phantasia (Greek, ‘appearance’, ‘imagination’), (1) the state we are in when something appears to us to be the case; (2) the capacity in virtue of which things appear to us. Although frequently used of conscious and imagistic experiences, ‘phantasia’ is not limited to such states; in particular, it can be applied to any propositional attitude where something is taken to be the case. But just as the English ‘appears’ connotes that one has epistemic reservations about what is actually the case, so ‘phantasia’ suggests the possibility of being misled by appearances and is thus often a subject of criticism. According to Plato, phantasia is a ‘mixture’ of sensation and belief; in Aristotle, it is a distinct faculty that makes truth and falsehood possible. The Stoics take a phantasia to constitute one of the most basic mental states, in terms of which other mental states are to be explained, and in rational animals it bears the propositional content expressed in language. This last use becomes prominent in ancient literary and rhetorical theory to designate the ability of language to move us and convey subjects vividly as well as to range beyond the bounds of our immediate experience. Here lie the origins of the modern concept of imagination (although not the Romantic distinction between fancy and imagination). Later Neoplatonists, such as Proclus, take phantasia to be necessary for abstract studies such as geometry, by enabling us to envision spatial relations. See also IMAGINATION. V.C.