to that of the great artist, an imperishable, unchangeable presentation of the world, not disappearing with time, and which, because it was the expression of a great mind, will always find a school of men to adhere to it. There still exist disciples of Plato and Aristotle, of Spinoza and Berkeley and Bruno, but there are now none who denote themselves as followers of Galileo or Helmholtz, of Ptolemy or Copernicus. It is a misuse of terms, due to erroneous ideas, to speak of the “classics” of science or of pedagogy in the sense that we speak of the classics of philosophy and art.

The great philosopher bears the name of genius deservedly and with honour. And if it will always be the greatest pain to the philosopher that he is not an artist, so the artist envies the philosopher his tenacious and controlled strength of systematic thought, and it is not surprising that the artist has taken pleasure in depicting Prometheus and Faust, Prospera and Cyprian, Paul the Apostle and Il Penseroso. The philosopher and the artist are alternate sides of one another.

We must not be too lavish in attributing genius to those who are philosophers or we shall not escape the reproach of being merely partisans of philosophy against science. Such a partisanship is foreign to my purpose, and, I hope, to this book. It would only be absurd to discuss the claims to genius of such men as Anaxagoras, Geulincx, Baader, or Emerson. I deny genius either to such unoriginally profound writers as Angelus Silesius, Philo and Jacobi, or to original yet superficial persons such as Comte, Feuerbach, Hume, Herbart, Locke and Karneades. The history of art is equally full of preposterous valuations, whilst, on the other hand, the history of science is extremely free from false estimations. The history of science busies itself very little with the biographies of its protagonists; its object is a system of objective, collective knowledge in which the individual is swept away. The service of science demands the greatest sacrifice, for in it the individual human being renounces all claim to eternity as such.

CHAPTER VI

MEMORY, LOGIC, AND ETHICS

The title that I have given to this chapter at once opens the way to misinterpretation. It might appear as if the author supported the view that logical and ethical values were the objects exclusively of empirical psychology, psychical phenomena, like perception and sensation, and that logic and ethics, therefore, were subsections of psychology and based upon psychology.

I declare at once that I call this view, the so-called psychologismus, at once false and injurious. It is false because it can lead to nothing; and injurious because, while it hardly touches logic and ethics, it overthrows psychology itself. The exclusion of logic and ethics from the foundations of psychology, and the insertion of them in an appendix, is one of the results of the overgrowth of the doctrine of empirical perception, of that strange heap of dead, fleshless bones which is known as empirical psychology, and from which all real experience has been excluded. I have nothing to do with the empirical school, and in this matter lean towards the transcendentalism of Kant.

As the object of my work, however, is to discover the differences between different members of humanity, and not to discuss categories that would hold good for the angels in heaven, I shall not follow Kant closely, but remain more directly in psychological paths.

The justification of the title of this chapter must be reached along other lines. The tedious, because entirely new, demonstration of the earlier part of my work has shown that the human memory stands in intimate relation with things hitherto supposed unconnected with it—such things as time, value, genius, immortality. I have attempted to show that memory stands in intimate connection with all these. There must be some strong reason for the complete absence of earlier allusions to this side of the subject. I believe the reason to be no more than the inadequacy and slovenliness which hitherto have spoiled theories of memory.

I must here call attention to a theory first propounded by Charles Bonnet in the middle of the eighteenth century and towards the end of the nineteenth century, specially insisted upon by Ewald Hering and E. Mach. This theory regarded the human memory as being only a special case of a property common to all organised matter, the property that makes the path of new stimuli rather easier if these resemble stimuli that have acted at some former time. The theory really makes the human memory an adaptation in the sense of Lamarck, the result on the living organism of repeated stimulation. It is true that there is a point in common between the human memory and the increase of sensitiveness caused by the repeated application of a stimulus; that identical element consists in the permanence of the effect of the first stimulation. There is, however, a fundamental difference between the growth of a muscle that is much used or the adaptation of the eater of arsenic or morphia to increased doses, and the recollection of past experiences by human beings. In the one case the trace of the old is just to be felt in the new stimulation; in the other case, by means of the consciousness, the old situations are actually reproduced with all their individuation. The identification of the two is so superficial that it is a waste of time to dwell longer on it.

The doctrine of association as the theory of memory is linked with the foregoing physiological theory as a matter of history, through Hartley, and, as a matter of fact, because the idea of habit is shared by the two. The association theory attributes memory to the mechanical play of the linking of presentations according to four laws. It overlooks the fact that memory (the continuous memory of man) is a function of the will. I can remember a thing if I really will. In the case of hypnosis, when the recollection of all that has been forgotten is induced, an outside will replaces the will of the subject. It is will that sets in action the chains of association, and we have to deal here with something deeper than a mechanical principle.

In the association psychology, which first splits up the psychic life, and then vainly imagines that it can weld the re-assorted pieces

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termination. And so the great emperor is no more than a phenomenon of nature, whereas the genius is outside nature and is an incorporation of the mind. The works of